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Facing Forward. Art and Theory from a Future Perspective

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ISBN: 9789089647993 Year: DOI: 10.5117/9789089647993 Language: English
Publisher: Amsterdam University Press
Subject: Performing Arts
Added to DOAB on : 2015-09-27 11:01:17
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This spirited exploration of the interfaces between art and theory in the 21st century brings together a multidisciplinary range of viewpoints on their future. The authors examine contemporary visual culture based on speculative predictions and creative scientific arguments. Focusing on seven themes - Future Tech, Future Image, Future Museum, Future City, Future Freedom, Future History, and Future Future - the book shows how our sense of the future is shaped by a visual rhetoric of acceleration, progression, excess and destruction. The essays reflect collaborative work between the Stedelijk Museum Amsterdam, the Amsterdam School for Cultural Analysis at the University of Amsterdam, De Appel Arts Centre, W139–Space for Contemporary Art, and the art magazine Metropolis M. Discussing provocative themes like future history and future freedom, ‘Facing Forward’ is an energetic look at how our visions of the future affect how we depict the world around us.

Keywords

art theory --- futures --- art

30 Years After Les Immatériaux: Art, Science and Theory

Authors: ---
ISBN: 9783957960306 9783957960313 Year: DOI: 10.14619/002 Language: English
Publisher: meson press
Subject: Arts in general
Added to DOAB on : 2017-04-23 15:18:20
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In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition. This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years.

Keywords

Art --- Postmodernity

Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies

Authors: ---
Book Series: Critical Climate Change ISBN: 9781785420054 9781785420177 Year: Pages: 416 DOI: 10.26530/OAPEN_560010 Language: English
Publisher: Open Humanities Press
Subject: Arts in general
Added to DOAB on : 2015-07-05 11:01:11
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Taking as its premise that the proposed geologic epoch of the Anthropocene is necessarily an aesthetic event, this book explores the relationship between contemporary art and knowledge production in an era of ecological crisis, with contributions from artists, curators, theorists and activists. Contributors include Amy Balkin, Ursula Biemann, Amanda Boetzkes, Lindsay Bremner, Joshua Clover & Juliana Spahr, Heather Davis, Sara Dean, Elizabeth Ellsworth & Jamie Kruse (smudge studio), Irmgard Emmelhainz, Anselm Franke, Peter Galison, Fabien Giraud & Ida Soulard, Laurent Gutierrez & Valérie Portefaix (MAP Office), Terike Haapoja & Laura Gustafsson, Laura Hall, Ilana Halperin, Donna Haraway & Martha Kenney, Ho Tzu Nyen, Bruno Latour, Jeffrey Malecki, Mary Mattingly, Mixrice (Cho Jieun & Yang Chulmo), Natasha Myers, Jean-Luc Nancy & John Paul Ricco, Vincent Normand, Richard Pell & Emily Kutil, Tomás Saraceno, Sasha Engelmann & Bronislaw Szerszynski, Ada Smailbegovic, Karolina Sobecka, Zoe Todd, Richard Streitmatter-Tran & Vi Le, Anna-Sophie Springer, Sylvère Lotringer, Peter Sloterdijk, Etienne Turpin, Pinar Yoldas, and Una Chaudhuri, Fritz Ertl, Oliver Kellhammer & Marina Zurkow.

[Given, If, Then]: A Reading in Three Parts

Authors: --- ---
ISBN: 9780692298374 Year: Pages: 116 DOI: 10.21983/P3.0090.1.00 Language: English
Publisher: punctum books
Subject: Philosophy
Added to DOAB on : 2019-06-12 09:24:40
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[Given, If, Then] attempts to conceive a possibility of reading, through a set of readings: reading being understood as the relation to an Other that occurs prior to any semantic or formal identification, and, therefore, prior to any attempt at assimilating, or appropriating, what is being read to the one who reads. As such, it is an encounter with an indeterminable Other, an Other who is other than other — an unconditional relation, and thus a relation to no fixed object of relation. The first reading by Jeremy Fernando, “Blind Reading,” unfolds through an attempt to speak of reading as an event. Untheorisable in itself, it is a positing of reading as reading, through reading, where texts are read as a test site for reading itself. As such, it is a meditation on the finitude and exteriority in literature, philosophy, and knowledge; where blindness is both the condition and limit of reading itself. Folded into, or in between, this (re)reading are a selection of photographs from Jennifer Hope Davy’s image archive. They are on the one hand simply a selection of ‘impartial pictures’ taken, and on the other hand that which allow for something singular and, therefore, always other to dis/appear — crossing that borderless realm between ‘some’ and ‘some-thing.’ Eventually, there is a writing on images on writings by Julia Hölzl. A responding to the impossible response, a re-iteration, a re-reading of what could not have been written, a re-writing of what could not have been read; these poems, if one were to name them such, name them as such, answer (to) the impossibility of answering: answer to no call.

Alfred Flechtheim. Raubkunst und Restitution

Authors: ---
Book Series: Schriftenreihe der Vierteljahrshefte für Zeitgeschichte ISSN: 05069408 ISBN: 9783110404975 Year: Volume: 110 Pages: 321,00 DOI: 10.1515/9783110404975 Language: German / English
Publisher: De Gruyter
Subject: History
Added to DOAB on : 2019-06-27 13:08:38

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The tragic story of Alfred Flechtheim, his ideological defamation, and the loss of his art collection

The Representation of Science and Scientists on Stamps

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ISBN: 9781925021783 Year: DOI: 10.26530/OAPEN_569090 Language: English
Publisher: ANU Press
Subject: History
Added to DOAB on : 2015-07-14 11:01:26
License: ANU Press

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The Representation of Science and Scientists on Postage Stamps examines how the postal authorities of the world have developed unique techniques to portray science and scientists in order to convey a message behind the stamp issue. It is a multi-disciplinary examination that investigates visual representation, semiotics, science, science history and politics, amongst other issues. The author introduces and describes a technique for looking at how and why images may have been chosen. Is the image a mirror reflecting a known reality or is it a lens to challenge, to prompt further thought or action? He also hypothesises that the Internet created a real change to science communication, influencing the way images of science were used. The stamp message changed from that of pursuing a public understanding approach to an awareness of science with its increasing contextual content.

Keywords

history --- science --- art --- stamps --- scientists --- communication

Burning Bright: Essays in Honour of David Bindman

Authors: --- --- ---
ISBN: 9781910634189 9781910634349 Year: Pages: 280 DOI: 10.14324/111.9781910634189 Language: English
Publisher: UCL Press
Subject: History of arts
Added to DOAB on : 2015-09-18 11:01:11
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This book celebrates the work and career of the internationally renowned art historian, David Bindman, on the occasion of his 75th birthday, and is above all a tribute to him from his former students and colleagues. With essays on sculpture, drawings, watercolours and prints, the volume reflects the extraordinary range of Bindman’s knowledge of works of art and his impact through his teaching and research on the understanding of British and European artistic developments from the eighteenth to the twentieth century. The essays cast light on questions of technique and stylistic change, patronage, collecting and iconography, and engage with issues such as the representation of race, gender, sexuality, political violence and propaganda, exile, and notions of the canon. The artists discussed here include Hogarth, Blake, Roubiliac, Thorvaldsen and Canova, all subjects of books by David Bindman, as well as Morland, Rowlandson, Gillray, Millais, Munch, Nevinson, and Heartfield.

Keywords

sculpture --- prints --- david bindman --- paintings --- art

Registers of Communication

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Book Series: Studia Fennica Linguistica ISBN: 9789518580174 9789522227980 9789522226730 Year: Pages: 344 DOI: 10.21435/sflin.18 Language: English
Publisher: Finnish Literature Society / SKS Grant: Jane and Aatos Erkko Foundation and SKS
Subject: Ethnology --- Social Sciences --- Science (General) --- Information theory --- Linguistics
Added to DOAB on : 2018-01-09 11:01:56
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In any society, communicative activities are organized into models of conduct that differentiate specific social practices from each other and enable people to communicate with each other in ways distinctive to those practices. The articles in this volume investigate a series of locale-specific models of communicative conduct, or registers of communication, through which persons organize their participation in varied social practices, including practices of politics, religion, schooling, migration, trade, media, verbal art, and ceremonial ritual. Drawing on research traditions on both sides of the Atlantic, the authors of these articles bring together insights from a variety of scholarly disciplines, including linguistics, anthropology, folklore, literary studies, and philology. They describe register models associated with a great many forms of interpersonal behavior, and, through their own multi-year and multi-disciplinary collaborative efforts, bring register phenomena into focus as features of social life in the lived experience of people in societies around the world.

Workers Leaving the Studio: Looking Away from Socialist Realism

Authors: --- ---
ISBN: 9780692480410 Year: Pages: 210 DOI: 10.21983/P3.0115.1.00 Language: Albanian|English
Publisher: punctum books
Subject: Arts in general
Added to DOAB on : 2019-06-12 09:24:38
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Workers Leaving the Studio. Looking Away from Socialist Realism. catalogs the exhibition “Workers leaving the studio. Looking away from socialist realism.,” curated by Mihnea Mircan in the National Gallery of Arts in Tirana, Albania in 2015. According to Mircan, “The […] exhibition reflects on another projection machine, whose history and consequences, unlike cinema, are circumscribed by national boundaries, specific histories, and ideological configurations. The regime of production and representation of socialist realism radicalizes the violence that the creation of a new image does to its subject: it intensifies the fraught relation between refashioned representation and that which is represented. Its insistence on a particular, projective notion of reality is commensurate with the coercion of daily — cultural, social, emotional — life into a grid whose perspective lines and vanishing points carry heavy ideological charges. It enforces what it represents onto that which it represents, so that representation would replace reality.” Apart from a full documentation of the exhibition by photographer Marco Mazzi, the catalogue also features theoretical and art-historical contributions, both in English and in Albanian, on socialist realist art as developed in Albania under the communist regime, as well as texts highlighting contemporary attempts to display political realities through progressive artistic practices. Artists include: Santiago Sierra, Jonas Staal, Ciprian Mureşan, Irwin, Sarah Vanagt, and Armando Lulaj, with scholarly contributions by

Modernity without a Project

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ISBN: 9780692351260 Year: Pages: 212 DOI: 10.21983/P3.0087.1.00 Language: English
Publisher: punctum books
Subject: History of arts
Added to DOAB on : 2019-06-12 09:24:40
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Entering the 21st century, the postmodern succession has given way to a doom-laden, apolitical orthodoxy. This book offers suggestive readings of “the contemporary” in light of high modernity, postwar modernity, and postmodernity, as framed by the influential institutions of modern art and the spectacles of millennial architecture. Modernity without a Project critiques and connects historical avant-garde currents as they are institutionally expressed or captured, and scrutinizes the remake of New York’s Museum of Modern Art, Minoru Yamasaki’s vanished Utopias, the “anarchitecture” of Lebbeus Woods, recent work of Rem Koolhaas, delirious developments in Dubai, and the unexpected contribution to architectural debate by the late Hugo Chavez

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