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Berthold Viertel – a writer and director born in Vienna in 1885 – left an extensive yet fragmentary autobiographical project that had been subject to many substantial changes during his exile and remigration in 1948. In order to examine Viertel’s complex autobiographical writing an innovative biographical approach had to be chosen, interlinking his autobiographical practice between 1917 and 1953 with collective memory and current research in 15 biographical “sites of memory” (lieux de mémoire), encompassing the period between 1860 and 1917. Viertel is shown as a fascinating player in the cultural scene of Vienna 1900 as well as a typical representative of a critical avant-garde, whose lines of tradition he wanted to preserve in his autobiographical writing.
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