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Musical Haptics

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Book Series: Springer Series on Touch and Haptic Systems ISSN: 2192-2977 ISBN: 9783319583150 9783319583167 Year: Pages: 285 DOI: https://doi.org/10.1007/978-3-319-58316-7 Language: English
Publisher: Springer Grant: Zurich University of the Arts
Subject: Music --- Technology (General)
Added to DOAB on : 2018-06-29 12:48:17
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This open access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces.Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.

Actors and the Art of Performance

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Book Series: Performance Philosophy ISBN: 9781137596338 9781137596345 Year: Pages: 131 Seiten DOI: 10.1057/9781137596345 Language: English
Publisher: Springer Grant: Austrian Science Fund - PUB 357
Subject: Social Sciences
Added to DOAB on : 2016-05-31 12:11:02
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Acting on stage is a mode of performing an action, in the context of which the bodily aspects implicitly at work in acting reveal their own significance and power. This event can actualize a wound incarnated in human beings, because the actor acts and does not act at the same time and hence the concept of being ‘the doer’ unmasks itself as being illusionary. One could call it a kind of ‘symbolic death’ (Mueller), an ‘anthropological mutation’ (Agamben)––an event of great interest because of its highly ethical call.The book “Actors and the Art of Performance. Under Exposure” opens with a cascade of contradictory motives for becoming an actor. But, if theatre is no longer understood as a theatre of representation, then what takes place on stage is a transformation at play with truth, in which ethics are realized by the aesthetic. Insofar the book summarizes the attempt to explore and map guidelines of acting as being under the perspective of be-coming. That may sound fairly harmless in theory, but it feels anything but harmless when you experience it on your own body. For example, for being physical under exposure actors have to learn that there exists no fundamental dualism between mind and matter. Furthermore, actors are espoused to a dynamic shifting ground in the name of creativity. They have to carry the burden that the self is no sovereign identity as we generally suppose, but rather a threshold of permanent be-coming. One could call it the outstanding gift of acting. In the German language, gift means “poison”, in German ears the word has the double meaning of poison and present, thus expressing the fact that a gift is disturbing and blessing at the same time. Loaded with fear and joy as the crucial point of acting, which attacks and attracts actors and spectators most.

Perspectives on European Earthquake Engineering and Seismology: Volume 1

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Book Series: Geotechnical, Geological and Earthquake Engineering, Vol. 34 ISSN: 15736059 ISBN: 9783319071176 9783319071183 Year: Volume: 34 Pages: 650 DOI: 10.1007/978-3-319-07118-3 Language: English
Publisher: Springer
Subject: General and Civil Engineering --- Materials
Added to DOAB on : 2014-10-06 15:59:36
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This book collects 5 keynote and 15 topic lectures presented at the 2nd European Conference on Earthquake Engineering and Seismology (2ECEES), held in Istanbul, Turkey, from August 24 to 29, 2014. The conference was organized by the Turkish Earthquake Foundation - Earthquake Engineering Committee and Prime Ministry, Disaster and Emergency Management Presidency under the auspices of the European Association for Earthquake Engineering (EAEE) and European Seismological Commission (ESC).The book’s twenty state-of-the-art papers were written by the most prominent researchers in Europe and address a comprehensive collection of topics on earthquake engineering, as well as interdisciplinary subjects such as engineering seismology and seismic risk assessment and management. Further topics include engineering seismology, geotechnical earthquake engineering, seismic performance of buildings, earthquake-resistant engineering structures, new techniques and technologies and managing risk in seismic regions. The book also presents the Third Ambraseys Distinguished Award Lecture given by Prof. Robin Spence in honor of Prof. Nicholas N. Ambraseys.The aim of this work is to present the state-of-the art and latest practices in the fields of earthquake engineering and seismology, with Europe’s most respected researchers addressing recent and ongoing developments while also proposing innovative avenues for future research and development. Given its cutting-edge content and broad spectrum of topics, the book offers a unique reference guide for researchers in these fields.

Supercomputing Frontiers: 4th Asian Conference, SCFA 2018, Singapore, March 26-29, 2018, Proceedings

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Book Series: Theoretical Computer Science and General Issues ISBN: 9783319699523 9783319699530 Year: Volume: 10776 Pages: 293 DOI: https://doi.org/10.1007/978-3-319-69953-0 Language: English
Publisher: Springer Grant: National Supercomputing Centre (NSCC), Singapore
Subject: Computer Science
Added to DOAB on : 2018-07-20 15:24:25
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It constitutes the refereed proceedings of the 4th Asian Supercomputing Conference, SCFA 2018, held in Singapore in March 2018. Supercomputing Frontiers will be rebranded as Supercomputing Frontiers Asia (SCFA), which serves as the technical programme for SCA18. The technical programme for SCA18 consists of four tracks: Application, Algorithms & LibrariesProgramming System SoftwareArchitecture, Network/Communications & ManagementData, Storage & VisualisationThe 20 papers presented in this volume were carefully reviewed nd selected from 60 submissions.

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