Search results: Found 13

Listing 1 - 10 of 13 << page
of 2
>>
Sort by
Biopunk Dystopias

Author:
Book Series: Liverpool Science Fiction Texts and Studies ISBN: 9781781383766 9781781383322 Year: DOI: 10.26530/oapen_626391 Language: English
Publisher: Liverpool University Press Grant: Knowledge Unlatched - 100393
Subject: Languages and Literatures
Added to DOAB on : 2017-03-31 11:02:36
License:

Loading...
Export citation

Choose an application

Abstract

'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet.

Hard Reading

Author:
Book Series: Liverpool Science Fiction Texts and Studies ISBN: 9781781382615 9781781384398 Year: Language: English
Publisher: Liverpool University Press Grant: Knowledge Unlatched - 102608
Subject: Languages and Literatures
Added to DOAB on : 2019-01-23 06:28:26
License:

Loading...
Export citation

Choose an application

Abstract

The fifteen essays collected in Hard Reading argue that science fiction has its own internal rhetoric, relying on devices such as neologism, dialogism, semantic shifts, the use of unreliable narrators. It is a “high-information” genre which does not follow the Flaubertian ideal of le mot juste, “the right word”, preferring le mot imprévisible, “the unpredictable word”. Science fiction derives much of its energy from engagement with vital intellectual issues in the “soft sciences”, especially history, anthropology, the study of different cultures, with a strong bearing on politics. Both the rhetoric and the issues deserve to be taken much more seriously than they have been in academia, and in the wider world. Hard Reading is also a memoir of what it was like to be a committed fan, from teenage years, and also an academic struggling to find a place, at a time when a declared interest in science fiction and fantasy was the kiss of death for a career in the humanities.

Respawn

Author:
ISBN: 9781478090366 9781478002789 9781478002925 9781478001348 Year: Pages: 312 DOI: 10.1215/9781478090366 Language: English
Publisher: Duke University Press
Subject: Media and communication
Added to DOAB on : 2020-03-28 11:21:02
License:

Loading...
Export citation

Choose an application

Abstract

In Respawn Colin Milburn examines the connections between video games, hacking, and science fiction that galvanize technological activism and technological communities. Discussing a wide range of games, from Portal and Final Fantasy VII to Super Mario Sunshine and Shadow of the Colossus, Milburn illustrates how they impact the lives of gamers and non-gamers alike. They also serve as resources for critique, resistance, and insurgency, offering a space for players and hacktivist groups such as Anonymous to challenge obstinate systems and experiment with alternative futures. Providing an essential walkthrough guide to our digital culture and its high-tech controversies, Milburn shows how games and playable media spawn new modes of engagement in a computerized world.

Science Fiction in Argentina: Technologies of the Text in a Material Multiverse

Author:
ISBN: 9780472073108 9780472053100 9780472900046 9780472121878 Year: Language: English
Publisher: University of Michigan Press
Subject: Ethnology
Added to DOAB on : 2016-06-01 16:33:13
License:

Loading...
Export citation

Choose an application

Abstract

This book examines an unprecedented range of science fiction texts—including literature, cinema, theater, and comics—produced in Argentina from the nineteenth to the twenty-first centuries. These works address themes common to the genre across the industrialized world, including techno-authoritarianism, new modes of posthuman subjectivity, and apocalyptic visions of environmental catastrophe. At the same time, Argentine science fiction is fully grounded in the social and political life of the nation.The texts discussed here explore the impact of an uneven modernization, mass migration, dictatorships, crises in national identity, the rise and fall of the Left, the question of Argentina’s indigenous heritage, the impact of neoliberalism, and the most recent economic crisis of 2001. Argentine science fiction is also highly reflexive, debating within its pages the role of science fiction and fantasy in the society of its day, and the nature of the text in a world of advancing technology. This book makes important contributions to our understanding of science fiction as a genre, as well as to materialist theories of cultural texts. It will also interest students and scholars researching the culture, history, and politics of Argentina and Latin America.

Photography in the Middle: Dispatches on Media Ecologies and Aesthetics

Authors: ---
ISBN: 9780998237510 Year: Pages: 176 DOI: 10.21983/P3.0154.1.00 Language: English
Publisher: punctum books
Subject: Media and communication
Added to DOAB on : 2019-06-12 09:24:35
License:

Loading...
Export citation

Choose an application

Abstract

It’s easy to forget there’s a war on when the front line is everywhere encrypted in plain sight. Gathered in this book’s several chapters are dispatches on the role of photography in a War Universe, a space and time in which photographers such as Hilla Becher, Don McCullin and Eadweard Muybridge exist only insofar as they are a mark of possession, in the sway of larger forces. These photographers are conceptual personae that collectively fabulate a different kind of photography, a paraphotography in which the camera produces negative abyssal flashes or ‘endarkenment.’ In his Vietnam War memoir, Dispatches, Michael Herr imagines a ‘dropped camera’ receiving ‘jumping and falling’ images, images which capture the weird indivisibility of medium and mediated in a time of war. The movies and the war, the photographs and the torn bodies, fused and exchanged. Reporting from the chaos at the middle of things, Herr invokes a kind of writing attuned to this experience. Photography in the Middle, eschewing a high theoretical mode, seeks to exploit the bag of tricks that is the dispatch. The dispatch makes no grand statement about the progress of the war. Cultivating the most perverse implications of its sources, it tries to express what the daily briefing never can. Ports of entry in the script we’re given, odd and hasty little glyphs, unhelpful rips in the cover story, dispatches are futile, dark intuitions, an expeditious inefficacy. They are bleak but necessary responses to an indifferent world in which any action whatever has little noticeable effect.

The Funambulist Pamphlets 9: Science Fiction

Author:
ISBN: 9780615987835 Year: Pages: 108 DOI: 10.21983/P3.0069.1.00 Language: English
Publisher: punctum books
Subject: Architecture
Added to DOAB on : 2019-06-12 09:24:41
License:

Loading...
Export citation

Choose an application

Abstract

The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes are respectively dedicated to Spinoza, Foucault, Deleuze, Legal Theory, Occupy Wall Street, Palestine, Cruel Designs, Arakawa + Madeline Gins, Science Fiction, Literature, and Cinema.

On an Ungrounded Earth: Towards a New Geophilosophy

Author:
ISBN: 9780615785387 Year: Pages: 118 DOI: 10.21983/P3.0025.1.00 Language: English
Publisher: punctum books
Subject: Philosophy
Added to DOAB on : 2019-06-12 09:24:45
License:

Loading...
Export citation

Choose an application

Abstract

For too long, the Earth has been used to ground thought instead of bending it; such grounding leaves the planet as nothing but a stage for phenomenology, deconstruction, or other forms of anthropocentric philosophy. In far too much continental philosophy, the Earth is a cold, dead place enlivened only by human thought—either as a thing to be exploited, or as an object of nostalgia. Geophilosophy seeks instead to question the ground of thinking itself, the relation of the inorganic to the capacities and limits of thought. This book constructs an eclectic variant of geophilosophy through engagements with digging machines, nuclear waste, cyclones and volcanoes, giant worms, secret vessels, decay, subterranean cities, hell, demon souls, black suns, and xenoarcheaology, via continental theory (Nietzsche, Schelling, Deleuze, et alia) and various cultural objects such as horror films, videogames, and weird Lovecraftian fictions, with special attention to Speculative Realism and the work of Reza Negarestani. In a time where the earth as a whole is threatened by ecological collapse, On an Ungrounded Earth generates a perversely realist account of the earth as a dynamic engine materially invading and upsetting our attempts to reduce it to merely the ground beneath our feet.

Critique of Fantasy, Vol. 1

Author:
ISBN: 9781950192922 Year: Pages: 254 DOI: 10.21983/P3.0277.1.00 Language: English
Publisher: punctum books
Subject: Performing Arts --- Psychology --- Languages and Literatures
Added to DOAB on : 2020-06-25 00:03:53
License:

Loading...
Export citation

Choose an application

Abstract

"Critique of Fantasy, Vol. 1: Between a Crypt and a Date Mark addresses both the style or genre of fantasy and the mental faculty, long the hot property of philosophical ethics. Freud passed it along in his 1907 essay on the poetics of daydreaming when he addressed omnipotent wish fantasy as the source and resource of the aspirations and resolutions of art, which, however, the artwork can never look back at or acknowledge. By grounding his genre in the one fantasy that is true, the Gospel, J.R.R. Tolkien obviated and made obvious the ethical mandate of fantasy’s restraining order. With George Lucas’s Star Wars we entered the borderlands of the fantasy and science fiction genres, a zone resulting from and staggering a contest, which Tolkien inaugurated in the 1930s. The history of this contested borderland marks changes that arose in expectation of what the new media held in store, changes realized (but outside the box of what had been projected) upon the arrival of the unanticipated digital relation, which at last seemed to award the fantasy genre the contest prize. Freud’s notion of the Zeitmarke (datemark), the indelible impress of the present moment that triggered the daydream that denies it, already introduced the import of fantasy's historicization. Science fiction won a second prize that keeps it in the running. No longer bound to projecting the future, the former calling which in light of digitization it flunked, science fiction becomes allegorical and reading in the ruins of its failed predictions illuminates all the date marks and crypts hiding out in the borderlands it traverses with fantasy. To motivate the import of an evolving science fiction genre, Critique of Fantasy makes Gotthard Günther's reflections in the 1950s on American science fiction – as heralding a new metaphysics and a new planetary going on interstellar civilization – a mainstay of its cultural anthropology with B-genres."

Russian Literature 1945-1988

Author:
Book Series: Arbeiten und Texte zur Slavistik ISBN: 9783876903743 Year: Pages: 155 DOI: 10.3726/b12842 Language: English
Publisher: Peter Lang International Academic Publishing Group
Subject: Languages and Literatures
Added to DOAB on : 2019-01-15 13:31:54
License:

Loading...
Export citation

Choose an application

Abstract

Die Reihe Arbeiten und Texte zur Slavistik umfasst Monographien und Sammelbände zur slawistischen Sprach- und Literaturwissenschaft. Im Zentrum stehen dabei Forschungsbeiträge zur russischen Literatur. Publikationssprachen sind Deutsch und Russisch.

Science Fiction Literature in East Germany

Author:
Book Series: DDR- Studien / East German Studies ISBN: 9781788745659 9781788745666 9783039107391 Year: Pages: 333 DOI: 10.3726/b14377 Language: English
Publisher: Peter Lang International Academic Publishing Group
Subject: Social Sciences --- Science (General) --- Languages and Literatures
Added to DOAB on : 2019-01-15 13:32:12
License:

Loading...
Export citation

Choose an application

Abstract

East German science fiction enabled its authors to create a subversive space in another time and place. One of the country’s most popular genres, it outlined futures that often went beyond the party’s official version. Many utopian stories provided a corrective vision, intended to preserve and improve upon East German communism. This study is an introduction to East German science fiction. The book begins with a chapter on German science fiction before 1949. It then spans the entire existence of the country (1949-1990) and outlines key topics essential to understanding the genre: popular literature, socialist realism, censorship, fandom, and international science fiction. An in-depth discussion addresses notions of high and low literature, elements of the fantastic and utopia as critical narrative strategies, ideology and realism in East German literature, gender, and the relation between literature and science. Through a close textual analysis of three science fiction novels, the author expands East German literary history to include science fiction as a valuable source for developing a multi-faceted understanding of the country’s short history. Finally, an epilogue notes new titles and developments since the fall of the Berlin Wall.

Listing 1 - 10 of 13 << page
of 2
>>
Sort by