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Bastard or Playmate?

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Book Series: Theater Topics ISBN: 9789089642585 Year: Pages: 264 DOI: 10.26530/OAPEN_447125 Language: English
Publisher: Amsterdam University Press
Subject: Performing Arts
Added to DOAB on : 2013-06-01 19:01:30
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Artistic media seem to be in a permanent condition of mutation and transformation. Contemporary artists often investigate the limits and possibilities of the media they use and experiment with their crossing, upgrading and mutilation. Others explicitly explore the unknown space between existing media, searching for the hybrid beings that occupy these in-betweens. This fascinating volume explores the theme of mutating and adapting media in its relation to theatre and performance. How did different aspects of theatre evolve in a digital era? How did historical traditions in theatre adapt to new cultural contexts? How are other media remediated in contemporary performances? Does this eventually lead to a contamination or even a disintegration of what we call theatre, or on the contrary, to a revaluation? Bringing together international scholars and artists, the editors offer a comprehensive overview of the subject sensitive to the cross-disciplinary use of key concepts such as remediation, digitization, interactivity, corporeality, liveness, surveillance, spectacle, performativity and theatricality. The book guides readers new to the area of intermediality, as well as experienced researchers into one of the most dynamic fields of scholarship.

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theatre

Jerzy Grotowski. L’eredità vivente

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ISBN: 9788897523307 DOI: 10.4000/books.aaccademia.321 Language: Italian
Publisher: Accademia University Press
Added to DOAB on : 2019-12-06 13:15:23
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Il xxi secolo è destinato a diventare il “secolo di Grotowski” perché, come dimostrano i saggi raccolti in questo volume, in diversi paesi del mondo stanno nascendo nuove riflessioni e nuove pratiche del teatro all’insegna dell’incontro più che della rappresentazione e dello spettacolo e ciò soprattutto per merito del Workcenter of Jerzy Grotowski and Thomas Richards.

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theatre

Nightwood Theatre A Woman’s Work Is Always Done

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Book Series: Canadian Plays ISSN: 19175094 ISBN: 9781897425558 9781897425565 Year: Pages: 345 Language: English
Publisher: Athabasca University Press
Added to DOAB on : 2012-03-29 16:37:58
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Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the “home company” for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company’s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood’s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S.

Resetting the Stage

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ISBN: 9781841505473 9781783200481 Year: Language: English
Publisher: Intellect Grant: Knowledge Unlatched - 101235
Subject: Performing Arts
Added to DOAB on : 2019-01-15 13:33:14
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Commercial theatre is thriving across Europe and the UK, while public theatre has suffered under changing patterns of cultural consumption—as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public.

Igor’ Stravinskijs Theater der Zukunft

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ISBN: 9783770564590 Year: Pages: 315 DOI: 10.30965/9783846764596 Language: German
Publisher: Brill
Subject: Performing Arts
Added to DOAB on : 2020-07-21 23:58:34
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Theatre studies

Stage women, 1900–50

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ISBN: 9781526147271 Year: Pages: 328 Language: English
Publisher: Manchester University Press Grant: University of Manchester
Subject: Gender Studies --- Performing Arts
Added to DOAB on : 2019-07-18 11:21:03
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Stage women, 1900–50 explores the many ways in which women conceptualised, constructed and participated in networks of professional practice in the theatre and performance industries between 1900 and 1950. A timely volume full of original research, the book explores women’s complex negotiations of their agency over both their labour and public representation, and their use of personal and professional networks to sustain their careers. Including a series of case studies that explore a range of well-known and lesser-known women working in theatre, film and popular performance of the period. The volume is divided into two connected parts. ‘Female theatre workers in the social and theatrical realm’ looks at the relationship between women’s work – on- and offstage – and autobiography, activism, technique, touring, education and the law. Part II, ‘Women and popular performance’, focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros, and Oscar-winning film star Margaret Rutherford. Overall, the book provides new and vibrant cultural histories of women’s work in the theatre and performance industries of the period.

Samuel Beckett and the primacy of love

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ISBN: 9780719063121 Year: Language: English
Publisher: Manchester University Press
Subject: Languages and Literatures
Added to DOAB on : 2011-11-04 00:00:00
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This study is about the central place of the emotional world in Beckett's writing. Stating that Beckett is 'primarily about love', Dr. Keller makes a radical re-assessment of his influence and immense popularity. The book examines numerous Beckettian texts, arguing that they embody a struggle to remain in contact with a primal sense of internal goodness, one founded on early experience with the mother. Writing itself becomes an internal dialogue, in which the reader is engaged, between a 'narrative-self' and a mother. Keller suggests that this is Beckett's greatest accomplishment as an artist: to document a universal struggle that allows for the birth of the mind, and to connect this struggle to the origin, and possibility of the creative act. This study integrates highly readable discussions of psychoanalytic theory, as well as clinical examples. It will be of value to scholars and readers of Beckett, and anyone interested in his place in literature and culture.

Keywords

literature --- theatre --- beckett --- drama

Elfriede Jelinek

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Book Series: Biblioteca di Studi di Filologia Moderna ISBN: 9788884537263 Year: DOI: 10.26530/OAPEN_341469 Language: Italian
Publisher: Firenze University Press
Subject: Languages and Literatures --- Performing Arts
Added to DOAB on : 2011-11-04 00:00:00
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This volume consists of a collection of essays by five German scholars from various Italian universities – R. Calabrese, R. Caruzzi, M. Fancelli, L. Perrone Capano, R. Svandrlik (editor) – and N. Šlibar from the University of Lubiana, that meld formal research and musical pace and structure with the pitiless radicalism and the consistency of the issues addressed, first and foremost the oppression inherent to power relations. In the commitment to reveal the mechanisms of manipulation, from the most obvious to the most subtle, the author herself becomes a manipulator of language of exceptional creativity and daring, with the guiding thread of the gender perspective. The volume is completed by the translation of the speech made by the Austrian writer when she was awarded the Nobel prize in 2004, and by a bibliography (edited by Claudia Vitale), focused in particular on the reception in Italy and on the scarcity of Italian scientific studies.

Keywords

literature --- letteratura --- teatro --- theatre

Hot Thespian Action! 10 Premiere Plays from Walterdale Playhouse

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Book Series: Canadian Plays ISSN: 19175094 ISBN: 9781897425268 9781897425275 Year: Pages: 585 Language: English
Publisher: Athabasca University Press
Added to DOAB on : 2012-03-29 16:37:58
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In Hot Thespian Action! Robin Whittaker argues that new plays can thrive in amateur theatres, which have freedoms unavailable to professionalized companies. And he proves it with 10 relevant, engaging playscripts originally produced by one of Canada’s longest-running theatres, Edmonton’s acclaimed Walterdale Theatre Associates. This collection challenges notions that amateur theatre is solely a phenomenon of the pre-professional past. Whittaker makes an important contribution to Canadian theatre studies with the first North American anthology in 80 years to collect plays first produced by a nonprofessionalized theatre company. Plays by • Brad Fraser • Mary Glenfield • Warren Graves • Gordon Pengilly • Barbara Sapergia & Geoffrey Ursell • Trevor Schmidt • Jonathan Seinen • Scott Sharplin • Mark Stubbings • Wilfred Watson

Keywords

Walterdale --- theatre --- plays

Passionate Amateurs - Theatre, Communism and Love

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Book Series: Theater: Theory/Text/Performance ISBN: 9780472119073 9780472029594 Year: Pages: 216 DOI: 10.3998/mpub.4537117 Language: English
Publisher: University of Michigan Press Grant: Knowledge Unlatched
Subject: Performing Arts
Added to DOAB on : 2014-03-15 11:41:46
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Beginning with Chekhov’s Uncle Vanya, Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater’s potential to produce surprising experiences of human community. Ridout argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater’s potential to produce surprising experiences of human community. It begins with one of the first great plays of modern European theater—Chekhov’s Uncle Vanya in Moscow—and then crosses the 20th and 21st centuries to look at how its story plays out in Weimar Republic Berlin, in the Paris of the 1960s, and in a spectrum of contemporary performance in Europe and the United States. This is a work of historical materialist theater scholarship, which combines a materialism grounded in a socialist tradition of cultural studies with some of the insights developed in recent years by theorists of affect, and addresses some fundamental questions about the social function and political potential of theater within modern capitalism. Passionate Amateurs argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Its title concept is a theoretical and historical figure, someone whose work in theater is undertaken within capitalism, but motivated by a love that desires something different. In addition to its theoretical originality, it offers a significant new reading of a major Chekhov play, the most sustained scholarly engagement to date with Benjamin’s “Program for a Proletarian Children’s Theatre,” the first major consideration of Godard’s La chinoise as a “theatrical” work, and the first chapter-length discussion of the work of The Nature Theatre of Oklahoma, an American company rapidly gaining a profile in the European theater scene. Passionate Amateurs contributes to the development of theater and performance studies in a way that moves beyond debates over the differences between theater and performance in order to tell a powerful, historically grounded story about what theater and performance are for in the modern world. “Reading a suggestively diverse set of modern performances, and setting those performances within a clear and well-defined theoretical/critical project, Ridout attempts to use the ‘passionate amateur’—at once the spectator, the scholar, and to some extent the characters in the plays—as a critical category disrupting the otherwise fully commodified communication of leisure products . . . Passionate Amateurs is wholly original, intellectually and critically stimulating, and certain to develop not only discussion but also to lead to a series of important questions in contemporary theatre and performance studies scholarship.” —W. B. Worthen, Alice Brady Pels Professor in the Arts, Barnard College, Columbia University Nicholas Ridout is Reader in Theatre and Performance Studies, Department of Drama, Queen Mary, University of London. This title was made Open Access by libraries from around the world through Knowledge Unlatched.

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