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This new volume from the author of Scenarios of Power explores the effect of the symbolic and mythical representations of the Russian imperial government on law, administrative practice, and concepts of national and imperial identities throughout centuries of monarchical rule. Richard Wortman demonstrates how the ideologies behind such representations shaped the thought patterns not only of the tsar and the imperial family but also of the Russian political and social elite. He characterizes the monarchy as an active agent in Russia’s political experience, one whose dominant role was resisting change until the inevitable collapse facing all absolute monarchies.
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Visual Texts, Ceremonial Texts, Texts of Exploration continues the work begun in Russian Monarchy: Representation and Rule, which analyzed the interplay between the symbolic representations of Russian monarchs and the legal and institutional instruments of their rule. The articles in this volume examine the texts that, through various media, revealed the myths and scenarios conveying the goals and ideals the monarchy sought to elevate before the elite of the empire and, later, the public at large.Russian monarchy inhabited a highly visual culture, comprising court ceremonials, parades, public festivities, and celebrations. It mobilized the arts through painting, prints, popular pictures (lubki), and even opera. This book examines that artistic culture, focusing on several aspects. Parts I and II analyze imagery and ceremony and their relation to the verbal texts that ascribed and defined their meanings. Part III details the way texts of exploration inspired the explorers who widened Russia’s engagement with the world. Parts IV and V address key texts of intellectual history and reflect on the scholarly and methodological influences on Wortman’s approach to history.
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Exemplary Bodies: Constructing the Jew in Russian Culture, 1880s to 2008 explores the construction of the Jew’s physical and ontological body in Russian culture as represented in literature, film, and non-literary texts from the 1880s to the present. With the rise of the dominance of biological and racialist discourse in the 1880s, the depiction of Jewish characters in Russian literary and cultural productions underwent a significant change, as these cultural practices recast the Jew not only as an archetypal “exotic” and religious or class Other (as in Romanticism and realist writing), but as a biological Other whose acts, deeds, and thoughts were determined by racial differences. This Jew allegedly had physical and psychological characteristics that were genetically determined and that could not be changed by education, acculturation, conversion to Christianity, or change of social status. This stereotype has become a stable archetype that continues to operate in contemporary Russian society and culture.
Jew --- Russian culture --- literature --- films
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Isaak Babel (1894–1940) is arguably one of the greatest modern short story writers of the early twentieth century. Yet his life and work are shrouded in the mystery of who Babel was—an Odessa Jew who wrote in Russian, who came from one of the most vibrant centers of east European Jewish culture and all his life loved Yiddish and the stories of Sholom Aleichem.This is the first book in English to study the intertextuality of Babel’s work. It looks at Babel’s cultural identity as a case study in the contradictions and tensions of literary influence, personal loyalties, and ideological constraint. The complex and often ambivalent relations between the two cultures inevitably raise controversial issues that touch on the reception of Babel and other Jewish intellectuals in Russian literature, as well as the “Jewishness” of their work.
History --- Literary criticism --- Biography --- Short story --- Russian literature --- Odessa --- Jewish studies
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This is a groundbreaking study of an important and neglected topic—the systematic use of rape as a strategic weapon of the genocidal anti-Jewish violence, known collectively as pogroms, that erupted in Ukraine in the period between 1917 and 1921, and in which at least 100,000 Jews died and undocumented numbers of Jewish women were raped. The book is based on the in-depth study of the scores of narratives of Jewish men and women who survived the pogrom violence, but were then all but forgotten for almost a century. This book deconstructs the motives of perpetrators, the experience and expression of trauma by the victimized community, and how the genocidal objectives of the pogrom perpetrators were achieved and maximized through the macabre carnival of violence.
History --- Jewish History --- Russian History --- Soviet History --- Genocide --- Rape --- First World War --- Gender Violence --- Holocaust --- Anti-Jewish violence --- Civil War
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Dostoevsky beyond Dostoevsky is a collection of essays with a broad interdisciplinary focus. It includes contributions by leading Dostoevsky scholars, social scientists, scholars of religion and philosophy. The volume considers aesthetics, philosophy, theology, and science of the 19th century Russia and the West that might have informed Dostoevsky’s thought and art. Issues such as evolutionary theory and literature, science and society, scientific and theological components of comparative intellectual history, and aesthetic debates of the nineteenth century Russia form the core of the intellectual framework of this book. Dostoevsky’s oeuvre with its wide-ranging interests and engagement with philosophical, religious, political, economic, and scientific discourses of his time emerges as a particularly important case for the study of cross-fertilization among disciplines.
Literature --- Russian literature --- Dostoevsky --- Dostoevskii --- Literature and philosophy --- Aesthetics --- Literature and psychology --- History of science --- Literature and science --- Religion --- Philosophy and literature
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