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Remaking the Voyage

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ISBN: 9781789627633 Year: Pages: 256 Language: English
Publisher: Liverpool University Press Grant: Liverpool John Moores University
Subject: Languages and Literatures
Added to DOAB on : 2020-07-30 23:58:11
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‘Who ever thought they would one day be able to read Malcolm Lowry’s fabled novel of the 1930s and 40s, In Ballast to the White Sea? Lord knows, I didn’t’ – Michael Hofmann, TLS This book breaks new ground in studies of the British novelist Malcolm Lowry (1909–57), as the first collection of new essays produced in response to the publication in 2014 of a scholarly edition of Lowry’s ‘lost’ novel, In Ballast to the White Sea. In their introduction, editors Helen Tookey and Bryan Biggs show how the publication of In Ballast sheds new light on Lowry as both a highly political writer and one deeply influenced by his native Merseyside, as his protagonist Sigbjørn Hansen-Tarnmoor walks the streets of Liverpool, wrestling with his own conscience and with pressing questions of class, identity and social reform. In the chapters that follow, renowned Lowry scholars and newer voices explore key aspects of the novel and its relation to the wider contexts of Lowry’s work. These include his complex relation to socialism and communism, the symbolic value of Norway, and the significance of tropes of loss, hauntings and doublings. The book draws on the unexpected opportunity offered by the rediscovery of In Ballast to look afresh at Lowry’s oeuvre, to ‘remake the voyage’.

Paris Bride

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ISBN: 9781950192632 9781950192649 Year: Pages: 358 DOI: 10.21983/P3.0281.1.00 Language: English
Publisher: punctum books
Subject: History
Added to DOAB on : 2020-02-14 11:21:02
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"In July 1905, in Paris, a young Anglo-French woman called Marie Wheeler became the bride of a Swiss émigré, Johannes Schad. Immediately after the wedding, Marie and Johannes moved to London. And there they lived for nineteen years. In 1924, however, something happened to change their lives, and Marie, in many respects, simply disappeared. Paris Bride is an exploration of the lost life of Marie Schad, of whom little is known beyond a few legal papers, a number of letters, some photographs, the diaries of a friend, and her obituary. With so little else known of Marie’s life, this book seeks to read her back into existence by drawing on a host of contemporaneous texts — largely modernist texts, by Virginia Woolf, Franz Kafka, the Paris Surrealists, Stéphane Mallarmé, Oscar Wilde, Katherine Mansfield, and Walter Benjamin. All of the selected authors are connected with Marie through some coincidence of time, place, or theme. In an attempt to do justice to Marie’s in-visibility, or to her un-life, Paris Bride takes as its guide Wilde’s declaration that “the true function of criticism is to see the object as in itself it really is not.” In other words, this book seeks to evade the positivist or realist assumptions of conventional literary criticism, and instead pursue a post-critical method with its sources and texts. Paris Bride is not confined to academic discourse but instead draws on a range of literary genres and devices that are more in sympathy with the non-realist character of modernism itself — devices such as fragmentation, flânerie, textual collage, stream of consciousness, imagism, perspectivism, dream-text, the absurd, etc. Ultimately, Paris Bride is a modernistic experiment in life-writing."

Complementary Modernisms in China and the United States:

Authors: ---
ISBN: 9781950192571 Year: Pages: 696 DOI: 10.21983/P3.0269.1.00 Language: English
Publisher: punctum books Grant: Terra Foundation for American Art
Subject: History of arts
Added to DOAB on : 2020-08-05 23:59:06
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Complementary Modernisms in China and the United States: Art as Life/Art as Idea is the result of a conference where Chinese and Americanist art historians addressed the development of modernism in their respective cultural traditions. The chapters juxtapose historical developments without attempting to map connections or influences. Instead, both national modernisms are presented as part of the larger terrain of global modernism, but generated within specific, localized circumstances. This juxtaposition reveals significant differences as much as any particular moments of connection or similarities, disrupting any standard narrative of the primacy of French (or European) avant-garde art and its influence on more belated and peripheral communities.The differences that are revealed are not merely the result of the very different historical trajectories of each country’s moves into modernity. Rather, differences in attention and methodology are just as important, in particular the focus on the post-1980 development of Chinese art as part of the modernization of Chinese culture and economy, rather than the American perspective on post-1980s postmodern qualities. At the same time, significant convergent concerns emerge, such as the importance of urban centers and urbanization, the profound effect of political and technological disruption, and the question of identity.The volume represent a cross-section of Chinese and Americanist art historians, both early career and senior scholars, working on a wide variety of subjects, such as the Ashcan School, Impressionism, Cai Liang, Liang Sicheng, Huang Binhong, Cézanne, Bauhaus, Joseph Cornell, Andrew Wyeth, Louise Nevelson, Jackson Pollock, Andy Warhol, and contemporary art more broadly, with (as is usual in any survey of the 20th century these days) a concentration on the 1960s.《交互视野下的中国和美国的现代艺术: 艺术/生活或观念》这一会议论文集收录了中美艺术史家对现代主义在各自传统下的发展进行研究所得的成果。这些文章并置历史发展,而非试图详述其中的关联或影响。相反,两个国家的现代主义都被展现为全球现代主义大背景中的一部分,并被认为是在特定环境中产生的。这种并置显示了重要的差异性以及任何特殊情况下的联系或相似之处,打破了一般强调法国(或欧洲)先锋派首要地位及其对周围团体产生影响的标准论述。中国与美国现代主义发展上的差异,并不仅仅是由于两国进入不同历史轨道发展现代化而导致的。相反,关注点和方法论的差异也同样重要,尤其是关注八十年代后中国艺术的发展,将其作为中国文化与经济现代化的一部分,而不是从美国视角来看待八十年代后的后现代价值。同时,也出现了重要的趋同关注点:城市中心与城市化的重要性,政治或科技解体所造成的深远影响,以及自我认同的问题。本论文集所收录的文章,彰显了当今重要的中美艺术史家研究的多样性,从资深到青年一代,从阿什坎学派至当代艺术,(并与任何当下对二十世纪作出的概括论述相一致,)将重点放在二十世纪六十年代。

Richard Schaukal in Netzwerken und Feldern der literarischen Moderne

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Book Series: Studien und Texte zur Sozialgeschichte der Literatur ISBN: 9783110619744 9783110618235 9783110618013 Year: Volume: 149 Pages: 302 DOI: 10.1515/9783110619744 Language: German
Publisher: De Gruyter
Subject: Languages and Literatures
Added to DOAB on : 2020-01-30 11:21:02
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Richard Schaukal was in contact with some of literary modernism’s most important protagonists. In his early creative years, he stylized himself as an independent, isolated poet. After World War I, Schaukal became increasingly visible as a cultural critic, using his letters, essays, and literary works to take a stand against the new realities. His biography offers insights into the aesthetic, social, and political developments of his time.

Arrival Cities

Authors: --- --- --- --- et al.
ISBN: 9789461663245 Year: Pages: 438 DOI: 10.11116/9789461663245 Language: English
Publisher: Leuven University Press Grant: H2020 European Research Council||KU Leuven - 724649||
Subject: History of arts --- History --- Migration
Added to DOAB on : 2020-09-23 00:02:21
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Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice, and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities became hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six major cities as a starting point — Bombay (now Mumbai), Buenos Aires, Istanbul, London, New York, and Shanghai — the authors explore how urban topographies and landscapes were modified by exiled artists re-establishing their practices in these and other metropolises across the world. Questioning the established canon of Western modernism, Arrival Cities investigates how the migration of artists to different urban spaces impacted their work and the historiography of art. In doing so, it aims to encourage the discussion between scholars from different research fields, such as exile studies, art history, architectural history, design history, urban studies, and history.

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