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Farocki/Godard. Film as Theory

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Book Series: Film Culture in Transition ISBN: 9789089648914 Year: Pages: 292 DOI: 10.5117/9789089648914 Language: English
Publisher: Amsterdam University Press
Subject: Performing Arts
Added to DOAB on : 2016-07-12 11:01:15
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There is a tension between the requirements of theoretical abstraction and the capacities of the film medium, where everything that we see on screen is concrete: A train arriving at a station, a tree, bodies, faces. Since the complex theories of montage in Soviet cinema, however, there have continuously been attempts to express theoretical issues by combining shots, thus creating a visual form of thinking. This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."

Georges Baudoux's Jean M'Barai The Trepang Fisherman

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ISBN: 9780994503916 Year: Pages: 145 DOI: https://dx.doi.org/10.5130/978-0-9945039-1-6 Language: English
Publisher: UTS ePRESS
Subject: Social Sciences --- History --- Migration
Added to DOAB on : 2017-11-06 05:33:59
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Between 1860 and 1910, Australian governments sanctioned and then tried to stop the trafficking of South Sea Islanders ​to Queensland as forced labourers. Over 60,000 Islanders were lured from their villages: tricked, transported, forced to work in the harsh Queensland bush, and then repatriated. Most Islanders returned with little savings to find their communities deeply scarred by the blackbirding trade and the internecine tribal conflict it had provoked.Georges Baudoux (1865-1949) was brought up amongst the Islanders who experienced the raw and competing greed of French, British and Australian colonialism. Son of a French prison commander stationed in New Caledonia, Baudoux lead a colourful life amongst the Pacific islands and deep in the brousse (bush) before becoming an author and capturing the stories of his travels and, importantly, the experiences of friends and colleagues as life in the islands changed forever. In recognition of his work, he was awarded the esteemed Palmes Académiques, the French medal for literary and academic achievement.Jean M'Barai is one of his best works. Expertly translated by Dr Karin Speedy and published here in English for the first time, this book exposes the rich, complex and brutal world of a South Sea Islander caught up in the duplicitous trade that came to be known as Blackbirding. It is an exciting, provocative and often astonishing account, drawing on the lived experience of people known to the author.In her critical introduction, Dr Speedy uncovers not just the author and his intriguing life (a life that spanned the uprising of the Paris communards in 1870 to post-Second World War reconstruction in the Pacific), but also the challenges for scholars working in, and undertaking translations in, the Francophone/Anglophone colonial/postcolonial sphere. Here, where empires, languages and Pacific peoples collide, the nuances of culture and terminology really matter if we are to find meaning amongst the shifting tides of use.Accompanied by photographs, postcards, cartoons and maps, this is a book to read and re-read, to contemplate ingenuity and inhumanity and the price all cultures pay as they are tested by forces beyond their control. It is a story that still resonates today, as we reflect on the experiences and resilience of the Pacific South Sea Islanders who contributed to modern Australia: the many that left and the descendants of those who stayed.

Framing French Culture

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ISBN: 9781922064875 Year: Pages: 291 DOI: 10.20851/framing-french Language: English
Publisher: University of Adelaide Press
Subject: Social Sciences --- Languages and Literatures --- Performing Arts
Added to DOAB on : 2015-09-08 04:26:04
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Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned.

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