Agina, Añulika; Alipanah, Hadi; Babić, Gaby; Balatbat-Helbock, Lynhan; Balsom, Erika; Beckmann, Marie Sophie; Bernien, Mareike; Biswas, Amrita; Çakmak, Sema; Campanini, Sonia; Carter, Erica; Çelikaslan, Özge; César, Filipa; Cheeka, Didi; Davis, Vaginal; Dutta, Madhusree; El Said, Tamer; Escobar López, Almudena; Glazunova, Mariia; Gregor, Ulrich; Goncharuk, Olena; Gramann, Karola; Hariharan, Veena; Hassan, Mohammad Shawky; Heredia, Shai; Hering, Tobias; Ingravalle, Grazia; Kaushik, Ritika; Keidl, Philipp Dominik; Pratiwi, Julita; Rahman, Lisabona; Khitsinska, Ivanna; Kim, Hieyoon; Kloeckner, Laura; Kröger, Merle; Makarevic, Asja; Meyn, Nils; Ndaliko Katondolo, Petna; Ohene-Asah, Rebecca; Pantenburg, Volker; Perneczky, Nikolaus; Pitassio, Francesco; Ruhm, Constanze; Schlüpmann, Heide; Schneider, Alexandra; Shambu, Girish; Siegel, Marc; Sungu, Can; Thieme, Clarissa; Turajlić, Mila; Vasudevan, Ravi; Venturini, Simone; Younis, Ala; Schulte Strathaus, Stefanie; Hediger, Vinzenz (2023)
In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter ...