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L'Allusion et l'Accès

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ISBN: 9782869062108 9782869064805 Year: Language: French
Publisher: Presses universitaires François-Rabelais
Added to DOAB on : 2017-07-04 12:27:07
License: OpenEdition licence for Books

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L’Allusion et L’Accès follows on from work previously published in GRAAT, in particular Usure et Rupture – Breaking Points (GRAAT 13) and Fonctions du Cliché – Du Banal à la Violence (GRAAT 16). The present conference aimed to articulate the strategies that the literary text deploys to access the unsayable, whilst, simultaneously, keeping in mind the notion of play contained in the etymology of allusion: alludere. Allusion and Access, then, are two vast subjects put into juxtaposition and pe...

Deux siècles de malédiction littéraire

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ISBN: 9782875620408 9782821896369 Year: Language: French
Publisher: Presses universitaires de Liège
Added to DOAB on : 2017-10-26 17:04:36
License: OpenEdition licence for Books

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Transvaluant les signes de l'échec et de la réussite, la malédiction de l'écrivain est l'un des grands mythes de la littérature moderne. « Il faut des malheurs, et des plus grands, pour faire ce qu'il y a de plus beau dans le plus beau des arts », écrivait un Louis de Bonald. « Le ressentiment est nécessaire à toute création artistique véritable », écrit plus près de nous un Michel Houellebecq. Ce mythe de la malédiction n'en est pas moins une croyance vécue, ayant orienté des vies entières ...

L'art des foules : Théories de la réception filmique comme phénomène collectif en France (1908-1930)

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ISBN: 9782757421604 Year: DOI: 10.4000/books.septentrion.46052 Language: French
Publisher: Presses universitaires du Septentrion
Added to DOAB on : 2019-12-06 13:15:52
License: OpenEdition Licence for Books

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Chacun va au cinéma, aujourd'hui, avec le sentiment de vivre une expérience partagée, mais en même temps intime et singulière. La réception filmique ne fut pourtant pas toujours envisagée ainsi. Durant la période « muette », en France, elle était considérée comme un phénomène ressortissant aux lois de la psychologie collective. Les films ne s'adressaient pas à des individus mais à la foule. La foule était au centre des préoccupations d'une époque que Gustave Le Bon a baptisé d'« ère des foules ». Sa Psychologie des foules est demeurée l'emblème de la psychologie sociale naissante. Pourtant, la vision négative des foules qui s'y dessine ne fut pas la seule manière de concevoir ce phénomène. La foule est aussi apparue comme l'expression d'une volonté de renouveau du communautarisme et du spiritualisme, au sein d'un monde moderne qui s'orientait vers l'individualisme et le matérialisme. C'est par rapport à ces débats que des critiques, cinéastes et théoriciens (Canudo, Gance, Delluc, Epstein, L'Herbier, Moussinac, Faure) envisagèrent d'octroyer au cinéma un rôle capital. Ils voulurent que ce spectacle populaire devienne l'art des foules. Ce n'était qu'ainsi qu'il pouvait offrir aux foules des moments de communion et d'élévation spirituelle, et qu'en même temps, cette mission « religieuse » conférée à l'art par le romantisme serait sauvée. Il était donc destiné à prolonger les idéaux romantiques dans le monde moderne, tout en préparant la venue d'un homme nouveau capable de fusion psychique, voire de télépathie. Psychologies des foules, histoire de l'art, pacifisme, universalisme, socialisme, occultisme et sciences psychiques sont ici convoqués pour exhumer les enjeux idéologiques de cette grandiose et utopique théorisation du cinéma comme Septième Art et de la réception filmique comme phénomène collectif.

Keywords

réception --- film --- foule --- théorie du cinéma

L’Image railleuse : La satire visuelle du XVIIIe siècle

Authors: --- ---
ISBN: 9782917902707 Year: DOI: 10.4000/books.inha.7923 Language: French
Publisher: Publications de l’Institut national d’histoire de l’art
Subject: Arts in general
Added to DOAB on : 2019-12-10 12:25:10
License: OpenEdition Licence for Books

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La fonction critique des images s’incarne de manière privilégiée dans la satire. Si la satire s’est constituée en genre littéraire dès l’Antiquité, avant de gagner les beaux-arts et les arts graphiques à l’âge classique, ce sont les médias modernes – édition, presse, expositions, télévision, internet – qui, en élargissant progressivement sa sphère d’influence, ont renouvelé ses formes et ses objectifs tout en augmentant leur efficacité. Autorisant une diffusion planétaire et presque instantanée des images satiriques, internet et les technologies numériques n’ont pas seulement transformé la matérialité et les moyens d’action de cette imagerie et leurs effets sociopolitiques, ils ont aussi affecté les formes de la recherche sur le satirique en donnant accès de plus en plus rapidement à des corpus extrêmement vastes. La satire est aujourd’hui partout, sans qu’aucun acteur ni canal de diffusion ne puisse prétendre en contrôler ses usages généralisés ni son effectivité. Cette publication regroupe les actes du colloque qui s’est tenu du 25 au 27 juin 2015 à l’Institut national d’histoire de l’art, à Paris, organisé par l’Institut national d’histoire de l’art, l’université du Québec à Montréal et le LARHRA-UMR 5190 du CNRS, avec le soutien de l’Agence universitaire de la Francophonie et le Conseil de recherches en sciences humaines du Canada.

L'Œuvre sans fin. Réception des romans de Monique Saint-Hélier par la critique française (1932-1955)

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Book Series: Histoire des Idées et Critique Littéraire ISBN: 9782600017626 Year: Pages: 494 DOI: 10.26530/OAPEN_579630 Language: French
Publisher: Librairie Droz Grant: Swiss National Science Foundation (SNSF) - OAPEN-CH - 163540
Subject: Languages and Literatures --- Social Sciences --- Arts in general --- Performing Arts
Added to DOAB on : 2015-11-21 11:01:11
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Monique Saint-Hélier became quite successful during the 1930s in particular because of the violent controversy that surrounded her second novel, Bois-Mort. How is it that Saint-Hélier’s work provoked such passionate criticism, but encountered nothing but disinterest after the war? Studying unpublished sources as well as a vast corpus of book reviews, the author explores by this quite particular literary path, as well as the variations in how a work is received over time.

Rezeption und Reform im japanischen und deutschen Recht - Zweites Rechtswissenschaftliches Symposion Göttingen - Kansai, Göttingen, September 2006

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ISBN: 9783938616819 Year: DOI: 10.17875/gup2008-164 Language: German
Publisher: Universitätsverlag Göttingen
Subject: Law
Added to DOAB on : 2011-11-04 00:00:00
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Basis of the volume is the Second Law Symposium Göttingen - Kansai on reception and reform in the German and Japanese law, which was held in September 2006 with significant participation of colleagues from the Kansai University, Osaka, and the Georg-August-Universität Göttingen.

Ieder zijn eigen Arnon Grunberg. Vertaling, promotie en receptie in Italië, Spanje, Catalonië, Portugal en Roemenië

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Book Series: Lage Landen Studies ISBN: 9789038219042 Year: Pages: 267 DOI: 10.26530/OAPEN_436097 Language: Dutch;
Publisher: Academia Press
Subject: Languages and Literatures --- Arts in general --- Psychology --- Social Sciences --- History of arts --- Performing Arts
Added to DOAB on : 2013-01-19 21:23:28
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This third volume of Lage Landen Studies offers a glimpse of recent international and internationalizing trends in Dutch Studies. It presents a comparative view of the virtually synchronic dynamics of the translation, promotion and reception of contemporary Dutch author Arnon Grunberg in five Romance languages between 1996 and 2009. This interdisciplinary approach, which focuses on the crossroads of language, literature and culture, as well as on aspects of the sociologies of literature and translation, is combined with views from translation studies, comparative literature, and bibliology in order to build bridges between theory and practice. The first part is devoted to the seldom-heard perspective of the translator and dissects the circumstances in which works by Arnon Grunberg – and by his heteronym Marek van der Jagt – are translated, promoted and received in five Romance languages. The function and ‘visual translation’ of book covers are also analyzed. Notwithstanding the relative homogeneity of the languages, their cultural background and geographical location, remarkable differences come to light. The first part rounds off by looking at the promotional possibilities of writer’s tours and translation workshops in the target countries.

Van Eeden tot heden

Authors: --- ---
Book Series: Lage Landen Studies ISBN: 9789038220918 Year: Pages: 305 DOI: 10.26530/OAPEN_466591 Language: Dutch;
Publisher: Academia Press
Subject: Social Sciences --- History of arts --- Languages and Literatures --- Arts in general --- Psychology --- Performing Arts
Added to DOAB on : 2014-02-10 15:05:09
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Ranging from Polish inspirations in contemporary authors such as Bernlef, Frank Westerman and Erwin Mortier, over the Central European successes of the now forgotten Jo van Ammers-Küller, to the Bulgarian character Firmin Debeljanov in The Sorrow of Belgium: with its focus on the various interrelations between the contemporary literature of the Low countries and the so-called smaller literary cultures located between the German and the Russian language areas, the volume Van Eeden tot heden offers a multi-faceted perspective on a hitherto barely explored topic in twentieth-century European literature. Due to the academic background of the contributing authors the emphasis is on Polish, Hungarian and Czech case studies, though the Balkans are also being dealt with – albeit less prominently. Whereas some contributions search for contacts, links and influences between literatures and literators, some other chapters set up textual encounters in which authors and their works are compared from a thematic, poetic, stylistic or generic angle. Apart from these comparative endeavors, another group of contributors offer reception analysis regarding the overall topic. In the last part of the volume the focus is on issues of (national) representation and the discursive strategies that are used for it.

Beatrijs de wereld in. Vertalingen en bewerkingen van het Middelnederlandse verhaal

Authors: --- ---
Book Series: Lage Landen Studies ISBN: 9789038221076 Year: Pages: 416 DOI: 10.26530/OAPEN_468330 Language: Dutch;
Publisher: Academia Press
Subject: Arts in general --- Social Sciences --- History of arts --- Languages and Literatures
Added to DOAB on : 2014-03-03 22:50:19
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The research project Beatrijs Internationaal brought together about a hundred literary translators and researchers in the field of historical and modern Dutch literature, translation studies and related disciplines, from twenty different language areas. The participants immersed themselves in questions about the international circulation and reception of the famous Middle Dutch legend of Our Lady, from its origins to our own time. Almost a hundred adaptations and translations of the Beatrijs-story were found, and new discoveries are still being made. The case of Beatrijs brought about new theoretical discussions, cooperation and exchange in the field of Dutch Studies, as is demonstrated by this volume. By means of diverse approaches the authors show how a literary text from the relatively small geographical area of the Dutch language can circulate both inside and outside its linguistic borders in different periods. With their wide spectrum of research questions, methodological approaches and selections of material, the contributions are a reflection of the richness of international Dutch Studies in the 21st century. Inspired by translation, adaptation and reception studies, this volume helps us to answer the question which characteristics of a particular text make it a likely candidate for crossing linguistic, geophysical, historical, and other borders. This volume is a contribution to the historiography of the export and dissemination of Dutch literature.

Educational Reception in Rotterdam and Barcelona: Policies, Practices and Gaps

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ISBN: 9789089646446 Year: DOI: 10.26530/OAPEN_503423 Language: Undetermined
Publisher: Amsterdam University Press
Subject: History --- Migration
Added to DOAB on : 2014-10-23 11:01:07
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The reception of newcomer youngsters by schools constitutes a policy issue in Europe already for decades. This book deals with how practitioners in Rotterdam and Barcelona apply existing policies for the reception of immigrant students, the dilemmas they face and the strategies they design as a response. Using a combination of discursive, organizational, and ethnographic research techniques, the author studies to what extent practices conform to policies, and to what extent they diverge from them in basic principles. This book analyzes the influence of institutional frameworks on the practices of policy implementers by comparing Netherlands and Spain -specifically Barcelona and Rotterdam-, two cases which are very different in terms of their national policies of integration, their educational systems and their programs for educational reception. Much can be learned over the reception practices of secondary schools, but above all over how policy gaps work, and the common and specific features that they present across different countries. In short, this is an indispensable reading for scholars, policymakers and practitioners alike, which offers new insights about the policy-practice gap and the role of policy practitioners in it.

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