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As playwright, actor, director, teacher, mentor, theatre administrator, and critic, Sharon Pollock has played an integral role in the shaping of Canada's national theatre tradition, and she continues to produce new works and to contribute to Canadian theatre as passionately as she has done over the past fifty years. Pollock is nationally and internationally respected for her work and support of the theatre community. She has also played a major role in informing Canadians about the "dark side" of their history and current events. This collection, comprised entirely of new and original assessments of her work and contribution to theatre, is both timely and long overdue. Includes a new play titled "Sharon's Tongue" by the Playing with Pollock CollectiveWith contributions by:Kathy K. Y. ChungDonna CoatesCarmen DerksenSherrill GraceMartin MorrowJeton NezirajWes PearceTanya SchaapShelley ScottJerry WassermanJason WeinsCynthia Zimmerman

Theatre --- Literature --- Women's Studies

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Feminism and the Politics of Childhood offers an innovative and critical exploration of perceived commonalities and conflicts between women and children and, more broadly, between various forms of feminism and the politics of childhood. This unique collection of 18 chapters brings into dialogue authors from a range of geographical contexts, social science disciplines, activist organisations, and theoretical perspectives. The wide variety of subjects include refugee camps, care labour, domestic violence and childcare and education. Chapter authors focus on local contexts as well as their global interconnections, and draw on diverse theoretical traditions such as poststructuralism, psychoanalysis, posthumanism, postcolonialism, political economy, and the ethics of care. Together the contributions offer new ways to conceptualise relations between women and children, and to address injustices faced by both groups.

women's studies --- childhood --- feminism

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An extensive body of literature on Indigenous knowledge and ways of knowing has been written since the 1980s. This research has for the most part been conducted by scholars operating within Western epistemological frameworks that tend not only to deny the subjectivity of knowledge but also to privilege masculine authority. As a result, the information gathered predominantly reflects the types of knowledge traditionally held by men, yielding a perspective that is at once gendered and incomplete. Even those academics, communities, and governments interested in consulting with Indigenous peoples for the purposes of planning, monitoring, and managing land use have largely ignored the knowledge traditionally produced, preserved, and transmitted by Indigenous women. While this omission reflects patriarchal assumptions, it may also be the result of the reductionist tendencies of researchers, who have attempted to organize Indigenous knowledge so as to align it with Western scientific categories, and of policy makers, who have sought to deploy such knowledge in the service of external priorities. Such efforts to apply Indigenous knowledge have had the effect of abstracting this knowledge from place as well as from the world view and community—and by extension the gender—to which it is inextricably connected.Living on the Land examines how patriarchy, gender, and colonialism have shaped the experiences of Indigenous women as both knowers and producers of knowledge. From a variety of methodological perspectives, contributors to the volume explore the nature and scope of Indigenous women’s knowledge, its rootedness in relationships both human and spiritual, and its inseparability from land and landscape. From the reconstruction of cultural and ecological heritage by Naskapi women in Québec to the medical expertise of Métis women in western Canada to the mapping and securing of land rights in Nicaragua, Living on the Land focuses on the integral role of women as stewards of the land and governors of the community. Together, these contributions point to a distinctive set of challenges and possibilities for Indigenous women and their communities.

United Nations, Arctic Studies, Inuit, Land Claims, Treaties,Women's Studies

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Dangerous Ideas explores sex and love, politics and performance, joy and anguish in a collection of essays focussed on the history and politics of the Women’s Liberation Movement and one of its offshoots, Women’s Studies, in Australia and around the world. These are serious matters: they are about tectonic changes in people’s lives and ideas in the late twentieth century, too little remembered or understood any longer. ‘Feminism’, this book suggests, ‘is always multiple and various, fluid and changing, defying efforts at definition, characterisation, periodisation’. Nevertheless, Dangerous Ideas tackles some hard questions. How did Women’s Liberation begin? What held this transformative movement together? Would it bring about the death of the family? Was it reorganising the labour market? Revolutionising human reproduction? How could Women’s Studies exist in patriarchal universities? Could feminism change the paradigms governing the world of learning? In the United States? In Russia? In the People’s Republic of China? It is great fun, too. This book tells of Hobart’s hilarious Feminist Food Guide; of an outburst of creative energies among feminists – women on top, behaving badly; of dreams and desires for an entirely different future. And, always unorthodox: it finds hope and cheer in a history of the tampon.

dangerous ideas --- feminist --- women's liberation movement --- feminist science fiction --- women's studies --- centre for women's studies --- feminist theory --- the sexual revolution --- redstockings --- women's movement --- feminism --- the tampon --- susan magarey --- socialist-feminism --- gender studies

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"Woman Between Two Kingdoms explores the story of Dara Rasami, one of 153 wives of King Chulalongkorn of Siam in Thailand during the late nineteenth and early twentieth centuries. Born in a kingdom near Siam called Lan Na, Dara served as both hostage and diplomat for her family and nation. Thought of as a ""harem"" by the West, Siam's Inner Palace actually formed a nexus between the domestic and the political. Dara's role as an ethnic ""other"" among the royal concubines assisted the Siamese in both consolidating the kingdom's territory and building a local version of Europe's hierarchy of civilizations. Dara Rasami's story provides a fresh perspective on both the socio-political roles played by Siamese palace women, and how Siam responded to the intense imperialist pressures it faced in the late nineteenth century."

history --- Asia --- South East Asia --- Asian history --- social science --- women's studies --- gender studies --- women & girls --- biography & autobiography --- women --- biography