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Technikzukünfte als Medium von Zukunftsdebatten und Technikgestaltung

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Book Series: Karlsruher Studien Technik und Kultur / Hrsg.: G. Banse, A. Böhn, A. Grunwald, K. Möser, M. Pfadenhauer ISSN: 18697194 ISBN: 9783866449282 Year: Volume: 6 Pages: 289 p. DOI: 10.5445/KSP/1000030441 Language: GERMAN
Publisher: KIT Scientific Publishing
Subject: Philosophy
Added to DOAB on : 2016-08-11 12:46:27
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Technikzukünfte - der Plural ist Programm! - stellen wesentliche und häufig kontroverse Themen gesellschaftlicher Zukunftsdebatten dar. Dieses Buch widmet sich der Frage, in welcher Weise technikbezogene Zukunftsvorstellungen unsere gegenwärtigen Diskussionen und Entscheidungen prägen und wie sie für die weitere Ausgestaltung des wissenschaftlich-technischen Fortschritts genutzt werden können. Beispielfelder sind Synthetische Biologie, das ""Human Enhancement"", Nanotechnologie und Energie.

Leben lesen

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ISBN: 9783205202905 Year: Pages: 202 Seiten DOI: 10.26530/oapen_620581 Language: German
Publisher: Böhlau Grant: Austrian Science Fund - PUB 356
Subject: History
Added to DOAB on : 2016-12-03 11:01:32
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This volume represents the first extensive study on German theoretical approaches to biographical writing at the end of the Eighteenth Century. Following key figures in German Enlightenment like Johann Gottfried Herder, Friedrich Schlichtegroll and Daniel Jenisch, this book traces the attempt to establish biography as a central genre in comprehensive hermeneutic world view.

Teologie dell’Antico Testamento

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ISBN: 9788821596308 Year: Pages: 448 DOI: 10.26530/oapen_593947 Language: Italian
Publisher: San Paolo ‒ Gregorian & Biblical Press Grant: Austrian Science Fund - PUB 109
Subject: Religion
Added to DOAB on : 2016-01-27 11:01:21
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This volume illustrates the different images of God in the books of the Old Testament. The single writings are considered synchronically in their final version. They speak in totally different ways about God and present a fascinating variety of theologies.

Geschichte der venezianischen Malerei, Band 1

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ISBN: 9783205776222 Pages: 375 Seiten Language: German
Publisher: Böhlau Grant: Austrian Science Fund - D 3912
Added to DOAB on : 2019-01-15 13:34:20

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The present manuscript is meant as volume I of a series of books comprising four volumes in total. Except for Hüttinger´s barely sufficient survey, its object, an overall presentation of Venetian painting from the early beginnings till the 18th and 19th centuries, has almost been neglected by German scholars up to this day. The same may be said about Italian investigations, the more so as the book-series Pittura nell Veneto (edited in several volumes) strongly resembles a corpus opus: It does comprise the most important facts (e.g.the biographies of the artists) and provides a fine collection of pictures as well as a presentation of the momentary status of research, making every effort to completeness, but purely artistic, developmental, iconographic, style-genetic and coloring problems are examined in a rather rudimentary manner and, moreover, organised in a way which cannot easily be followed by the reader. When overlooking the numerous single publications by Italian authors, one will realize that they share an almost incomprehensible timidity of analysing the paintings thoroughly. Such an attempt, however, must be considered the only proper way to get to the root of both development and peculiarity of Venetian painting, so well characterized by Hetzer´s term "ornamental". Comparative work interpretations will have to meet this scientific deficiency. Proceeding from a descriptive technique based on the specific structure and thus taking form as well as colour into consideration, the theories of morphology and perceptive psychology largely contribute to this intention. Only on the ground of visual findings which have been proven analytically, questions of how to date properly, of how to decide possible work participation and/or dependence of the artists can be clarified, with the additional goal of reaching hermeneutic results and working out what is considered typically Venetian.- Volume I starts out with a survey of Venetian history till the middle of the 15th century, leading from the mosaics of San Marco (beginning with the 11th century) to the second half of the quattrocento. Contrary to usual scholarly views, the art of mosaics is classed with the art of painting, for it incorporates the very same criteria of painting as to form, style and arrangement. The main point here is to bring O.Demus´s scientific results with reference to chronology, genesis of style etc. in accordance with those of Italian scientists who quite frequently hold different views, and to come up with personal decisions at times. Prevailing in the mosaics of San Marco, Byzantinism conditions Venetian painting (fresco and table painting, which gets into being at the end of the 13th century) and remains dominant till late into the trecento. Here it is first observed with Paolo Veneziano, who seldom glances at the development of the occidental style on Terraferma (e.g. Giotto). The ensuing breakthrough of the Gothic style is found with Lorenzo Veneziano. In its course, Byzantine, Upper-Italian and transalpine stimulations fuse into a remarkable symbiosis. Hence investigations in the field of coloring, which have rarely been dealt with in specialized literature, play and hitherto will play a decisive rôle in the evaluation of Venetian painting. A special chapter is dedicated to N. Semitecolo who stands under Padua´s influence (cf. Guariento). After recurrences to conservative Byzantine elements in the last third of the trecento, the international Gothic style celebrates its entry into Venetian painting (cf Jacobello de Fiore) under the strong influence of Gentile da Fabriano. At the same time, first signs of a more modern attitude to painting can be observed with Giambono. Far longer than in the rest of Italy, painting in Venice was partial to the tendencies of the international Gothic as well as to elements of splendour, decoration and space. This explains why first indications of the early renaissance appear rather late, mainly in the works of G. d´Al

New-Age-Diskurs in der polnischen Literaturwissenschaft, Literaturkritik und Lyrik der 70er und 80er Jahre

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Book Series: Slavistische Beitraege ISBN: 9783876906119 Year: Pages: 231 DOI: 10.3726/b12461 Language: German
Publisher: Peter Lang International Academic Publishing Group
Subject: Linguistics
Added to DOAB on : 2019-01-15 13:31:42
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In the present work, an individualistic and mystical oriented flow of Polish literary criticism, literary criticism and poetry of the late 70s and 80s, characterized by the idea of ​​a "new privacy", a social and individual transformation, is investigated and used in a comprehensive context of the New Age discourse manifested in America and Europe since the late 1970s in various cultural areas.

Punkt, Punkt, Komma, Strich?

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Book Series: Edition Moderne Postmoderne ISBN: 9783839409886 Year: Pages: 252 DOI: 10.14361/9783839409886 Language: German
Publisher: transcript Verlag
Subject: Philosophy
Added to DOAB on : 2020-02-11 11:21:10
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Weshalb ziehen das Komma bei Kant oder das Ausrufezeichen bei Foucault nicht dasselbe Interesse auf sich wie der Gedankenstrich bei Kleist oder die Auslassungspunkte bei Schnitzler? Entgegen der Selbstverständlichkeit literaturwissenschaftlicher Interpretation, der zufolge jedes Zeichen die Sinnkonstruktion eines Textes mitträgt, erfahren Satzzeichen in der philosophischen Auslegung wenig Aufmerksamkeit. Entlang einzelner Beispiele schärfen die Beiträge dieses Bandes den Blick für das philologische Detail und zeigen, wie Satzzeichen nicht nur an der Entfaltung des rhetorischen Repertoires philosophischer Textpraxis konstitutiv beteiligt sind. Das aufmerksame Close Reading wird dabei für die philosophische Lektüre überraschend fruchtbar.

Normativität und Wertneutralität

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Book Series: Science Studies ISBN: 9783839449882 Year: Pages: 324 DOI: 10.14361/9783839449882 Language: German
Publisher: transcript Verlag
Subject: Science (General)
Added to DOAB on : 2019-12-10 11:21:02
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A part of sociology always wants to distance itself from any interference in the practice, and another part to influence society. In the first case, sociology sees itself as a science that looks at society from the outside. In the second case, she can not evade her affiliation with society. But what do these supposedly contradictory goals mean for sociologists and what does that say about the subject itself? Natalie Mevissen investigates the relationship of sociology to society with the help of hermeneutic interview analyzes and at the same time formulates conditions for a sociology of sociology in theory and methodology. She advocates a change of perspective: away from a problem discourse towards a perspective of the elective affinity of sociology with society.

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