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Why I am so very unFrench, and other essays

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ISBN: 9782722602250 Year: Language: English
Publisher: Collège de France
Added to DOAB on : 2014-02-27 14:16:29
License: OpenEdition licence for Books

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Abstract

For those like myself, who found the politico-philosophical terrorism beginning its reign at the beginning of the 1960s intolerable, analytic philosophy in contrast could not but offer the comforting image of what a democratic philosophical community should be: civilized and tolerant, where all citizens equally must offer arguments and be willing to listen to and discuss possible objections. This sort of community was the last thing we could hope to ask for in the philosophical milieu of that...

Zwischen Sagen und Zeigen

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Book Series: Edition Moderne Postmoderne ISBN: 9783839407646 9783899427646 Year: Pages: 168 DOI: 10.14361/9783839407646 Language: German
Publisher: transcript Verlag
Subject: Philosophy
Added to DOAB on : 2020-02-11 11:21:10
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Abstract

Ludwig Wittgensteins Philosophie war immer schon Philosophieren. Das »Wie«, die Form, ist ihm nicht lediglich marginaler Zusatz zum eigentlich wichtigen Inhalt. Seine philosophische (Überzeugungs-)Kraft liegt nicht allein in seinen Argumenten - sie ist auch Folge des literarisch-poetischen Charakters seiner Texte. Nicht zuletzt das macht sein Œuvre zu einem über das Gesagte hinausgehenden Werk. Jenseits der strikten Unterscheidung in frühe und späte Werkphase nimmt dieses Buch die Dimension eines auf Wahrnehmung mit allen Sinnen zielenden, aisthetischen Philosophierens zum Ausgangspunkt einer Rekonstruktion des Wittgenstein'schen Denkwegs.

Re-Reading Hanslick’s Aesthetics

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ISBN: 9783990125250 Year: Pages: 433 Seiten Language: German
Publisher: Hollitzer Grant: Austrian Science Fund - PUB 536
Added to DOAB on : 2019-05-07 11:21:02

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This study examines the reception of Eduard Hanslick in Anglo-american discourse from its earliest instances in the 19th century up to analytical philosophy of music. This book thus analyzes primarily the discoursive conditions of Hanslick’s reception, which developed distinctly as part of different academic disciplines (history of art, musicology, philosophy of music). Moreover, this study explores the function Hanslick’s argument attained in modern debates of New Musicology and Anglo-american aesthetics, which cast new light upon the interpretation of Hanslick’s stances on the relation between emotion and music.

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