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Borderland City in New India

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Book Series: Asian Borderlands ISBN: 9789048525362 9789089647580 Year: Pages: 214 DOI: 10.26530/OAPEN_605035 Language: English
Publisher: Amsterdam University Press Grant: Knowledge Unlatched - 103433
Subject: Sociology --- Languages and Literatures
Added to DOAB on : 2016-03-19 11:01:17
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Borderland Cities in New India explores contemporary urban life in two cities in India’s Northeast borderland at a time of dramatic change. Social and economic transformation from India’s embrace of neoliberalism and globalisation, often referred to as ‘new’ India, has become a popular subject for academic analysis in the last decade. This is epitomised by focus on so-called ‘mega-cities’, reflecting a general trend in scholarship on other parts of Asia. However, far less attention has been afforded to borderland regions and to the provincial cities of ‘new’ India. Using ethnographic material, this book focuses on two cities in India’s Northeast borderland: Aizawl and Imphal. Both cities have been profoundly affected by armed conflict, militarism, displacement, and inter-ethnic tensions. Yet, both are also experiencing intensified flows of goods and people, rapid urban development, and expansion of Indian and foreign capital associated with the opening of the borderland west to the rest of India and east to the rest of Asia. This title was made Open Access by libraries from around the world through Knowledge Unlatched.

The Conscience of Cinema

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Book Series: Framing Film ISBN: 9789048525256 9789089647535 Year: Pages: 500 DOI: 10.26530/OAPEN_605853 Language: English
Publisher: Amsterdam University Press Grant: Knowledge Unlatched - 103474
Subject: Performing Arts
Added to DOAB on : 2016-04-10 11:01:26
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The Conscience of Cinema is not only a history of a rich and varied personal oeuvre by a prolific documentary maker who worked on every continent and through seven decades, from the 1920s to the 1980s. It is also the history of the aspiration to use documentary film to change the world by a committed leftist, as well as a microcosmic history of documentary form, technology and culture, and its place within world cinema as a whole throughout the twentieth century. Ivens worked in almost every genre of documentary, including the essay, compilation, hybrid dramatization, direct cinema, social observation, the solidarity film, socialist realism, agitprop activism. In this book, detailed filmic analysis is enriched by a profound historical understanding of the contexts in which Ivens carried out his vision, from his native Netherlands to the Soviet bloc, USA, France, Latin America, Vietnam and finally China. Everywhere, Joris Ivens left an indelible artistic and political mark, critically relevant to a twenty-first century where documentary has reclaimed its cultural and political centrality. This title was made Open Access by libraries from around the world through Knowledge Unlatched.

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2016 (2)