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What do the labels “Historic period,” “historical archaeology,” and “Colonial” imply about the source materials drawn on, the time periods covered, and the conceptual vantages taken in interpre­ting the West African past? The historiographies presented are equally relevant to the understanding of the past—that is, the impacts of European contact, the Atlantic slave trade, and colo- nization—as they are to the present; the social, economic, and cultural landscapes of modernity, and how our views of the past shape these landscapes. This essay considers the varied episte­mological threads represented and their interpretive implica­tions. Although the hegemonic and transformative nature of Afri­ca's intersection with the Atlantic World is underscored, the need to situate these developments within the wider scope and tem­poral depth of the African past is also emphasized. Archaeology's central role in providing a holistic understanding of the temporal depth and complexity of African history, as well as archaeology's unique contribution to the understanding of the Atlantic world, is underscored.

slave trade --- African archaeology --- colonization --- postcolonialism

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More than just a book, Storytelling in Northern Zambia lets you watch videos of the storytellers while you read. Storytelling plays an important part in the vibrant cultural life of Zambia and in many other communities across Africa. This innovative book provides a collection and analysis of oral narrative traditions as practiced by five Bemba-speaking ethnic groups in Zambia. The integration of newly digitalised audio and video recordings into the text enables the reader to encounter the storytellers themselves and hear their narratives as they were recounted during Robert Cancel’s research trips to Zambia. Robert Cancel's thorough critical interpretation, combined with these newly digitalised audio and video materials, makes Storytelling in Northern Zambia a much needed addition to the slender corpus of African folklore studies that deal with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, reflexive description and simple documentation and succeeds in bringing to the reader a set of performers and their performances that are vivid, varied and instructive. He illustrates this living narrative tradition with a wide range of examples, and highlights the social status of narrators and the complex local identities that are at play. Cancel’s innovative study tells us not only about storytelling but sheds light on the study of oral literatures throughout Africa and beyond. Its innovative format, meanwhile, explores new directions in the integration of primary source material into scholarly texts. This book is part of our World Oral Literature Series in conjunction with the World Oral Literature Project.

african storytelling --- storytelling --- bemba language --- oral history --- african folklore studies --- zambian stories --- oral literature