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In his Moving to Sustainable Buildings. Paths to Adopt Green Innovations in Developed Countries, Umberto Berardi explores the transition of the construction sector to sustainable building through the adoption of green innovations. Applying methods ranging from theoretical discussions to interviews and field studies, Berardi describes how organisational models among stakeholders are changing as the sector moves towards a green economy.Berardi’s book should prove valuable to engineers, architects, environment researchers and policy makers alike, as it successfully weaves together different aspects of green building to create a multidimensional matrix through which sustainable architecture can be understood.Umberto Berardi, an assistant professor at the Worcester Polytechnic Institute (MA, USA), teaches courses on sustainable construction, architectural engineering systems and building physics. He was awarded an MSc from the Politecnico di Bari, an MSc from the University of Southampton (UK) and a PhD from the Scuola Interpolitecnica in Italy. His research areas are related to building acoustics, sustainable constructions and energy saving technologies for buildings. Berardi is also a passionate pianist and a strong proponent of interdisciplinary cooperation between the arts and engineering.
Book title: Artistic Research in the Future Academy
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The rapid growth of doctoral-level art education challenges traditional ways of thinking about academic knowledge, and yet, as Danny Butt argues in this book, the creative arts may also represent a positive blueprint for the future of the university. Synthesizing institutional history with aesthetic theory, Artistic Research in the Future Academy reconceptualizes the contemporary crisis in university education toward a valuable renewal of creative research.
aesthetic theory --- artistic research --- visual arts --- fine arts --- research methodology --- creative arts --- education --- institutional history
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How to account for the peculiar attraction of certain photos? How to deal with the specific use of images in particular contexts? Monika Schwärzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth’s street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value.
Arts --- Photography --- Visual Culture --- Imagery --- Visual Literacy --- Media --- Image --- Visual Studies --- Fine Arts
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Architecture and the Novel under the Italian Fascist Regime discusses the relationship between the novel and architecture during the Fascist period in Italy (1922-1943). By looking at two profoundly diverse aesthetic phenomena within the context of the creation of a Fascist State art, Billiani and Pennacchietti argue that an effort of construction, or reconstruction, was the main driving force behind both projects: the advocated “revolution” of the novel form (realism) and that of architecture (rationalism). The book is divided into seven chapters, which in turn analyze the interconnections between the novel and architecture in theory and in practice. The first six chapters cover debates on State art, on the novel and on architecture, as well as their historical development and their unfolding in key journals of the period. The last chapter offers a detailed analysis of some important novels and buildings, which have in practice realized some of the key principles articulated in the theoretical disputes.
Culture-Study and teaching --- Ethnology—Europe --- Cultural heritage --- Fine arts --- European literature --- Architecture
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Before the Museums Came: A Social History of the Fine Arts in the Twin Cities gives an engaging portrayal of the fine arts scene of Minneapolis and St. Paul, Minnesota in the United States, spanning from the appearance of the earliest artists in 1835 to the opening of the first permanent museum, the Minneapolis Institute of Arts in 1915.Readers will learn about the institutions and organizations that were created in support of the fine arts, the early art exhibitions and events, and the collectors, dealers and artists whose efforts made all of that come to fruition. The text – enriched and supplemented by reproductions of artworks, photographs of various personages, exhibition venues, studios, art galleries, catalogues, and ephemera – presents a clear understanding of the period and breaks new ground for future scholars to research.
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Was unterscheidet »freie« von »angewandten« Künsten? Diese nicht erst seit der Moderne virulente Frage prägt die Kunstvorstellungen bis heute. Der Band geht dieser die Hierarchie der Künste vorstrukturierenden Gegenüberstellung nach. Es zeigt sich, dass in den Wechselbeziehungen zwischen Kunst und Kunstgewerbe Gattungshierarchien und implizite Geschlechtszuschreibungen nach wie vor eine zentrale Rolle spielen, was auch von zeitgenössischen Künstlerinnen und Künstlern problematisiert wird. Die internationalen Beiträger_innen stellen das Funktionieren der traditionellen Hierarchien zur Diskussion, was zu einer Revision von Kategorien und Klassifikationen der Kunstgeschichte führt. Dies ermöglicht eine Neubewertung nicht nur von künstlerischen/gestalterischen Werken der Moderne bis zur Gegenwart, sondern auch der damit befassten Kunstkritik. Aktuelle künstlerische Strategien erfahren dabei eine besondere Beachtung.
Kunst --- Medien --- Kunstgattungen --- Angewandte Kunst --- Gender --- Geschlecht --- Kunsttheorie --- Cultural Studies --- Gender Studies --- Kunstwissenschaft --- Arts --- Media --- Theory of Art --- Fine Arts
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Since the late 1980s visibility has become a currency of social recognition, and a political issue. It also brought forth a new discipline, visual culture studies, and a hotly contested debate unfolded between art history and visual culture studies over the interpretation of visual culture, whose impact can still be felt today. In this first comparative study Susanne von Falkenhausen reveals the concepts of seeing as scholarly act that underwrite these competing approaches to visuality and society, along with the agendas of identity politics that motivate them. In close readings of key texts spanning from the early 20th century to the present the author crosses expertly between American, German, and British versions of art history, cultural studies, aesthetics, and film studies.
Art History --- Visual Culture --- Gaze --- Identity --- Alterity --- Art --- Image --- Theory of Art --- Visual Studies --- Cultural Studies --- Fine Arts
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What happens when the functional principle of the human ear is translated into the field of nanotechnology, a map depicting epistemological architecture is sketched as a lecture performance, or when researchers from over 25 disciplines critically engage with structures and models? Which new discoveries are brought about through the collaboration between biomorphology and art history, media studies and medicine? And what can the Gestaltung disciplines of design and architecture contribute to this foundational research? This volume gathers together essays from the Cluster of Excellence Image Knowledge Gestaltung, and, through its focus on the these three eponymous keywords, sheds light on the productivity of these diverse research approaches: from methodological transfers between the individual participating disciplines through to the interdisciplinary drafting of new structures of knowledge and research.
interdisciplinarity --- wissenschaft --- fine arts --- gestaltung --- bild --- wissenschaftsforschung --- science studies --- design --- science --- visual studies --- bildwissenschaft --- knowledge --- interdisziplinarität --- image --- kunstwissenschaft --- life sciences --- wissen --- shaping
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»Roman Charity« investigates the iconography of the breastfeeding daughter from the perspective of queer sexuality and erotic maternity. The volume explores the popularity of a topic that appealed to early modern observers for its eroticizing shock value, its ironic take on the concept of Catholic »charity«, and its implied critique of patriarchal power structures. It analyses why early modern viewers found an incestuous, adult breastfeeding scene »good to think with« and aims at expanding and queering our notions of early modern sexuality. Jutta Gisela Sperling discusses the different visual contexts in which »Roman Charity« flourished and reconstructs contemporary horizons of expectation by reference to literary sources, medical practice, and legal culture.
early modern history --- patriarchy --- visual culture --- fine arts --- cultural history --- queer studies --- queer theory --- visual studies --- gender --- art --- art history --- image
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In place of the entanglement of person and work that so strongly marks the artistic work of Andy Warhol, and settles it in the usual Pop Art context, Mèlanie-Chantal Deiss locates it within the cultural context of America's post-war period. Viewed from this perspective, Warhol's work - which tends to be classified as superficial and ahistorical – exhibits unexpectedly serious engagements with concerns of the 1950s and 1960s. Throughout his image series, expressive, somewhat ambivalent narrative strands from America's post-war period unfurl, which transmit a concrete image, as a kind of written historical document. Warhol's visualized narration ultimately culminates in a cultural critique, which treats America not just as a stage of images, but also as site of contemplation of a cultural imaginary, in which art can critically and productively intervene.
amerika --- america --- american art --- post-war --- american studies --- fine arts --- amerikanische kunst --- kunst --- cultural history --- pop art --- visual studies --- bildwissenschaft --- nachkriegszeit --- andy warhol --- amerikanistik --- art --- kunstwissenschaft --- kulturgeschichte
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