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Fritz von Uhdes "Kinderstube" - die Darstellung des Kindes in seinem Spiel- und Wohnmilieu

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ISBN: 9783941875906 Year: DOI: 10.17875/gup2011-408 Language: German
Publisher: Universitätsverlag Göttingen
Subject: Gender Studies --- Visual Arts --- Arts in general
Added to DOAB on : 2011-11-04 00:00:00
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Im Jahr 1889 malte Fritz von Uhde die „Kinderstube“, die seine drei Töchter in ihrem Spiel- und Schlafraum zeigt. Wie selbstverständlich mutet dem heutigen Betrachter diese detailreiche und lebendige Szene an und doch gibt es nur wenige vergleichbare Darstellungen. Gemälde und Grafiken vom späten Mittelalter bis zum ausgehenden 19. Jahrhundert zeigen die Ikonografie des spielenden Kindes sowie gängige Spiel- und Wohnmilieus und machen deutlich, dass erst seit gut 200 Jahren vermehrt Räume mit der Funktionszuschreibung eines Kinderzimmers versehen wurden. Dies hängt eng mit einer sich wandelnden Beurteilung der Kindheitsphase und des Kinderspiels zusammen, was wahrnehmbare Auswirkungen auf die Darstellungsmodi und -kontexte hat. Inwieweit Uhdes „Kinderstube“ mit der alltäglichen Lebenswelt bürgerlicher Kinder in Verbindung gebracht werden kann, veranschaulichen sachkulturelle und schriftlichen Überlieferungen. Sie eröffnen Einblicke in die Verbreitung und Einrichtung von Kinderstuben, in gängige Spiele und Spielzeuge sowie zu Kinderkleidung im 19. Jahrhundert. Durch diesen interdisziplinären Forschungsansatz zeichnet die Untersuchung ein umfassendes und lebendiges Bild vergangener kindlicher Lebenswelten.

Keywords

Art

Wiener Jahrbuch für Kunstgeschichte

Authors: ---
ISBN: 9783205786740 Year: Pages: 271 Seiten DOI: 10.26530/oapen_574828 Language: German
Publisher: Böhlau Grant: Austrian Science Fund - D 4282
Subject: Arts in general
Added to DOAB on : 2015-09-08 11:01:48
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Characteristic for all contributions to the Wiener Jahrbuch in 2010 is the presentation of latest research findings with the help of methodological refinements. Thus Assaf Pinkus suggests a new interdisciplinary approach for trecento painting, which brings the viewer's perceptions into an analysis of image creation. Milena Bartlová, on the other hand, addresses the little considered subject of the iconoclasm of Bohemian Hussites. An important finding is that Hussitism was unable to give up the image in its medieval function, since the printed book - which could have taken over the communicative qualities of the image - had not yet been invented. Giovan Battista Fidanza also deals with a little considered subject - namely Michelangelo as wood carver. He is able to demonstrate convincingly that Michelangelo applied prefabricated blocks of limewood in the assemblage of his wooden crucifixes.&#xD;The four subsequent articles are dedicated to Baroque art. Eckhart Leuschner defines the Baroque allegory as a constant and internationally standardised deployment of formal and semantic possibilities. At the centre of Kristoffer Neville's contribution is an early version of Fischer von Erlach's Entwurff einer historischen Architectur, with the help of which the creative process of Fischer's main architectural-theoretical work is reconstructed. In the complicated memoria programme of the state sarcophagus finished for Franz Stephan and Maria Theresia in 1754 in the crypt of the Vienna Capuchin Church, Werner Telesko identifies both Antique and Christian strands of tradition. Werner Hofmann, meanwhile, recognises the 1711 endowment decree for Lothar Franz von Schönborn as an inofficial foundation source for Schloss Pommersfelden and traces a 'hypertext' within the decree, which represents the key for the building's iconography.&#xD;The amateur drawings of the Habsburgs from the 19th century are comprehended by Kerstin Merkel as autonomous non-verbal sources and integrated with historical information. Iris Wien, by contrast, sets two self-portraits of Andy Wahrhol within his known oeuvre and convincingly suggests an interpretation as Medusa.&#xD;In the last four contributions to the volume, the Memorabilia, important contemporary historical documents for the history of the Vienna School are published and made accessible. Alexandra Caruso edits the memoirs of Erica Tietze Conrat. The letters of Wilde, presented by Károly Kókai, provide insights into events within the circles of Vienna art history at that time. Evonne Levy publishes for the first time a selection of letters written by Hans Sedlmayr to Meyer Schapiro in the period 1930-35. Charles Hope succeeds in portraying in convincing complexity the scholarly range of Sir Ernst Gombrich.

Informationen durch Performance Measurement - Die Leistungsvergleiche nach Art. 91d GG

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Book Series: Karlsruher Dialog zum Informationsrecht / Zentrum für Angewandte Rechtswissenschaft (ZAR), Karlsruher Institut für Technologie (KIT) ISSN: 21942390 ISBN: 9783866448711 Year: Volume: 2 Pages: 34 p. DOI: 10.5445/KSP/1000028755 Language: GERMAN
Publisher: KIT Scientific Publishing
Subject: Law
Added to DOAB on : 2016-08-11 12:46:27
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Leistungsvergleiche sind in aller Munde. Der im Rahmen der zweiten Stufe der Föderalismusreform in das Grundgesetz aufgenommene Art. 91d GG kündet davon.Diese Bestimmung wirft verwaltungs- und verfassungsrechtliche Fragen auf vielerlei Ebenen auf, die in der Schrift näher behandelt werden, etwa zur rechtlichen Qualifikation der Vergleichsstudien bzw. der sie regelnden Norm oder dem Leitbild von Föderalismus bis hin zu rechtlichen und methodischen Anforderungen an das Verfahren.

Sprach-Spiel-Kunst. Ein Dialog zwischen Wissenschaft und Praxis

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Book Series: The Dynamics of Wordplay ISBN: 9783110586770 Year: Volume: 8 Pages: 339 DOI: 10.1515/9783110586770 Language: German
Publisher: De Gruyter
Subject: Linguistics
Added to DOAB on : 2018-12-19 16:52:49

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Was zeigen uns Wortspiele über das Funktionieren von Sprache und Kommunikation? Wie groß sind die kreativen Freiräume, die im Wortspiel genutzt werden – und wo gibt es Regeln und Grenzen des Spiels? Sprachspielerinnen und -spieler der Gegenwart präsentieren in Texten und Interviews ihre Gedanken zum kunstvollen Umgang mit Sprache und zu grundlegenden Eigenschaften des Spiels mit Wörtern und Sprache. Beiträge aus Bereichen wie Literatur, Film, Kabarett und Poetry Slam werden ergänzt durch Kurzbeiträge aus der Wissenschaft, die unterschiedliche Perspektiven der Analyse von Wortspielen aufzeigen. Der Band greift damit theoretische Fragen auf, die in den anderen Bänden der Buchreihe The Dynamics of Wordplay erörtert werden. Im Rahmen der Brückenschläge zwischen Wissenschaft und Praxis ergeben sich vielfältige Querverbindungen, und es zeigen sich übereinstimmende Beobachtungen wie auch sich wechselseitig ergänzende Perspektiven auf das Wortspiel in seiner Vielseitigkeit und Komplexität.

Das erweiterte Museum

Authors: --- ---
Book Series: MuseumsBausteine ISBN: 9783422981010 9783422074361 Year: Pages: 160 Language: German
Publisher: De Gruyter
Subject: Architecture --- Arts in general
Added to DOAB on : 2020-01-08 11:21:02
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Today, museums use various media to convey and communicate content. The spectrum ranges from print media to multimedia productions, hands-on and media stations to interactive, software and web-based offers. These change the "learning location museum" and expand it into digital space. This volume documents current concepts and technologies. It illuminates important instruments such as websites, online collections, social media, media stations, multimedia guides and essential topics such as e-learning, e-publishing, storytelling or digital strategies. In addition, concrete tips and recommendations for action regarding the conception, production and operation of media in the museum are given. An e-book and a digital toolkit with constantly updated material as well as media and application examples complete the publication.&#xD;

Keywords

Art --- Architecture --- Museum

Theodor Fontane als Kunstkritiker

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Book Series: Schriften der Theodor Fontane Gesellschaft ISSN: 1861-4396 ISBN: 9783110516098 Year: Volume: 11 Pages: 456 DOI: 10.1515/9783110516098 Language: German
Publisher: De Gruyter
Subject: Languages and Literatures
Added to DOAB on : 2020-02-18 15:12:41
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This monograph is the first comprehensive appraisal of Theodor Fontane`s complete works of art criticism in all its relevant contexts. It situates Fontane`s writings on art between the realms of the Berlin School`s fully differentiated academic art scholarship and that of feuilleton art criticism, and includes references to his personal writings and fictional works.

Giottus Pictor

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ISBN: 9783205773719 Year: Pages: 631 Seiten DOI: 10.26530/OAPEN_437157 Language: German
Publisher: Böhlau Grant: Austrian Science Fund - D 3987
Subject: Social Sciences
Added to DOAB on : 2013-03-27 11:48:55
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This represents the second volume of a three-volume undertaking. Volume I (M.V. Schwarz und P. Theis, Giottos Leben (Giotto´s life), Vienna 2004) critically examined Giotto´s biography and the corpus of his documented works. Volume 2 presents these works in their respective contexts and attempts to gather information about dating and sequence.

Zeitgenössische Kunst aus Afrika

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ISBN: 9783205994022 Year: Pages: 408 Seiten DOI: 10.26530/oapen_574818 Language: German
Publisher: Böhlau Grant: Austrian Science Fund - D 3254
Subject: Anthropology
Added to DOAB on : 2015-09-08 11:01:28
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Contemporary art of Africa reached a wider audience in the aftermath of the Magiciens de la Terre exhibition (Paris 1989). This study of fourteen artists from Ivory Coast and Benin is based on ethnographic fieldwork in both countries (1997), during which I worked with several artists. In order to consider the reception of contemporary art of Africa in the European/North American art world, researches in London, Paris, and New York followed (1997, 1998). &#xD;In Ivory Coast, I focused on a group of academically trained artists who belong to the Vohou Vohou movement which started in the early 1980s, and reached prominence in the 1990s. In Benin, I worked with artists who were not academically trained. One needs, however, to differentiate, as some had training as traditional artists, like the iron sculptures Calixte and Théodore Dakpogan, and adapted in the early 1990s their acquired skills to the creation of contemporary sculptures. Others, like Romuald Hazoumè and Georges Adéagbo, are self-trained. But they too interact with academically trained artists during residencies in various, West African or European countries.&#xD;In the major part of the volume, I am presenting the artists: which materials they are working with, what are their stylistic characteristics, which ideas and reflections are informing their work. In a following chapter, I try to trace the artists’ trajectories, the connections they are using in their work, be it to traditional stylistic canons, materials, techniques, and concepts, or to European modernism. In doing so, I adopt a situated perspective from these local art worlds (Abidjan and Cotonou/Porto Novo), in order to show the complexity of these creative artistic practices.&#xD;Other chapters of the volume deal with the notions of the art world (Becker’s sociological one and Danto’s cognitive). From an anthropological viewpoint I argue for a combination of both notions. Becker’s is important as to show the social, cultural, and economic aspects of the local art world. These aspects concern what is possible, or what is restricting the artistic endeavour. Danto’s concept needs an adaptation, in as far as it is not an embedding of the works of these artists within the grand narrative of Occidental art history. Rather, the notion is used in the plural, as the focus is on local, regional, and transcultural connections of artistic practices. I thereafter argue against a universalising, hegemonic narrative of the European/North American art world.&#xD;The other notion, which is discussed in the volume, is the one of ‘contemporary African art.’ Instead of analysing the notion from a theoretical perspective, I follow the artists, how they explain their art and its possible African character. This approach shows a wide continuum between a clear African dimension and one that considers contemporary art practices as encompassing without any regional specification.&#xD;The final chapter deals with reflections about a modern, contemporary anthropology of art. Such an anthropology does not restrict itself to the study of ethnic arts but considers all art as its subject. In particular, it has to deal with contemporary art in its present, multiple expressions on the basis of ethnographic fieldwork. It may participate in wider discussions about global art (although the notion is not dealt with in the volume), from locally situated gazes.&#xD;Context is a major topic in that respect. While former studies in the anthropology of art contextualised works of art by considering their functions and meanings, context is here as well considered as related to artistic practices, the connections to other skills, techniques, materials, styles, or ideas which are visualised in the work of art.&#xD;I would like to express my gratitude to the ‘Fonds zur Förderung der wissenschaftlichen Forschung’ (FWF) which enabled the fieldworks, archival researches, and the publication of the present volume.&#xD;

Museen digital

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ISBN: 9783946054863 Year: Pages: 210 DOI: 10.17885/heiup.365.515 Language: German
Publisher: Heidelberg University Publishing (heiUP)
Subject: Arts in general
Added to DOAB on : 2019-01-15 13:34:10
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Museums especially in the Anglosaxon world understand that they have to present themselves in a modern form if they want to be accepted by a younger audience. Internet, social media, virtual and augmented reality, open culture: these are keywords which receive an ever increasing importance in the museum context as well. The book presents a selection of art museums which approach the digital sphere in a creative manner. In this way they try to cope with both their mission to educate and to entertain.

Keywords

Internet --- Art History --- Museum --- digital

Alfred Flechtheim. Raubkunst und Restitution

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Book Series: Schriftenreihe der Vierteljahrshefte für Zeitgeschichte ISSN: 05069408 ISBN: 9783110404975 Year: Volume: 110 Pages: 321,00 DOI: 10.1515/9783110404975 Language: German / English
Publisher: De Gruyter
Subject: History
Added to DOAB on : 2019-06-27 13:08:38

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The tragic story of Alfred Flechtheim, his ideological defamation, and the loss of his art collection

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