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The Altering Eye: Contemporary International Cinema

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ISBN: 9781906924041 Year: Pages: 344 DOI: 10.11647/OBP.0002 Language: English
Publisher: Open Book Publishers
Subject: Performing Arts
Added to DOAB on : 2012-04-06 03:32:42
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The Altering Eye covers a "golden age" of international cinema from the end of WWII through to the New German Cinema of the 1970s. Combining historical, political, and textual analysis, Kolker develops a pattern of cinematic invention and experimentation from neorealism through the modernist interventions of Jean-Luc Godard and Rainer Werner Fassbinder, focusing along the way on such major figures as Luis Buñuel, Joseph Losey, the Brazilian director Glauber Rocha, and the work of major Cuban filmmakers.Kolker’s book has become a much quoted classic in the field of film studies providing essential reading for anybody interested in understanding the history of European and international cinema. This new and revised edition includes a substantive new preface by the author and an updated bibliography.

The Altering Eye

Author:
ISBN: 9781906924058 Year: Pages: 344 DOI: 10.11647/OBP.0002 Language: English
Publisher: Open Book Publishers
Subject: Performing Arts
Added to DOAB on : 2018-04-04 11:01:52
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Abstract

The Altering Eye covers a "golden age" of international cinema from the end of WWII through to the New German Cinema of the 1970s. Combining historical, political, and textual analysis, Kolker develops a pattern of cinematic invention and experimentation from neorealism through the modernist interventions of Jean-Luc Godard and Rainer Maria Fassbinder, focusing along the way on such major figures as Luis Buñuel, Joseph Losey, the Brazilian director Glauber Rocha, and the work of major Cuban filmmakers. Kolker’s book has become a much quoted classic in the field of film studies providing essential reading for anybody interested in understanding the history of European and international cinema. This new and revised edition includes a substantive new Preface by the author and an updated Bibliography.

The End of the World: Apocalypse and its Aftermath in Western Culture

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ISBN: 9781906924515 Year: Pages: 219 DOI: 10.11647/OBP.0015 Language: English
Publisher: Open Book Publishers
Subject: Performing Arts --- Languages and Literatures --- Religion --- History --- History of arts
Added to DOAB on : 2012-04-06 03:32:42
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Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production – from pre-historic cave paintings to high-tech computer games.This book examines historical and imaginary scenarios of Apocalypse, the depiction of its likely triggers, and imagined landscapesin the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxley’s Brave New World, George Orwell’s Nineteen Eighty-Four and Margaret Atwood’s Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and The Terminator. The author also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-disciplinary study that provides profound insight into one of Western culture’s darkest and most enduring preoccupations.

The End of the World

Author:
ISBN: 9781906924522 Year: Pages: 219 DOI: 10.11647/OBP.0015 Language: English
Publisher: Open Book Publishers
Subject: Social Sciences --- Languages and Literatures --- Media and communication
Added to DOAB on : 2018-04-04 11:01:54
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Abstract

Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production – from pre-historic cave paintings to high-tech computer games. This book examines historical and imaginary scenarios of Apocalypse, the depiction of its likely triggers, and imagined landscapesin the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxley’s Brave New World, George Orwell’s Nineteen Eighty-Four and Margaret Atwood’s Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and The Terminator. The author also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-disciplinarystudy that provides profound insight into one of Western culture’s darkest and most enduring preoccupations.

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