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Eva

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ISBN: 9781787353329 Year: Pages: 192 DOI: 10.14324/111.9781787353299 Language: English
Publisher: UCL Press
Subject: Languages and Literatures --- Arts in general --- Performing Arts
Added to DOAB on : 2019-12-05 11:21:19
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Eva, a 1927 novel by Dutch writer Carry van Bruggen, is an experiment in depicting a woman’s life from girlhood to marriage, and beyond, to sexual freedom and independence. At the same time, the narrative expresses Eva’s dawning sense of self and expanding subjectivity through a stream of consciousness told by a shifting narrator. Burdened all of her life by feelings of shame, at the end of the novel Eva overcomes this legacy of her upbringing and declares that it is ‘bodily desire that makes love acceptable’.

Fortschritt und Verfall: Zur Diskussion von Religion und Moderne im Ausgang von Joachim Ritter

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ISBN: 9783946198123 9783946198154 9783946198130 9783946198147 Year: Pages: 468 DOI: 10.16994/bae Language: German
Publisher: Modern Academic Publishing
Subject: Religion --- Philosophy --- Social Sciences
Added to DOAB on : 2016-12-29 13:22:54
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xamined in this study. Subsequently, section 4.2 analyzes Ritter’s involvement in debates concerning the concept of value as contested in particular by Carl Schmitt. Ritter supports the critique of the value concept philosophically but does not follow the political and politico-theological implications of Schmitt. Accordingly, authors like Lübbe and Böckenförde refer to the thought of Carl Schmitt in an explicitly liberalizing way. Aside from the discussion of the philosophy of value, this requires a closer look at the concept of Political Theology as it is subject of the debate of Schmitt and Hans Blumenberg. Section 4.3 eventually concentrates on the controversies concerning the concept of religion and its philosophical importance. Functionalism and substantialism are keywords in this discussion that within the group of Ritter’s former students is particularly associated with Robert Spaemann. His reasoning concerning Lübbe’s concept of religion indicates a farther-reaching critique of Ritter’s approach and modernity in general. All these aspects show that there are different ways of answering the tasks and questions Ritter formulated concerning philosophy, either positively in adoption of or negatively in distinction to his own approach. His theoretical ambivalences led the former students of his Collegium Philosophicum to develop various methods of differentiating his positions. Section 4.4 finally resumes aforementioned aspects in reference to post-war German debates on the question of religious presuppositions of liberal-democratic politics, particularly concerning Böckenförde’s notable insight that the liberal and secular state for its own sake relies on presuppositions it cannot guarantee. *** Mit dem gewachsenen Interesse für die Geistesgeschichte Nachkriegsdeutschlands und der Bundesrepublik hat auch der Name Joachim Ritter in den letzten Jahren verstärkt Beachtung gefunden. Zwischen 1946 und 1968 lehrte er Philosophie an der Universität Münster und beeinflusste als akademischer Lehrer durch sein Collegium Philosophicum eine ganze Reihe von namhaften Hochschullehrern und Intellektuellen. Diese Studie rekonstruiert zum einen die Entwicklung dieses Kreises. Insbesondere untersucht sie, wie Joachim Ritters Philosophie, sein Verständnis der modernen Welt und seine eigene intellektuelle Entwicklung in den Nachkriegsjahren bei seinen akademischen Schülern wirksam wurden, namentlich bei Hermann Lübbe und Odo Marquard, Robert Spaemann und Ernst-Wolfgang Böckenförde. Besonderes Augenmerk gilt zum anderen den religionstheoretischen und -politischen Überlegungen dieser Autoren, die sich, obwohl jeweils entscheidend von Ritter beeinflusst, doch deutlich voneinander abheben. Zur Erschließung dieser unterschiedlichen Perspektiven auf Moderne und Religion im Kontext der jungen Bundesrepublik – zwischen Fortschritt und Verfall – werden Bezüge zu Autoren wie Carl Schmitt und Hans Blumenberg aufgegriffen und nachgelassene Aufzeichnungen Joachim Ritters ausgewertet. Durch ihre offenen Anschlusspunkte ebenso wie durch ihre inhaltlichen Ambivalenzen, die zudem im zeitlichen Verlauf nicht unverändert blieben, erweist sich rückblickend die Fruchtbarkeit, mit der Ritters Philosophie die Auseinandersetzung mit der eigenen Gegenwart anzuregen vermochte, als sein maßgebliches Erbe. Martin Ingenfeld ist Politikwissenschaftler. Der Schwerpunkt seines Forschungsinteresses liegt im Bereich der politischen Theorie und Philosophie. Mit vorliegender Arbeit wurde er im Jahr 2015 an der Ludwig-Maximilians-Universität München promoviert."

Modernism and the Spiritual in Russian Art: New Perspectives

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ISBN: 9781783743384 9781783743407 Year: Volume: 1 Pages: 320 DOI: http://doi.org/10.11647/OBP.0115 Language: English
Publisher: Open Book Publishers
Subject: History of arts
Added to DOAB on : 2017-11-14 17:07:27
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In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism.This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia.Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.

Modernism as Institution

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Book Series: Stockholm Studies in Culture and Aesthetics ISBN: 9789176350683 9789176350713 9789176350690 9789176350706 Year: Pages: 346 DOI: 10.16993/bar Language: English
Publisher: Stockholm University Press
Subject: History of arts --- Arts in general
Added to DOAB on : 2019-01-15 13:34:10
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"Anyone who studies the history of modern art—in art museums, in the classroom, in art historical handbooks or specialist surveys—will soon be aware of a certain recurrent pattern governing the selection of objects and forming a certain type of narrative where the history of modern art is presented as a variety of different -isms that dissolve into each other in the coherent sequence that constitutes the history of modern art as modernism. But why is this pattern so similar in all different places and contexts? Is it possible to distinguish between the history of modern art and the history of modernism? And if so, when, where and how did modernism become synonymous with art of the modern era? With a dual perspective—regarding art as well as the discursive perception of art—Modernism as an Institution attempts to answer these questions by studying the frameworks for the institutional establishment, as well as the historiography, of modern art."

Hermann Bahr Arthur Schnitzler – Briefwechsel, Aufzeichnungen, Dokumente 1891-1931

Authors: ---
ISBN: 9783835332287 Year: Pages: 1010 Seiten Language: German
Publisher: Wallstein Verlag Grant: Austrian Science Fund - PUB 479
Added to DOAB on : 2018-04-15 11:01:49
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Scholarly edition of the correspondence between Hermann Bahr and Arthur Schnitzler, including further documents.

Middlebrow Modernism

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ISBN: 9780520970700 9780520298651 Year: Pages: 245 DOI: 10.1525/luminos.57 Language: English
Publisher: University of California Press
Subject: Music
Added to DOAB on : 2019-01-15 13:33:15
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Situated at the intersection between the history, historiography and aesthetics of twentieth-century music, this study uses Benjamin Britten’s operas to illustrate the ways in which composers, critics and audiences mediated the “great divide” between modernism and mass culture. Reviving mid-century discussions of the “middlebrow,” Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it: to revel in the pleasures of consonance, lyricism and theatrical spectacle, even while enjoying the prestige that came from rejecting them. By focusing on moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of grey in the black-and-white historiographies of twentieth-century music.

Richard Schaukal in Netzwerken und Feldern der literarischen Moderne

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Book Series: Studien und Texte zur Sozialgeschichte der Literatur ISBN: 9783110619744 9783110618235 9783110618013 Year: Volume: 149 Pages: 302 DOI: 10.1515/9783110619744 Language: German
Publisher: De Gruyter
Subject: Languages and Literatures
Added to DOAB on : 2020-01-30 11:21:02
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Richard Schaukal was in contact with some of literary modernism’s most important protagonists. In his early creative years, he stylized himself as an independent, isolated poet. After World War I, Schaukal became increasingly visible as a cultural critic, using his letters, essays, and literary works to take a stand against the new realities. His biography offers insights into the aesthetic, social, and political developments of his time.

Berthold Viertel

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ISBN: 9783205205036 Year: Pages: 370 Seiten Language: German
Publisher: Böhlau Grant: Austrian Science Fund - PUB 459
Added to DOAB on : 2018-03-09 11:02:28
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Berthold Viertel – a writer and director born in Vienna in 1885 – left an extensive yet fragmentary autobiographical project that had been subject to many substantial changes during his exile and remigration in 1948. In order to examine Viertel’s complex autobiographical writing an innovative biographical approach had to be chosen, interlinking his autobiographical practice between 1917 and 1953 with collective memory and current research in 15 biographical “sites of memory” (lieux de mémoire), encompassing the period between 1860 and 1917. Viertel is shown as a fascinating player in the cultural scene of Vienna 1900 as well as a typical representative of a critical avant-garde, whose lines of tradition he wanted to preserve in his autobiographical writing.

Global History and New Polycentric Approaches: Europe, Asia and the Americas in a World Network System

Authors: ---
Book Series: Palgrave Studies in Comparative Global History ISBN: 9789811040528 9789811040535 Year: Pages: 352 DOI: 10.1007/978-981-10-4053-5 Language: English
Publisher: Palgrave Macmillan Grant: European Commission
Subject: Sociology --- Political Science
Added to DOAB on : 2018-05-31 18:29:37
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Rethinking the ways global history is envisioned and conceptualized in diverse countries such as China, Japan, Mexico or Spain, this collections considers how global issues are connected with our local and national communities. It examines how the discipline had evolved in various historiographies, from Anglo Saxon to southern European, and its emergence in Asia with the rapid development of the Chinese economy motivation to legitimate the current uniqueness of the history and economy of the nation. It contributes to the revitalization of the field of global history in Chinese historiography, which have been dominated by national narratives and promotes a debate to open new venues in which important features such as scholarly mobility, diversity and internationalization are firmly rooted, putting aside national specificities. Dealing with new approaches on the use of empirical data by framing the proper questions and hypotheses and connecting western and eastern sources, this text opens a new forum of discussion on how global history has penetrated in western and eastern historiographies, moving the pivotal axis of analysis from national perspectives to open new venues of global history.

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