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The True Face of Sir Isaac Brock

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ISBN: 9781773850214 Year: Volume: 1 Pages: 338 Language: English
Publisher: University of Calgary Press
Subject: History of arts --- Diplomatics. Archives. Seals
Added to DOAB on : 2019-01-29 00:18:57
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Major General Sir Isaac Brock is remembered as the Hero of Upper Canada for his defence of what is now Ontario during the War of 1812, and also for his noble death at the Battle of Queenston Heights. In the more than two centuries since then, Brock’s likeness has been lost in a confusing array of portraits—most of which are misidentified or conceptual.The 1824 monument constructed to honour Brock’s sacrifice was destroyed in 1840 by Benjamin Lett, a disgruntled disciple of William Lyon Mackenzie and critic of the Upper Canadian elite. The replacement and subsequent commemorations emphasized a patriotic desire to visualize the hero's appearance. But despite uncovering an authentic portrait painted only a few years before Brock's death, a series of false faces were promoted to serve competing claims and agendas. St-Denis situates Brock’s portraits within an emerging English Canadian imperial nationalism that sought a heroic past which reflected their own aspirations and ambitions.A work of detailed scholarship and a fascinating detective story, The True Face of Sir Isaac Brock details the sometimes petty world of self-proclaimed guardians of the past, the complex process of identification and misidentification that often occurs even at esteemed Canadian institutions, and St-Denis’ own meticulous work as he separates fact from fiction to finally reveal Brock’s true face.

Nazism and Neo-Nazism in Film and Media

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ISBN: 9789048528295 9789089649362 Year: Pages: 264 Language: English
Publisher: Amsterdam University Press
Subject: Performing Arts --- Arts in general
Added to DOAB on : 2020-01-29 11:21:12
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This timely book takes an original transnational approach to the theme of Nazism and neo-Nazism in film, media, and popular culture, with examples drawn from mainland Europe, the UK, North and Latin America, Asia, and beyond. This approach fits with the established dominance of global multimedia formats, and will be useful for students, scholars, and researchers in all forms of film and media. Along with the essential need to examine current trends in Nazism and neo-Nazism in contemporary media globally, what makesthis book even more necessary is that it engages with debates that go to the very heart of our understanding of knowledge: history, memory, meaning, and truth.&#xD;

Keywords

Film theory --- video art

Musical Cities

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ISBN: 9781911576518 Year: Pages: 156 DOI: 10.14324/111.9781911576563 Language: English
Publisher: UCL Press
Subject: Sociology --- Political Science --- Architecture
Added to DOAB on : 2019-01-15 13:34:10
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Musical Cities represents an innovative approach to scholarly research and dissemination. A digital and interactive 'book', it explores the rhythms of our cities, and the role they play in our everyday urban lives, through the use of sound and music.&#xD;&#xD;Sara Adhitya first discusses why we should listen to urban rhythms in order to design more liveable and sustainable cities, before demonstrating how we can do so through various acoustic communication techniques. Using audio-visual examples, Musical Cities takes the ‘listener’ on an interactive journey, revealing how sound and music can be used to represent, compose, perform and interact with the city. Through case studies of urban projects developed in Paris, Perth, Venice and London, Adhitya demonstrates how the power of music, and the practice of listening, can help us to compose more accessible, inclusive, engaging, enjoyable, and ultimately more sustainable cities.&#xD;

Keywords

Cities --- Art --- Design --- Urban planning

The Archaeology of Rock Art in Western Arnhem Land, Australia (Terra Australis 47)

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ISBN: 9781760461614 Year: Pages: 526 Language: English
Publisher: ANU Press
Subject: Archaeology --- Arts in general --- History of arts
Added to DOAB on : 2018-01-09 11:01:56
License: ANU Press

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Western Arnhem Land, in the Top End of Australia’s Northern Territory, has a rich archaeological landscape, ethnographic record and body of rock art that displays an astonishing array of imagery on shelter walls and ceilings. While the archaeology goes back to the earliest period of Aboriginal occupation of the continent, the rock art represents some of the richest, most diverse and visually most impressive regional assemblages anywhere in the world. To better understand this multi-dimensional cultural record, The Archaeology of Rock Art in Western Arnhem Land, Australia focuses on the nature and antiquity of the region’s rock art as revealed by archaeological surveys and excavations, and the application of novel analytical methods. This volume also presents new findings by which to rethink how Aboriginal peoples have socially engaged in and with places across western Arnhem Land, from the north to the south, from the plains to the spectacular rocky landscapes of the plateau. The dynamic nature of Arnhem Land rock art is explored and articulated in innovative ways that shed new light on the region’s deep time Aboriginal history.

Nothing in MoMA

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ISBN: 9781947447752 9781947447769 Year: Pages: 90 DOI: 10.21983/P3.0208.1.00 Language: English
Publisher: punctum books
Subject: Arts in general
Added to DOAB on : 2019-03-26 11:21:04
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Nothing in MoMA is a series of photographs captured in areas of Manhattan museums in which there are no artworks, written words, or people. Addressing the “grammar that organizes and secures our scene of looking,” in the words of art historian David Joselit’s introduction, the book imagines a composite empty museum or a narrative of marginal attention. Originally displayed in partial prototype as a children’s board book at Artists Space in 2015, Nothing in MoMA is here collected for the first time in the series’ entirety. Evoking the history of indeterminacy as much as that of institutional critique, the deadpan composition of Adams’s photographs likewise recalls François Jullien’s theory of bland aesthetics, in a playful reductio of socio-institutional space to a bare literality. Both a visual essay on museum phenomenology and a performance document, Nothing in MoMA describes a choreography of avoidance, in which a conceptual constraint becomes a means of seeing and navigating concrete space.

TransCoding – From `Highbrow Art' to Participatory Culture

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Book Series: Edition Kulturwissenschaft ISBN: 9783839441084 9783839441084 9783837641080 Year: Pages: 202 DOI: 10.14361/9783839441084 Language: English
Publisher: transcript Verlag
Subject: Social Sciences
Added to DOAB on : 2019-01-15 13:34:28
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Between 2014 and 2017, the artistic research project "TransCoding – From 'Highbrow Art' to Participatory Culture" encouraged creative participation in multimedia art via social media. Based on the artworks that emerged from the project, Barbara Lüneburg investigates authorship, authority, motivational factors, and aesthetics in participatory art created with the help of web 2.0 technology. The interdisciplinary approach includes perspectives from sociology, cultural and media studies, and offers an exclusive view and analysis from the inside through the method of artistic research. In addition, the study documents selected community projects and the creation processes of the artworks Slices of Life and Read me.&#xD;

Modernism as Institution

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Book Series: Stockholm Studies in Culture and Aesthetics ISBN: 9789176350683 9789176350713 9789176350690 9789176350706 Year: Pages: 346 DOI: 10.16993/bar Language: English
Publisher: Stockholm University Press
Subject: History of arts --- Arts in general
Added to DOAB on : 2019-01-15 13:34:10
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"Anyone who studies the history of modern art—in art museums, in the classroom, in art historical handbooks or specialist surveys—will soon be aware of a certain recurrent pattern governing the selection of objects and forming a certain type of narrative where the history of modern art is presented as a variety of different -isms that dissolve into each other in the coherent sequence that constitutes the history of modern art as modernism.&#xD;But why is this pattern so similar in all different places and contexts? Is it possible to distinguish between the history of modern art and the history of modernism? And if so, when, where and how did modernism become synonymous with art of the modern era?&#xD;With a dual perspective—regarding art as well as the discursive perception of art—Modernism as an Institution attempts to answer these questions by studying the frameworks for the institutional establishment, as well as the historiography, of modern art."&#xD;

Last Year at Betty and Bob's: An Adventure

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ISBN: 9781847447912 9781947447929 Year: Pages: 212 DOI: 10.21983/P3.0234.1.00 Language: English
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2019-03-26 11:21:03
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Last Year at Betty and Bob’s: An Adventure is the second in a series of three novellas emerging from a writing practice that taps the cusp of consciousness between dreaming and waking. A storyline, or genealogy, tinted a shade of RGB red, is fashioned by thinking through the felt unthought of this between space — a fabulation, an anarchive of what passes through. Lucid dreaming of this type is rife with allusions to conceptual and material goings-on, manifesting in awkward imaginaries. The dream personas are rendered as complex character amalgams with nomadic ages, sexes, genders, and phenotypes. Occurrences of lived “fact” elide with a hallucinatory real as speculation. In An Adventure, a feral feminist artist collective, The Bettys, inhabit a timeless Arcades Project. This is their experiment in wild hypo-consumerism. The event of Red Betty’s fall generates the advent of a turn. A cleaving. The intra-play of personal politics and activist artistic practices is surreally suffused with attention to color, to life and death, to lightness and heaviness.

Last Year at Betty and Bob's: A Novelty

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ISBN: 9781947477790 9781947447806 Year: Pages: 172 DOI: 10.21983/P3.0233.1.00 Language: English
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2019-03-26 11:21:03
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Last Year at Betty and Bob’s: A Novelty is the first in a series of novellas emerging from a writing practice that taps the cusp of consciousness between dreaming and waking. A storyline, or genealogy, tinted a shade of RGB blue, is fashioned by thinking through the felt unthought of this between space. A fabulation, an anarchive of what passes through. Lucid dreaming of this type is rife with allusions to conceptual and material goings-on, manifesting in awkward imaginaries. The dream personas are rendered as complex character amalgams with nomadic ages, sexes, genders and phenotypes. Occurrences of lived “fact” elide with a hallucinatory real as speculation. In A Novelty, Bette B, an ageing quasi-academic artist researcher, and BØB, attuned urban rodent, are palindromic variants of a generic cast of Betty’s and Bob’s. The happenstance of their meeting on the super slick POMOC (PostOffice MotionCorridor) affects a trans-special contagion. These are the facts of the matter. The matters that come to concern both B’s are more slippery and elusive.

Queer Festivals

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Book Series: Protest and Social Movements ISBN: 9789048532780 9789462982741 Year: Pages: 233 Language: English
Publisher: Amsterdam University Press
Subject: Social Sciences --- Gender Studies --- Languages and Literatures
Added to DOAB on : 2019-10-23 11:21:06
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Is queer really anti-identitarian? And how is it experienced at the European level? At queer festivals, activists, artists and participants come together to build new forms of sociability and practice their ideals through anti-binary and inclusive idioms of gender and sexuality. These ideals are moreover channeled through a series of organizational and cultural practices that aim at the emergence of queer as a collective identity. Through the study of festivals in Amsterdam, Berlin, Rome, Copenhagen, and Oslo, this book thoughtfully analyzes the role of activist practices in the building of collective identities for social movement studies as well as the role of festivals as significant repertoires of collective action and sites of identitarian explorations in contemporary Europe.

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