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Affektpoetiken des New Hollywood. Suspense, Paranoia und Melancholie

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Book Series: Cinepoetics. Poetologien audiovisueller Bilder ISSN: 2509-436X ISBN: 9783110488739 9783110488760 Year: Volume: 2 Pages: ix, 374 DOI: 10.1515/9783110488739 Language: German
Publisher: De Gruyter
Subject: Performing Arts
Added to DOAB on : 2017-01-25 12:48:33
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How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings.

Film Museum Practice and Film Historiography

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ISBN: 9789089648266 Year: DOI: 10.5117/9789089648266 Language: Undetermined
Publisher: Amsterdam University Press
Subject: Performing Arts
Added to DOAB on : 2019-01-15 13:34:17
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Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry historical traces.

Documenting Racism

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ISBN: 9780826405555 9781441172938 Year: Language: English
Publisher: Bloomsbury Academic Grant: Knowledge Unlatched - 102540
Subject: Performing Arts
Added to DOAB on : 2019-03-08 11:21:04
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From the silent era through the 1950s, the U.S. Department of Agriculture was the preeminent government filmmaking organization. In the United States, USDA films were shown in movie theaters, public and private schools at all educational levels, churches, libraries and even in open fields. For many Americans in the early 1900s, the USDA films were the first motion pictures they watched. And yet USDA documentaries have received little serious scholarly attention. The lack of serious study is especially concerning since the films chronicle over half a century of American farm life and agricultural work and, in so doing, also chronicle the social, cultural, and political changes in the United States at a crucial time in its development into a global superpower. Focusing specifically on four key films, Winn explicates the representation of African Americans in these films within the socio-political context of their times.

Cinema against Spectacle: Technique and Ideology Revisited

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Book Series: Film Theory in Media History ISBN: 9789089645548 Year: Pages: 348 DOI: 10.5117/9789089645548 Language: English
Publisher: Amsterdam University Press
Subject: Performing Arts
Added to DOAB on : 2015-01-18 11:01:10
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Jean-Louis Comolli’s six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli’s activity as both a theorist and a filmmaker.

Technology and Film Scholarship: Experience, Study, Theory

Authors: ---
Book Series: Film Theory in Media History ISBN: 9789048525270 9789089647542 Year: Pages: 408 Language: English
Publisher: Amsterdam University Press
Subject: Performing Arts --- Media and communication
Added to DOAB on : 2019-10-23 11:21:09
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This volume brings together a wide range of explorations of the ways in which technological innovations have established new and changing conditions for the experience and study of film. The book offers analyses by such leading figures in film studies as Tom Gunning and Charles Musser, who examine the ways in which technological changes have altered the ways how cinema is conceived and how it is approached as an object of study. Contributors also look at the overlapping stages through which new experience is translated in institutionalized knowledge within the discipline.

Making the invisible visible

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ISBN: 9789188909053 9789188661852 Year: Pages: 185 DOI: 10.21525/kriterium.21 Language: English
Publisher: Kriterium
Subject: Education --- Psychology --- Gender Studies --- Sociology --- Social Sciences --- Arts in general
Added to DOAB on : 2020-02-05 11:21:20
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"As film stars, actresses have throughout film history contributed to the film industry’s glamorous surface, providing audiences with visual attraction and different representations of femininity. To talk about women in film as “invisible” may thus seem odd or even wrong. This book, however, is concerned with the paradox that on the other side of the camera, women are clearly underrepresented. This is true of contemporary film culture, and has been true historically, despite significant variations between countries/geographical areas, historical time periods and different roles/professions in film production, distribution and exhibition. This anthology recovers forgotten aspects of women’s work and memory, tracing women’s film work through the lens of Swedish film history, with a few forays into international film ventures. Using a variety of methods and approaches, including careful study of previously neglected archival material, lived experiences, interviews, and theoretical reflections on feminist historiography, the book explores themes of women’s agency and (lack of) visibility in a cultural context very different to Hollywood, thus providing readers with a healthy counterweight to the dominance of Anglo-American material in film scholarship published in English. The articles deal with women’s agency in a wide range of roles, in film production, exhibition and criticism, but also with new perspectives on stars/actresses and their agency, and including LGBT and queer identities.
The research presents material evidence of women’s involvement in film culture being obscured and ignored because of its status as “women’s work”, and/or of marginal rather than mainstream interest. The book is divided into two parts, where the first part collects chapters that cover neglected dimensions of silent film culture and the use of archival film as cultural memory in documentary work from various time periods, whereas the second part of the book is focussed mainly on films and filmmaking in the 1970s and 1980s."

Images of Dutchness: Popular Visual Culture, Early Cinema and the Emergence of a National Cliché

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Book Series: Framing Film ISBN: 9789048532971 9789462983007 Year: Pages: 340 Language: English
Publisher: Amsterdam University Press
Subject: Performing Arts --- Arts in general
Added to DOAB on : 2019-10-23 11:21:06
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Why do early films present the Netherlands as a country full of canals and windmills, where people wear traditional costumes and wooden shoes, while industries and modern urban life are all but absent? Where do such visual clichés come from? This study investigates the roots of this imagery in popular visual media ranging from magazines to tourist brochures, from anthropological treatises to advertising trade cards, stereoscopic photographs, picture postcards, magic lantern slide sets and films of early cinema. The book provides an in-depth study of this rich and fascinating corpus of popular visual media that has not been studied before, and the discourses that these images were meant to illustrate. This intermedial approach offers new insights into the emergence of national clichés and the study of stereotypical thinking.

Emerging Socialities in 21st Century Healthcare

Authors: ---
ISBN: 9789048532810 9789462982772 Year: Pages: 176 Language: English
Publisher: Amsterdam University Press
Subject: Medicine (General) --- Social Sciences
Added to DOAB on : 2019-10-23 11:21:06
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The landscape of health care is changing rapidly, both on an organizational and a technological level. This book gathers medical anthropologists to examine the ways that both patients and health care workers are being affected by new policies, market, and technologies. Contributors cover a wide range of topics, including vaccination, disability, migration, and self-medication, making clear that not only are changing circumstances leading to the emergence of new socialities, but they are also driving new ethics and moralities.

The Cultural Practice of Immigrant Filmmaking

Authors: ---
ISBN: 9781783209866 9781789380538 9781789380606 Year: DOI: 10.1386/9781783209866 Language: English
Publisher: Intellect Grant: Knowledge Unlatched - 104807
Subject: History --- Migration
Added to DOAB on : 2019-05-30 11:21:02
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Based on a research project funded by the Swedish Research Council, this book analyses 40 years of post-war independent immigrant filmmaking in Sweden. John Sundholm and Lars Gustaf Andersson consider the creativity that lies in the state of exile, offering analyses of over 50 rarely seen immigrant films that would otherwise remain invisible and unarchived. They shed light on the complex web of personal, economic and cultural circumstances around migrant filmmaking, and discuss associations that became important sites of self-organization for exiled filmmakers: The Independent Film Group, The Stockholm Film Workshop, Cineco, Kaleidoscope and Tensta Film Association.

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