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The Letters of Vincent van Gogh: A Critical Study

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Book Series: Cultural Dialectics ISSN: 19158378 ISBN: 9781927356746 9781927356753 9781927356760 Year: Pages: 254 DOI: 10.15215/aupress/9781927356746.01 Language: English
Publisher: Athabasca University Press
Added to DOAB on : 2014-08-04 17:04:53
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When he died at the age of thirty-seven, Vincent van Gogh left a legacy of over two thousand artworks, for which he is now justly famous. But van Gogh was also a prodigious writer of letters - more than eight hundred of them, addressed to his parents, to friends such as Paul Gauguin, and, above all, to his brother Theo. His letters have long been admired for their exceptional literary quality, and art historians have sometimes drawn on the letters in their analysis of the paintings. And yet, to date, no one has undertaken a critical assessment of this remarkable body of writingÑnot as a footnote to the paintings but as a highly sophisticated literary achievement in its own right. Patrick Grant's long-awaited study provides such an assessment and, as such, redresses a significant omission in the field of van Gogh studies. As Grant demonstrates, quite apart from furnishing a highly revealing self-portrait of their author, the letters are compelling for their imaginative and expressive power, as well as for the perceptive commentary they offer on universal human themes. Through a subtle exploration of van Gogh's contrastive style of thinking and his fascination with the notion of imperfection, Grant illuminates gradual shifts in van Gogh's ideas on religion, ethics, and the meaning of art. He also analyzes the metaphorical significance of a number of key images in the letters, which prove to yield unexpected psychological and conceptual connections, and probes the relationships that surface when the letters are viewed as a cohesive literary product. The result is a wealth of new insights into van Gogh's inner landscape.

Fritz Saxl - Eine Biografie

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ISBN: 9783205788638 Year: Pages: 346 DOI: 10.26530/oapen_459331 Language: German
Publisher: Böhlau Grant: Austrian Science Fund - D 4321
Subject: History
Added to DOAB on : 2013-11-15 20:22:07
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Aby Warburg (1866-1929), the celebrated Hamburg art historian, who broke new ground with his research into Renaissance art history, found in Fritz Saxl (1890-1948), art historian, head librarian and finally his successor as director of Warburg's library and later the Warburg Institute, a scholar who contributed to the shaping of a pluridisciplinary understanding of research. Through Saxl's research of problems of Late Antiquity and the Middle Ages he gave important impulses to the scholarly understanding of intellectual history. Saxl, who extended the library system of the "good neighbourliness" of books, demonstrated his organizational thinking and strategies, which anticipated the use of hyperlinks - albeit without today's electronic technology. It was Saxl who turned Warburg's library from a private library into the centre of an international network for scholars. He spoke of himself as the wanderer through the museums and libraries of Europe, an agricultural worker who worked the piece of ground between history of art, literature, science and religion. Saxl's own research agenda was multifarious, the history of astrology, of mythology, in particular the research into illuminated astrological and mythological manuscripts of the Middle Ages, gleaned from archives all over Europe and published in three comprehensive Verzeichnisse. He further worked on religions of classical antiquity, the transition from pagan to Christian traditions, Mithras as well as art historical topics, Bellini, Titian. His life-long great admiration for Rembrandt found expession in a number of publications. 17th century art history, English medieval sculpture and his last great interest, seals, completed his scholarly output. But next to these research topics his achievements in the fields of organization were the area in which Saxl truly excelled. Warburg, although he spoke of him as the "junior partner", admired his scholarly honesty and thoroughness, but ultimately underestimated his achievements in administration and organization; these alone made it possible that the private library of Warburg could be consolidated into a internationally approved institute of teaching and research in Germany, and then in Great Britain. As Warburg's successor Saxl both kept as close as possible to Warburg's method as well as break fresh ground. Saxl was a truly original thinker, a congenial teacher, very demanding to his students and colleagues, but also fiercely supportive, for instance, to Roger Hinks, when he lost his post at the British Museum in the course of the affair of the cleaning of the Elgin Marbles. He employed Anthony Blunt as editor of the Warburg Institute publications, he brought Ernst H. Gombrich from Vienna to London in 1936. He was a great example to the young art historian John Pope-Hennessy, later Director of the Victoria and Albert Museum and the British Museum. Today, the Warburg Institute is a post-graduate research institute specializing in researching cultural and intellectual history, a forum for scholars and students. The fact that teaching and research could be kept up in Hamburg until 1933 and resumed in London from 1934 onward, speaks for the personal commitment of the employees and above all for Saxl;s intellectual courage and sense for practical solutions. His unstinting effort and dedication were certainly reasons for Saxl's early death at 58 years of age.

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