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Fragmenting Modernism is about Ford Madox Ford, a hero of the modernist literary revolution. Ford is a fascinating and fundamental figure of the time; not only because as a friend and critic of Ezra Pound and Joseph Conrad, editor of the 'English Review', and author of 'The Good Soldier', he shaped the development of literary modernism. But as the grandson of Ford Madox Brown, and son of a German music critic, he also manifested formative links with mainland European culture and the visual arts. In Ford there is the chance to explore continuity in artistic life at the turn of the century, as well as the more commonly identified pattern of crisis in the time. The argument throughout is that modernism possesses more than one face. Setting Ford in his cultural and historical context, the opening chapter debates the concept of fragmentation in modernism; later chapters discuss the notion of the personal narrative, and war writing. Ford's literary technique is studied comparatively, and plot summaries of his major books ('The Good Soldier' and 'Parade's End') are provided, as is a brief biography. Fragmenting Modernism will be useful for anyone studying the literature of the early twentieth century, impressionism or modernism in general terms, as well as for those who seek to investigate in detail one of the great polymorphous figures of the time.
literature --- modernism --- art
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This book thinks through modernity and its representations by exploring critical considerations of time and space. Drawing on anthropology, history and social theory, it investigates the oppositions and enchantments, the contradictions and contentions, and the identities and ambivalences spawned under modernity. Crucially, it understands these antinomies not as errors, but as constitutive elements of modern worlds. The book questions routine portrayals of homogeneous time and antinomian blueprints of cultural space, while acknowledging the production of time and space by social subjects. Instead of assuming a straightforward, singular trajectory for the phenomena, it views modernity as involving checkered, contingent and contended processes of meaning and power, which have found heterogeneous historical elaborations over the past five centuries. Bringing together past and present, theory and narrative, it sows the historical, ethnographic and methodological deep into its critical procedures, offering an innovative understanding of cultural identities and imaginatively exploring the relationship between history and anthropology.
postcolonialism --- modernity --- theory --- colonialism --- modernism --- dalit artwork --- subaltern studies --- identity
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