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Nightwood Theatre A Woman’s Work Is Always Done

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Book Series: Canadian Plays ISSN: 19175094 ISBN: 9781897425558 9781897425565 Year: Pages: 345 Language: English
Publisher: Athabasca University Press
Added to DOAB on : 2012-03-29 16:37:58
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Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the “home company” for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company’s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood’s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S.

Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance

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Book Series: Stockholm Studies in Culture and Aesthetics ISBN: 9789176350232 9789176350201 9789176350218 9789176350225 Year: Pages: 264 DOI: 10.16993/baf Language: English
Publisher: Stockholm University Press Grant: Royal Swedish Academy of Sciences
Subject: Social Sciences --- Music --- Performing Arts --- Arts in general
Added to DOAB on : 2016-06-08 11:01:14
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This collection of essays investigates elements of the human voice and performance, and their implications for gender and sexuality. The chapters address affect, pleasure, and memory in the enjoyment of musical and theatrical performance. Rosenberg also examines contemporary feminist performance, anti-racist interventions, activist aesthetics, and political agency especially with regard to feminist and queer interpretations of opera and theatre. She contextualizes her work within broader developments in gender and queer studies, and within the feminist movement by highlighting important contributions of artists who draw from the above to create performance. The book will be welcomed by opera and theatre lovers, students, academics, and the wider public that is interested in the performing arts and its queer feminist potential.

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