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This volume brings the remote and little known island of Rapa firmly to the forefront of Polynesian archaeology. Thirteen authors contribute 14 chapters, covering not only the basic archaeology of coastal sites, rock shelters, and fortifications, but faunal remains, agricultural development, and marine exploitation. The results, presented within a chronology framed by Bayesian analysis, are set against a background of ethnohistory and ethnology. Highly unusual in tropical Polynesian archaeology are descriptions of artefacts of perishable material. Taking the High Ground provides important insights into how a group of Polynesian settlers adapted to an isolated and in some ways restrictive environment.
archaeology --- polynesia
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Lapita comprises an archaeological horizon that is fundamental to the understanding of human colonisation and settlement of the Pacific as it is associated with the arrival of the common ancestors of the Polynesians and many Austronesian-speaking Melanesians more than 3000 years ago. While Lapita archaeology has captured the imagination and sustained the focus of archaeologists for more than 50 years, more recent discoveries have inspired renewed interpretations and assessments. Oceanic Explorations reports on a number of these latest discoveries and includes papers which reassess the Lapita phenomenon in light of this new data. They reflect on a broad range of interrelated themes including Lapita chronology, patterns of settlement, migration, interaction and exchange, ritual behaviour, sampling strategies and ceramic analyses, all of which relate to aspects highlighting both advances and continuing impediments associated with Lapita research.
antiquities --- polynesia --- melanesia --- anthropology --- lapita culture
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Le vaste territoire de la Polynésie Française compte sept langues distinctes – tahitien, austral, rapa, mangarévien, marquisien du nord, marquisien du sud, pa’umotu – dotées à leur tour d’une forte variation interne. Fruit de dix ans de collaboration entre deux linguistes du CNRS, Jean-Michel Charpentier et Alexandre François, l’Atlas Linguistique de la Polynésie Française rend hommage à ce riche paysage linguistique et dialectal en documentant minutieusement vingt parlers différents du territoire, à l’aide de plus de 2250 cartes. Organisées thématiquement – corps, vie, individu et société, culture et techniques, flore et faune – ces cartes lexicales s’accompagnent de notes explicatives et d’index en français, anglais, tahitien. Des chapitres introductifs présentent le contexte social et la dynamique historique des langues de Polynésie Française, toutes plus ou moins fragilisées par la modernité. Publié en accès libre, cet ouvrage multilingue et comparatif s’adresse non seulement aux chercheurs et aux enseignants, mais aussi à tous ceux que passionne le patrimoine linguistique de cette région du Pacifique.The vast territory of French Polynesia is home to seven distinct languages – Tahitian, Austral, Rapa, Mangarevan, North Marquesan, South Marquesan, and Pa’umotu – which in turn show internal variation. The fruit of ten years of joint work by two linguists of French CNRS, Jean-Michel Charpentier and Alexandre François, the Linguistic Atlas of French Polynesia pays tribute to the rich linguistic landscape of the country by documenting thoroughly twenty different communalects, in the form of 2250 maps. Organised by topics (body, life, individual and society, culture and technology, flora and fauna), these lexical maps are supplemented by explanatory notes and indexes in French, English, Tahitian. Text chapters in French and English present the social profile and the historical dynamics of the territory’s languages, which are all endangered to various extents. Published in open access, this multilingual and comparative atlas provides an essential reference to scholars and teachers alike, as well as to a broader audience keen to explore and preserve the linguistic heritage of the Pacific region.
Atlas --- Dialectology --- French-Polynesia/Language --- Lexicography
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This collection deals with an ancient institution in Eastern Polynesia called the rahui, a form of restricting access to resources and/or territories. While tapu had been extensively discussed in the scientific literature on Oceanian anthropology, the rahui is quite absent from secondary modern literature. This situation is all the more problematic because individual actors, societies, and states in the Pacific are readapting such concepts to their current needs, such as environment regulation or cultural legitimacy. This book assembles a comprehensive collection of current works on the rahui from a legal pluralism perspective. This study as a whole underlines the new assertion of identity that has flowed from the cultural dimension of the rahui. Today, rahui have become a means for indigenous communities to be fully recognised on a political level. Some indigenous communities choose to restore the rahui in order to preserve political control of their territory or, in some cases, to get it back. For the state, better control of the rahui represents a way of asserting its legitimacy and its sovereignty, in the face of this reassertion by indigenous communities.
cultural identity --- resource management --- eastern polynesia --- rahui
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Society is never just a localized aggregate of people but exists by virtue of its members’ narrative and conceptual awareness of other times and places. In Jukka Siikala’s work this idea evolves into a broad ethnographic and theoretical interest in worlds beyond the horizon, in the double sense of “past” and “abroad.” This book is a tribute to Jukka’s contributions to anthropology by his colleagues and students and marks his 60th birthday in January 2007. By exploring the near, distant, inward and outward horizons towards which societies project their reality, the authors aim at developing a new, productive language for addressing culture as a way of experiencing and engaging the world.
Polynesia --- Melanesia --- society --- structure --- modes of transport
Book title: Kosmos: Weltentwürfe im Vergleich
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This article is concerned with cosmological concepts of the peoples of Polynesia in the Pacific. Following a creation myth from Tahiti, the authors explore the realms of te ao (the world of space and light which came to be inhabited by humans) and te po (the engulfing darkness, associated with the night, the ancestors and spirits) by investigating artefacts from the region. Certain qualities of the rare materials used in the highly skilled making, and the knowledge of the utilisation of these artefacts enabled pacific islanders to establish a connection to divine entities but also to protect themselves of their powers. Many of the cosmological principles finally can be rediscovered in the objects themselves, which therefore are a study of the cosmos in miniature.
material culture --- ritual --- pacific --- te ao, te po --- artefacts --- mana --- objects --- polynesia --- cosmology --- anthropology
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In this volume of 15 articles, contributors from a wide range of disciplines present their analyses of Disney movies and Disney music, which are mainstays of popular culture. The power of the Disney brand has heightened the need for academics to question whether Disney’s films and music function as a tool of the Western elite that shapes the views of those less empowered. Given its global reach, how the Walt Disney Company handles the role of race, gender, and sexuality in social structural inequality merits serious reflection according to a number of the articles in the volume. On the other hand, other authors argue that Disney productions can help individuals cope with difficult situations or embrace progressive thinking. The different approaches to the assessment of Disney films as cultural artifacts also vary according to the theoretical perspectives guiding the interpretation of both overt and latent symbolic meaning in the movies. The authors of the 15 articles encourage readers to engage with the material, showcasing a variety of views about the good, the bad, and the best way forward.
content analysis --- cultivation --- Disney --- family --- family structure --- family function --- Elsa --- Kristoff --- Olaf --- Marshmallow --- Let it Go --- enchantment --- applause --- engagement ring --- diamond --- gender --- snowmen --- wedding toast --- bullroarer --- fireworks --- witches --- magic --- standing ovation --- fertility --- parthenogenesis --- gender nonconformity --- non-binary --- storms --- family jewels --- snowflake --- feminism --- Moana --- Disney --- music --- colonialism --- imperialism --- appropriation --- Polynesia --- Disney --- EPCOT --- music --- appropriation --- world --- park --- entertainment --- sounds --- cultures --- Disney --- princess --- gender roles --- stereotyping --- children’s media --- death --- children --- Disney --- coping mechanisms --- Africana --- alternative royals --- intersectionality --- matrix of domination --- Disney --- gender --- motherhood --- media criticism --- family roles --- masculinity --- empowered mothering --- Pixar --- Disney --- postfeminism --- masculinity --- gender --- cultural studies --- Dumbo --- Lilo & --- Stitch --- Disney --- queer --- mean girls --- boobs and boyfriends --- girl cartoon --- gender --- pink elephants --- commodification --- Walter Benjamin --- diversity --- hegemony --- Disney --- coloniality --- adaptation --- Disney --- gender --- feminism --- political economy of film --- feminist film criticism --- feminist political economy of media --- gender stereotypes --- sexuality --- heroism --- hypermasculinity --- selflessness --- Hercules --- Zeus --- Megara --- Disney --- princess --- prince --- gender roles --- content coding analysis --- children’s media --- Disney --- girls --- beauty --- transnational media --- princess
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