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About the publicationThe year 2016 was declared by the African Union as the African ‘Year of Human Rights with Particular Focus on the Rights of Women’ to commemorate and celebrate significant milestones in the realisation of human rights on the African continent. The year marks the 35th anniversary of the adoption of the African Charter on Human and Peoples’ Rights (African Charter), 30th year since coming into force of the African Charter and 10 years since the inauguration of the African Court on Human and Peoples’ Rights.Since its adoption, the African Charter has been supplemented by the Protocol on the Rights of Women in Africa (Maputo Protocol). All AU member states (with the exception of new comer South Sudan) are state parties to the African Charter, and 36 of them have accepted the Maputo Protocol.This book assesses the impact and effectiveness of the African Charter and the Maputo Protocol in 17 African countries, namely Burkina Faso, Cameroon, Côte d’Ivoire, Ethiopia, Gambia, Ghana, Kenya, Lesotho, Malawi, Mauritius, Nigeria, Sierra Leone, South Africa, Swaziland, Tanzania, Uganda and Zimbabwe. The book is the result of research conducted by selected alumni of the Centre for Human Rights’ LLM in Human Rights and Democratisation in Africa programme.The Centre for Human Rights, which in 2016 is also celebrating 30 years of human rights education, intends to use this research as the basis for a continuously updated database on the impact of the African Charter and Maputo Protocol.Table of ContentsPrefaceIntroductionVictor Oluwasina AyeniBurkina FasoKounkinè Augustin SoméCameroonPolycarp Ngufor ForkumCôte d’IvoireKounkinè Augustin SoméArmand TanohEthiopiaMeskerem Geset TechaneThe GambiaSatang NabanehGhanaMichael Gyan NyarkoKenyaSaoyo Tabitha GriffithPaul OgendiLesothoSizakele HlatshwayoMalawiSarai Chisala-TempelhoffSeun Solomon BakareMauritiusMeskerem Geset TechaneRoopanand MahadewNigeriaVictor Oluwasina AyeniSierra LeoneAugustine Sorie MarrahSouth AfricaOfentse MotlhasediLinette du ToitSwazilandDumsani DlaminiSizakele HlatshwayoTanzaniaGrace Kamugisha KazobaCharles MmbandoUgandaAgaba Daphine KabagambeZimbabweTarisai MutangiConclusionVictor Oluwasina AyeniBibliographyQuestionnaire used for the study
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Storytelling plays an important part in the vibrant cultural life of Zambia and in many other communities across Africa. This innovative book provides a collection and analysis of oral narrative traditions as practiced by five Bemba-speaking ethnic groups in Zambia. The integration of newly digitalised audio and video recordings into the text enables the reader to encounter the storytellers themselves and hear their narratives as they were recounted during Robert Cancel’s research trips to Zambia.Robert Cancel's thorough critical interpretation, combined with these newly digitalised audio and video materials, makes Storytelling in Northern Zambia a much needed addition to the slender corpus of African folklore studies that deal with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, reflexive description and simple documentation and succeeds in bringing to the reader a set of performers and their performances that are vivid, varied and instructive. He illustrates this living narrative tradition with a wide range of examples, and highlights the social status of narrators and the complex local identities that are at play.Cancel’s innovative study tells us not only about storytelling but sheds light on the study of oral literatures throughout Africa and beyond. Its innovative format, meanwhile, explores new directions in the integration of primary source material into scholarly texts.
Zambian stories --- storytelling --- oral history --- oral literature --- African folklore studies --- African storytelling --- Bemba language
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More than just a book, Storytelling in Northern Zambia lets you watch videos of the storytellers while you read. Storytelling plays an important part in the vibrant cultural life of Zambia and in many other communities across Africa. This innovative book provides a collection and analysis of oral narrative traditions as practiced by five Bemba-speaking ethnic groups in Zambia. The integration of newly digitalised audio and video recordings into the text enables the reader to encounter the storytellers themselves and hear their narratives as they were recounted during Robert Cancel’s research trips to Zambia. Robert Cancel's thorough critical interpretation, combined with these newly digitalised audio and video materials, makes Storytelling in Northern Zambia a much needed addition to the slender corpus of African folklore studies that deal with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, reflexive description and simple documentation and succeeds in bringing to the reader a set of performers and their performances that are vivid, varied and instructive. He illustrates this living narrative tradition with a wide range of examples, and highlights the social status of narrators and the complex local identities that are at play. Cancel’s innovative study tells us not only about storytelling but sheds light on the study of oral literatures throughout Africa and beyond. Its innovative format, meanwhile, explores new directions in the integration of primary source material into scholarly texts. This book is part of our World Oral Literature Series in conjunction with the World Oral Literature Project.
african storytelling --- storytelling --- bemba language --- oral history --- african folklore studies --- zambian stories --- oral literature
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"By invoking Flora Nwapa, this monograph draws attention to Nigerian women writers in world literature, with an emphasis on femininity and spirituality. Flora Nwapa’s Efuru (1966) was the first internationally published novel in English by a female African writer. With the establishment of Tana Press in 1977, Flora Nwapa also became the first female publisher in Africa. Although Flora Nwapa has been recognized as the ‘mother of modern African literature’, she is not sufficiently acknowledged in world literary canons or world literature studies, which is something this monograph aspires to redress, with the help of earlier studies, especially Nigerian scholarship. Drawing on the Efuru@50 celebration in Nigeria in 2016, this book explores the revival of Flora Nwapa’s fame as the pioneer of African women’s literature. Using an ethnographic rather than biographical approach, it captures Flora Nwapa’s literary practice in the context of the Nigerian literary scene and its interlinkages with world literature. The ethnographic portrayal of Flora Nwapa is complemented with an exposé of a select number of contemporary Nigerian women writers, based on interviews during fieldwork in Nigeria. The book uses concepts like creolized aesthetics and womanist worldmaking to advance scholarly understandings of world literature, which is conceived here as a pluriverse of aesthetic worlds. Exploring experimental ethnographic writing, the book combines the genres of creative non-fiction, descriptive ethnography and scholarly analysis, in an effort to make the text more accessible to academic as well as non-academic readers. Through travel notes the experience of fieldwork is shared in a candid manner. Detailed ethnography from the Efuru@50 literary festival is presented to show the expansion of Flora Nwapa’s fame. In-depth analyses of Flora Nwapa’s literary works and the cultural context of her literary practice cover a wide range of themes, from feminine storytelling and children’s literature, to publishing and digitalization. The theoretical discussion draws on anthropological, literary and African womanist theory to contextualize and explore the central themes of femininity and spirituality in world literature. Inspired by the social change perspective of African womanism and critical decolonial theory, the book makes a contribution to current efforts to explore a more socially just and environmentally sustainable world of many worlds. Paying close attention to gender complementarity and sacred engagements in Flora Nwapa’s literary worldmaking, it shows how world literature can help us create other possible worlds of human, spiritual and environmental coexistence."
pluriverse --- water goddess --- African womanism --- creolized aesthetics --- literary worldmaking --- African women writers
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Storytelling plays an important part in the vibrant cultural life of Zambia and in many other communities across Africa. This innovative book provides a collection and analysis of oral narrative traditions as practiced by five Bembaspeaking ethnic groups in Zambia. The integration of newly digitalised audio and video recordings into the text enables the reader to encounter the storytellers themselves and hear their narratives. Robert Cancel's thorough critical interpretation, combined with these newly digitalised audio and video materials, makes Storytelling in Northern Zambia a much needed addition to the slender corpus of African folklore studies that deal with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, reflexive description and simple documentation and succeeds in bringing to the reader a set of performers and their performances that are vivid, varied and instructive. He illustrates this living narrative tradition with a wide range of examples, and highlights the social status of narrators and the complex local identities that are at play. Cancel's study tells us not only about storytelling but sheds light on the study of oral literatures throughout Africa and beyond. Its innovative format, meanwhile, explores new directions in the integration of primary source material into scholarly texts.
oral tradition --- African folklore studies --- storytelling --- folklore --- oral literature
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This book is open access under a CC-BY license. The importance of the pharmaceutical industry in Sub-Saharan Africa, its claim to policy priority, is rooted in the vast unmet health needs of the sub-continent. Making Medicines in Africa is a collective endeavour, by a group of contributors with a strong African and more broadly Southern presence, to find ways to link technological development, investment and industrial growth in pharmaceuticals to improve access to essential good quality medicines, as part of moving towards universal access to competent health care in Africa. The authors aim to shift the emphasis in international debate and initiatives towards sustained Africa-based and African-led initiatives to tackle this huge challenge. Without the technological, industrial, intellectual, organisational and research-related capabilities associated with competent pharmaceutical production, and without policies that pull the industrial sectors towards serving local health needs, the African sub-continent cannot generate the resources to tackle its populations' needs and demands.
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This is the sixth edition of the Compendium of key human rights documents of the African Union updated to August 2016. This compendium contains documents on human rights adopted under the auspices of the African Union (AU) and its predecessor, the Organization of African Unity (OAU), including documents adopted by the African Commission on Human and Peoples’ Rights, the African Court on Human and Peoples’ Rights and the African Committee on the Rights and Welfare of the Child.Due to space constraints only extracts are reprinted of many of the documents. This compendium is by no means comprehensive but includes some key documents of relevance for students of the African human rights system and others interested in its functioning. Extracts from documents related to the New Partnership for Africa’s Development (NEPAD) and the African Peer Review Mechanism (APRM) reprinted in previous editions of this compendium have been left out of this edition.For comprehensive coverage of human rights law in Africa, see www.chr.up.ac.za and the web sites listed at the end of this compendium. The assistance of Frans Viljoen and Lizette Hermann in preparing this edition of the compendium and the financial support of the Norwegian government for its printing is gratefully acknowledged. About the editors:Christof Heyns is Director, Institute for International and Comparative Law in Africa, University of Pretoria.Magnus Killander is a researcher at the Centre for Human Rights, University of Pretoria and is also the co-editor of African Human Rights Law Reports.
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This book explores the impact that professional volunteers have on the low resource countries they choose to spend time in. Whilst individual volunteering may be of immediate benefit to individual patients, this intervention may have detrimental effects on local health systems; distorting labour markets, accentuating dependencies and creating opportunities for corruption. Improved volunteer deployment may avoid these risks and present opportunities for sustainable systems change. The empirical research presented in this book stems from a specific volunteering intervention funded by the Tropical Health Education Trust and focused on improving maternal and newborn health in Uganda. However, important opportunities exist for policy transfer to other contexts.
Comparative Politics --- African Politics --- Development Theory --- Development and Social Change --- British Politics --- International Organization
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Ruth Finneganâ s Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finneganâ s ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. Oral Literature in Africa has been accessed by hundreds of readers in over 60 different countries, including Ethiopia, Kenya, Rwanda and numerous other African countries. The digital editions of this book are free to download thanks to the generous support of interested readers and organisations, who made donations using the crowd-funding website Unglue.it. Oral Literature in Africa is part of our World Oral Literature Series in conjunction with the World Oral Literature Project.
unglue.it --- storytelling --- african culture --- orality --- limba --- sierra leone --- oral literature
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How can South Africa diversify its industrial sector so that it is less dependent on mineral exports, increases labour absorption and reduces unemployment? This book sheds more light on the structure of South Africa’s economy, its industrial sector and inter-sectoral linkages by simulating an economic geography model of the vertical linkages type, by testing linkage strength econometrically and by analysing industrial policy’s role in shaping its development path. It finds that linkages did play an important role in industrial development in South Africa, yet they have often been reinforced by policy interventions. Industrial policy is still geared to benefit the sectors close to the country’s mineral endowment, and thus contributes to South Africa‘s lopsided industrial development.
African --- Development --- Diversification? --- Economic --- Economicevel --- Industrialisation --- Industrielle Entwicklung --- Industriepolitik --- Linkages --- Neue Ökonomische Geographie --- Schwank --- South --- without
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