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Most of the stone blocks left from roman time in the province of Noricum were initially part of funerary monuments. The aim of this book is to reconstruct the architectural form of these monumental tombs, to develope a typological classification and to draw conclusions concerning the history and the arts of the province. The shape of the blocks and the technical details to observe on the surfaces at the same time as the structure and the representations of the reliefs give us informations about the function of these blocks in an architectural context. By comparison to the well preserved monuments of Sempeter - whose reconstruction is critically reviewed - and to funerary monuments of Italy and other roman provinces, it is possible to propose a reconstruction of numerous monuments in Noricum. A classification of excavated funeral sites including workpieces of stone provides further information. Thus a survey of the different types of funerary monuments existing in roman Noricum is given and most of the recorded stone blocks may be typologically classified. A total of 227 workpieces or groups of workpieces are collected in catalogue L classified as parts of the monument types 'ae&cu1a', 'canopy', 'altar', 'pile', 'masonry construction', 'tumulus' or 'enclosure'. For some of them a theoretical reconstruction is proposed and they are mostly represented by drawings or photographs. The 414 pieces in catalogue 11 may not be determined typologically, but nevertheless allow a discussion of their initial architectural function. Catalogue III includes the evidence of 44 excavated monuments. The analysis of the presented material shows the chronological and regional evolution of the different types of funerary monuments. The evidence given by the inscriptions, the portraits and the reliefs allows to examine the correlation which is possibly existing between the type of monument chosen and the social position of its owner. Finally the geographical spreading and the variabel frequency of the different types in Noricum is shown and discussed. In appendix I some relevant measurements and proportions of architectural elements are listed- Appendix H gives a survey of the monuments with are typologically classified and whose owners are known at least partly.
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While the first volume of the overalll work, which was published as "The historical Area of Austria" ("Geschichtsraum Österreich") in 2006, focused on the Hapsburgian "whole state" from the perspective of the most important phenomena and protagonists of the "Hapsburgian iconography", this second and concluding volume examines multifarious visualisations of the regional and supraregional historical myths of the 19th century in Vienna, the "centre", and in the regions, i.e. the Austrian Crownlands (part of which are identical with today´s federal provinces of the Republic of Austria). The difficult relationship between the "whole state" and the Crownlands constitutes the entire, extremely complex spectrum of reflections on Austrian 19th century history. Here, the kinds of methods and concrete goals with which regional memorial foundations interact or compete with dynastic strategies is a pivotal issue - on that has been examined only far too rarely in the past. Hence the present work intends to discuss both art-historical and historical phenomena with explore various historical reflections at the - frequently neglected - "periphery" and investigate visual approaches to one´s "own" history from the "present" of the 19th century (using prominent events such as the second Ottoman siege of 1683 and the "wars of liberation" against Napoleon as an example). The degrees of complexity, quantitative permeation and significant contrasts between Vienna - the "centre" - and the "provinces" in their different reflections on Austrian history clearly begin to emerge when we examine an extensive range of topics against the background of competing national, regional and communal strategies. Compared to the first volume "The historical Area of Austria", the perspective of the multifarious "historical area of Austria" shifts from the "whole state" to an analysis of a highly distinct "plurality of areas" (Karl Schlögel) with its own intrinsic laws. Such diversity is also an essential factor when we come to investigate the prolific amount of Austrian landscape art in the 19th century and the role it played in forging identity. It graphically demonstrates that a deeper understanding of Austria´s federal structures is not possible without gaining a comprehensive insight into 19th century history.
Art History --- Austrian History --- Monuments --- European History of the 19th Century --- History Painting --- The Austrian Crownlands
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This book deals with the housing- and settlement-policy of the authoritarian Austrian Corporate State (Staendestaat) in Vienna between 1934 and 1938. National and international dialogues led to building strategies for a car-friendly city. Different types of flats, settlements and administration buildings will be shown, as well as planned monumental buildings of the unity party Fatherland Front (Vaterlaendische Front).
authoritarian Austrian Corporate State --- Dollfuss/Schuschnigg regime, austrofascism --- housing- and settlement-policy --- flats --- settlements --- monumental buildings --- churches --- monuments --- urban development --- history of Vienna --- architectonical style --- autoritärer Ständestaat --- Dollfuß/Schuschnigg-Regime --- Austrofaschismus --- Wohnungs- und Siedlungspolitik --- städtische Entwicklung --- Wohnbauten --- Siedlungen --- Monumentalbauten --- Kirchen --- Denkmäler --- Stadtgeschichte Wien --- Architekturstil
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