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Within the vast Ovidian bibliography, taking the opportunity provided by the celebrations of the Bimillenary of the poet's death (17-2017), the volume aims at offering a useful tool to deepen, in a diachronic and synchronic perspective, not only the multifarious virtues of Ovid's poetry, his extraordinary Alexandrian ars, the stages of his Reception starting from antiquity, but also - if not above all - an undisputed and in some ways unreachable quality of the Ovidian language and style: the disruptive icastic strength, the ability to employ, like few others, the images in the construction of the poetic text, of its narrative plots, of its elegant refinement, of its effectiveness in the reader’s Reception. The versatility of Ovid's poetry, the transversality of its readings and of its possible reuse throughout the history of western culture are confirmed by the coexistence, within the volume, of contributions ranging from classical to modern and contemporary literatures, from archeology to Art history, from philosophy to music.
Ovid's Poetry --- Ovid's Reception --- Ovid and modern Literatures --- Ovid and the Modern Art
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[Italiano]:Nel ricco campo di studi sull’epica flavia, “Tremefacta quies. Spazi di transito in Stazio e Silio Italico” ha preso le mosse dalla vena di sensibilità postmoderna di testi che parlano pure al nostro orizzonte presente di cultori e cultrici di letteratura e psicoanalisi, testimoni di conflitti (e l’epica flavia è anche una macroscopica narrazione di conflitti). Tra i due autori la ricerca sviluppa il tema del sonno come transito e ossimoro, tra sonno e morte, insonnia, sogni e presagi. Svolgendo un percorso sistematico che mette al centro i testi, l’approccio filologico si apre ad ampi inserti narrativi e insieme alla messa a fuoco di una poetica di sonno/insonnia. Gli spazi di transito vengono a fuoco quindi nello studio di due traduzioni siliane dell’800, translation dei Punica all’interno della cultura classicista coeva a sfondo patriottico./ [English]: This research is built on three different topics, which are interwoven ("spazi di transito"). The first one deals with sleep, sleeplesness and dreams in Statius' Thebaid; secondly, Silius Italicus' treatment of the same themes are analyzed; thirdly, Onorato Occioni's translation of Punica 1 in 'endecasillabi sciolti' in XIXth Century in Italy are compared to the translation by Cesare Beligoni, with the conclusion of a certain amount of plagiarism. It is an original study, text-oriented and innovative, which gives a contribution to the rich scenario of Flavian studies worldwide.
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