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Europa zwischen Fiktion und Realpolitik/L'Europe - fictions et réalités politiques

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Book Series: Jahrbuch des Frankreichzentrums ISBN: 9783837614206 9783839414200 Year: DOI: 10.14361/transcript.9783839414200 Language: German
Publisher: transcript Verlag Grant: Knowledge Unlatched - 103308
Subject: Political Science
Added to DOAB on : 2018-03-30 11:01:58
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Europa ist in den vergangenen Jahren zu einem dominierenden Thema geworden. Verantwortlich dafür ist vor allem der Prozess der europäischen Einigung, der zunächst wirtschaftlich, zunehmend aber auch politisch gesehen wurde. Ein kulturell fundiertes Europa-Verständnis hingegen wird zwar rhetorisch immer wieder ins Spiel gebracht, bleibt aber eigenartig unscharf. Dieser Band bringt politische, historische und kulturelle Aspekte des modernen Europas zusammen und trägt so zu einem ganzheitlicheren Bild bei. Sein Titel spielt bewusst mit der Mehrdeutigkeit des Begriffspaars "Fiktion" und "Realität": Auf der einen Seite kann literarische Fiktion eng mit politischer Realität bzw. Realitätsdarstellung verbunden sein, andererseits ist "Realpolitik" oft mit "Fiktion" - Mythen, Stereotypen, Traditionen - durchsetzt.

They Aren’t, Until I Call Them

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ISBN: 9783631589823 Year: Pages: 236 Language: English
Publisher: Peter Lang International Academic Publishing Group
Subject: Languages and Literatures
Added to DOAB on : 2019-01-15 13:32:12
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In the story of the three baseball umpires, two novice umpires compete in boasting how they respect «truth» and the way things «really» are. One says, «I call them the way I see them»; the other, trying to trump this remark, responds, «I call them the way they are». Then enters the third, most seasoned umpire, saying, «They aren’t, until I call them».
This book deals with two widely argued issues in literature criticism today, performativity and subjectivity. How do people become who they are? What scripts do they follow when they «do» gender, race, and sexuality? Tying into speech act theories and subjectivity theories, as well as gender, race, and sexuality studies, the author explores – through the close reading of several American texts – the many ways words make «things» in literature.

Keywords

American --- Aren --- Aren’t --- Bollobás --- Call --- Gender --- Literature --- Performing --- Race --- Subaltern --- Subject --- Them --- They --- Until

Coleridge's Laws: A Study of Coleridge in Malta

Authors: --- --- ---
ISBN: 9781906924133 Year: Pages: 403 DOI: 10.11647/OBP.0005 Language: English
Publisher: Open Book Publishers
Subject: History --- Migration --- Law
Added to DOAB on : 2012-04-06 03:32:42
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Samuel Taylor Coleridge is best known as a great poet and literary theorist, but for one, quite short, period of his life he held real political power—acting as Public Secretary to the British Civil Commissioner in Malta in 1805. This was a formative experience for Coleridge which he later identified as being one of the most instructive in his entire life. In this book, Barry Hough and Howard Davis show how Coleridge's actions whilst in a position of power differ markedly from the idealism he had advocated before taking office - shedding new light on Coleridge's sense of political and legal morality. Meticulously researched and including newly discovered archival materials, Coleridge's Laws provides detailed analysis of the laws and public notices drafted by Coleridge, together with the first published translations of them. Drawing from a wealth of primary sources, Hough and Davis identify the political challenges facing Coleridge and reveal that, in attempting to win over the Maltese public to support Britain's strategic interests, Coleridge was complicit in acts of government which were both inconsistent with the rule of law and contrary to his professed beliefs. Coleridge's willingness to overlook accepted legal processes and personal misgivings for political expediency is disturbing and, as explained by Michael John Kooy in his extensive introduction, necessarily alters our understanding of the author and his writing. Coleridge's Laws contributes in new ways to the current debates about Coleridge's achievements, British colonialism and its engagement with the rule of law, nationhood and the effectiveness of the British administration of Malta. It provides essential reading for anybody interested in Coleridge specifically and the Romantics more generally, for political and legal historians and for students of colonial government.

The Sword of Judith: Judith Studies Across the Disciplines

Authors: --- ---
ISBN: 9781906924164 Year: Pages: 529 DOI: 10.11647/OBP.0009 Language: English
Publisher: Open Book Publishers
Subject: Religion --- The Bible --- History of arts --- Gender Studies
Added to DOAB on : 2012-04-06 03:32:42
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The Book of Judith tells the story of a fictitious Jewish woman beheading Holofernes, the general of a powerful army, to free her people. The story has fascinated artists and authors for centuries, and is becoming a major field of research in its own right.The Sword of Judith is the first multidisciplinary collection of essays to discuss representations of Judith throughout the centuries. Bringing together scholars from around the world, it transforms our understanding of Judith’s enduring story across a wide range of disciplines. The book includes sections on Judith in Christian, Jewish and secular textual traditions, as well as representations of Judith in art, music and theatre. The collection includes new archival source studies and the translation of unpublished manuscripts and texts previously unavailable in English.

Les Bienveillantes de Jonathan Littell

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ISBN: 9781906924218 Year: Pages: 344 DOI: 10.11647/OBP.0006 Language: French
Publisher: Open Book Publishers
Subject: Languages and Literatures
Added to DOAB on : 2012-04-06 03:32:42
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Les Bienveillantes de Jonathan Littell a créé l’événement de la rentrée littéraire 2006. Selon l’auteur, la portée du roman dépasse le seul génocide des Juifs pour revêtir une dimension universelle. Les angles d’approche dans Les Bienveillantes de Jonathan Littell sont aussi nombreux que variés sans prétendre à l’exhaustivité. Ce recueil n’est pas un jugement de l’œuvre, ni une interrogation sur sa recevabilité, pas plus qu’une assertion sur les limites de sa légitimité en tant que roman ou une justification, mais ce recueil est novateur puisque le premier à se concentrer sur le texte des Bienveillantes.Le présent recueil offre un riche éventail d’angles d’approches. Ainsi les analyses ont-elles accentué les personnages qu’ils soient historiques ou fictifs. Mais aussi, les aspects formels, comme la vision du narrateur, le style, la composition, l’esthétique et les influences littéraires. Et encore, les thèmes tels le parricide, l’homosexualité, l’antisémitisme et la Shoah. L’idéologie impliquée se devait d’être interrogée également. Un autre thème crucial du roman est la question qu’il pose entre le Bien et le Mal et sa banalisation. La réception de l’œuvre et les raisons de son succès qui lui valu plusieurs grands prix littéraires a été abordée ainsi que les éléments du grotesque que certains n’ont pas manqué de remarquer.Les Bienveillantes (The Kindly Ones), caused a literary sensation in 2006. Described as "deliberately repellent" by The New York Times, Jonathan Littell’s novel tells the story of World War II through the eyes of former SS officer Maximilien Aue. This is the first academic study of this controversial, best-selling work.Twenty-one leading scholars discuss the aesthetics, themes and characters of the novel, as well as formal aspects of Littell’s writing. They tackle ideas surrounding parricide, genocide, anti-Semitism and the Holocaust, as well as Littell’s portrayal of both historical and fictional characters. The collection offers a deeply varied range of approaches to Littell’s work and is essential reading for anyone interested in representations of World War II, the Holocaust and contemporary French literature.All the essays in this collection are written in French.

Modernism: Representations of National Culture

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ISBN: 9789637326646 9786155211942 Year: Language: English
Publisher: Central European University Press
Subject: History
Added to DOAB on : 2015-05-19 15:18:48
License: OpenEdition licence for Books

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This is the second part of the third volume of the four-volume series, a daring project of CEU Press, presenting the most important texts that triggered and shaped the processes of nation-building in the many countries of Central and Southeast Europe. The aim is to confront ‘mainstream’ and seemingly successful national discourses with each other, thus creating a space for analyzing those narratives of identity which became institutionalized as “national canons.” After the volumes focousing ...

Les Bienveillantes de Jonathan Littell

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ISBN: 9781906924232 Year: Pages: 344 DOI: 10.11647/OBP.0006 Language: French
Publisher: Open Book Publishers
Subject: Languages and Literatures --- Arts in general
Added to DOAB on : 2018-04-04 11:01:50
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Les Bienveillantes (The Kindly Ones), caused a literary sensation in 2006. Described as "deliberately repellent" by The New York Times, Jonathan Littell’s novel tells the story of World War II through the eyes of former SS officer Maximilien Aue. This is the first academic study of this controversial, best-selling work.Twenty-one leading scholars discuss the aesthetics, themes and characters of the novel, as well as formal aspects of Littell’s writing. They tackle ideas surrounding parricide, genocide, ant-Semitism and the Holocaust as well as Littell’s portrayal of both historical and fictional characters. The collection offers a deeply varied range of approaches to Littell’s work and is essential reading for anyone interested in representations of World War II, the Holocaust and contemporary French literature. All the essays in this collection are written in French.

Coleridge's Laws

Authors: --- ---
ISBN: 9781906924140 Year: Pages: 403 DOI: 10.11647/OBP.0005 Language: English
Publisher: Open Book Publishers
Subject: Law --- History
Added to DOAB on : 2018-04-04 11:01:51
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Samuel Taylor Coleridge is best known as a great poet and literary theorist, but for one, quite short, period of his life he held real political power — acting as Public Secretary to the British Civil Commissioner in Malta in 1805. This was a formative experience for Coleridge which he later identified as being one of the most instructive in his entire life. In this book, Barry Hough and Howard Davis show how Coleridge's actions whilst in a position of power differ markedly from the idealism he had advocated before taking office — shedding new light on Coleridge's sense of political and legal morality. Meticulously researched and including newly discovered archival materials, Coleridge's Laws provides detailed analysis of the laws and public notices drafted by Coleridge, together with the first published translations of them. Drawing from a wealth of primary sources, Hough and Davis identify the political challenges facing Coleridge and reveal that, in attempting to win over the Maltese public to support Britain's strategic interests, Coleridge was complicit in acts of government which were both inconsistent with the rule of law and contrary to his professed beliefs. Coleridge's willingness to overlook accepted legal processes and personal misgivings for political expediency is disturbing and, as explained by Michael John Kooy in his extensive introduction, necessarily alters our understanding of the author and his writing. Coleridge's Laws contributes in new ways to the current debates about Coleridge's achievements, British colonialism and its engagement with the rule of law, nationhood and the effectiveness of the British administration of Malta. It provides essential reading for anybody interested in Coleridge specifically and the Romantics more generally, for political and legal historians and for students of colonial government.

The Sword of Judith

Authors: --- ---
ISBN: 9781906924171 Year: Pages: 529 DOI: 10.11647/OBP.0009 Language: English
Publisher: Open Book Publishers
Subject: History
Added to DOAB on : 2018-04-04 11:01:54
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The Book of Judith tells the story of a fictitious Jewish woman beheading Holofernes, the general of a powerful army, to free her people. The story has fascinated artists and authors for centuries, and is becoming a major field of research in its own right. The Sword of Judith is the first multidisciplinary collection of essays to discuss representations of Judith throughout the centuries. Bringing together scholars from around the world, it transforms our understanding of Judith’s enduring story across a wide range of disciplines. The book includes sections on Judith in Christian, Jewish and secular textual traditions, as well as representations of Judith in art, music and theatre. The collection includes new archival source studies and the translation of unpublished manuscripts and texts previously unavailable in English.

The Theatre of Shelley

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ISBN: 9781906924317 Year: Pages: 305 DOI: 10.11647/OBP.0011 Language: English
Publisher: Open Book Publishers
Subject: Performing Arts --- Languages and Literatures --- History
Added to DOAB on : 2012-04-06 03:32:42
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This is the first full-length study of Shelley’s plays in performance. It offers a rich, meticulously researched history of Shelley’s role as a playwright and dramatist and a reassessment of his "closet dramas" as performable pieces of theatre.With chapters on each of Shelley’s dramatic works, the book provides a thorough discussion of the poet’s stagecraft, and analyses performances of his plays from the Georgian period to today. In addition, Mulhallen offers details of the productions Shelley saw in England and Italy, many not identified before, as well as a vivid account of the actors and personalities that constituted the theatrical scene of his time. Her research reveals Shelley as an extraordinarily talented playwright, whose fascination with contemporary theatrical theory and practice seriously challenges the notion that he was a reluctant dramatist.Prof. Stephen Behrendt (Nebraska) has described the book as "wonderfully convincing" and "something wholly new in Shelley studies", while Prof. Tim Webb (Bristol) describes Mulhallen as having a "more precisely developed sense of the theatrical possibilities of Shelley's work than almost anybody who has written about Shelley".

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