Refine your search:     (all:Photography) OR (all:Film)

In


Search results: Found 323

Listing 1 - 10 of 323 << page
of 33
>>
Sort by
Film Festivals

Author:
Book Series: Film Culture in Transition ISBN: 9789053561928 Year: Pages: 280 DOI: 10.5117/9789053561928 Language: Undetermined
Publisher: Amsterdam University Press
Subject: Media and communication
Added to DOAB on : 2011-11-04 00:00:00
License:

Loading...
Export citation

Choose an application

Abstract

Film festivals are hugely popular events that attract lovers of cinema worldwide. Focusing on the world's most famous festivals - Cannes, Berlin, Venice and Rotterdam - Film Festivals tells the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. De Valck shows how festivals turned the odds into advantages and developed into a successful global network. Taking into account the oft multilateral influences of major actors, such as Hollywood, the avant-garde and political/economic agenda's, the book offers a comprehensive understanding of film festivals. A must-read for everyone interested in quality film cultures that revolve around cultural value, aesthetic innovation and socio-political relevance.

Keywords

motion pictures --- film

The New Woman International: Representations in Photography and Film from the 1870s through the 1960s

Author:
ISBN: 9780472071043 9780472051045 Year: Language: English
Publisher: University of Michigan Press
Subject: Gender Studies
Added to DOAB on : 2012-04-06 14:29:55
License:

Loading...
Export citation

Choose an application

Abstract

Images of flappers, garçonnes, Modern Girls, neue Frauen, and trampky—all embodiments of the dashing New Woman—symbolized an expanded public role for women from the suffragist era through the dawn of 1960s feminism. Chronicling nearly a century of global challenges to gender norms, The New Woman International: Representations in Photography and Film from the 1870s through the 1960s is the first book to examine modern femininity's ongoing relationship with the nineteenth and twentieth centuries' most influential new media: photography and film. This volume examines the ways in which novel ideas about women's roles in society and politics were disseminated through these technological media, and it probes the significance of radical changes in female fashion, appearance, and sexual identity. Additionally, these original essays explore the manner in which New Women artists used photography and film to respond creatively to gendered stereotypes and to reconceive of ways of being a woman in a rapidly modernizing world. The New Woman International brings together different generations of scholars and curators who are experts in gender, photography, literature, mass media, and film to analyze the New Woman from her inception in the later nineteenth century through her full development in the interwar period, and the expansion of her forms in subsequent decades. Arranged both chronologically and thematically, these essays show how controversial female ideals figured in discourses including those on gender norms, race, technology, sexuality, female agency, science, media representation, modernism, commercial culture, internationalism, colonialism, and transnational modernity. In exploring these topics through images that range from montages to newspapers' halftone prints to film stills, this book investigates the terms of gendered representation as a process in which women were as much agents as allegories. Inaugurating a new chapter in the scholarship of representation and New Womanhood and spanning North America, Western and Eastern Europe, Asia, and the colonial contexts of Africa and the Pacific, this volume reveals the ways in which a feminine ideal circled the globe to be translated into numerous visual languages.

The West in Early Cinema

Author:
Book Series: Film Culture in Transition ISBN: 9789053568316 Year: Pages: 464 DOI: 10.5117/9789053568316 Language: Undetermined
Publisher: Amsterdam University Press
Subject: Performing Arts --- Media and communication
Added to DOAB on : 2011-11-04 00:00:00
License:

Loading...
Export citation

Choose an application

Abstract

Verhoeff investigates the emergence of the western genre, made in the first two decades of cinema (1895-1915). By analyzing many unknown and forgotten films from international archives she traces the relationships between films about the American West, their surrounding films, and other popular media such as photography, painting, (pulp) literature, Wild West Shows and popular ethnography. Through this exploration of archival material she raises new questions of historiography and provides a model for historical analysis. These first traces of the Western film reveal a preoccupation with presence and actuality that informs us about the way in which film, as new medium, took shape within the context of its contemporary visual culture.

Keywords

motion pictures --- film

Malaysian Cinema, Asian Film

Author:
Book Series: Film Culture in Transition ISBN: 9789053565803 Year: Pages: 336 DOI: 10.5117/9789053565803 Language: Undetermined
Publisher: Amsterdam University Press
Subject: Performing Arts --- Media and communication
Added to DOAB on : 2011-11-04 00:00:00
License:

Loading...
Export citation

Choose an application

Abstract

This monograph departs from traditional studies of national cinema by accentuating the intercultural and intertextual links between Malaysian films and Asian (as well as European and American) film practices. Using cross-cultural analysis, the author characterizes Malaysia as a pluralist society consisting of a multiplicity of cultural identities. Malaysian film reflects this remarkable heterogeneity, particularly evident in the impact of the Indian and Hong Kong cinema. Detailed analyses of a selection of Malaysian films highlight their cultural complexities, while noting the tension between cultural inclusivity and ethnic exclusivity at the heart of this cinema.

Keywords

motion pictures --- film

Farocki/Godard. Film as Theory

Author:
Book Series: Film Culture in Transition ISBN: 9789089648914 Year: Pages: 292 DOI: 10.5117/9789089648914 Language: English
Publisher: Amsterdam University Press
Subject: Performing Arts
Added to DOAB on : 2016-07-12 11:01:15
License:

Loading...
Export citation

Choose an application

Abstract

There is a tension between the requirements of theoretical abstraction and the capacities of the film medium, where everything that we see on screen is concrete: A train arriving at a station, a tree, bodies, faces. Since the complex theories of montage in Soviet cinema, however, there have continuously been attempts to express theoretical issues by combining shots, thus creating a visual form of thinking. This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."

Film Architecture and the Transnational Imagination

Authors: --- ---
Book Series: Film Culture in Transition ISBN: 9789053569801 Year: Pages: 320 DOI: 10.5117/9789053569801 Language: Undetermined
Publisher: Amsterdam University Press
Subject: Social Sciences --- Media and communication
Added to DOAB on : 2011-11-04 00:00:00
License:

Loading...
Export citation

Choose an application

Abstract

Film Architecture and the Transnational Imagination presents for the first time a comparative study of European film set design in the late 1920s and 1930s; based on a wealth of designers' drawings, film stills and archival documents, the book offers a new insight into the development and significance of trans-national artistic collaboration during this period. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns.

Film Remakes as Ritual and Disguise

Author:
Book Series: Film Culture in Transition ISBN: 9789053567845 Year: Pages: 160 DOI: 10.5117/9789053567845 Language: Undetermined
Publisher: Amsterdam University Press
Subject: Social Sciences --- History --- Media and communication
Added to DOAB on : 2011-11-04 00:00:00
License:

Loading...
Export citation

Choose an application

Abstract

The first book-length account of the symbolic chains that link remakes and explain their disguises, Film Remakes as Rituals and Disguise is also the first book to explore how and why these stories are told. Anat Zanger focuses on contemporary retellings of three particular tales-Joan of Arc, Carmen, and Psycho-to reveal what she calls the remake's "rituals of disguise." Joan of Arc, Zanger demonstrates, later appears as the tough, androgynous Ripley in the blockbuster Alien III film and the God-ridden Bess in Lars Von Trier's Breaking the Waves. Ultimately, these remake chains offer evidence of the archetypes of our own age, cultural "fingerprints" that are reflective of society's own preferences and politics. Underneath the redundancy of the remake, Zanger shows, lies our collective social memory. Indeed, at its core the lowly remake represents a primal attempt to gain immortality, to triumph over death-playing at movie theatres seven days a week, 365 days a year. Addressing the wider theoretical implications of her argument with sections on contemporary film issues such as trauma, jouissance, and censorship, Zanger offers an insightful addition to current debates in film theory and cinema history.

Jean Desmet and the Early Dutch Film Trade

Author:
Book Series: Film Culture in Transition ISBN: 9789053565704 Year: Pages: 480 DOI: 10.5117/9789053565704 Language: Undetermined
Publisher: Amsterdam University Press
Subject: Social Sciences --- History --- Performing Arts --- Media and communication
Added to DOAB on : 2011-11-04 00:00:00
License:

Loading...
Export citation

Choose an application

Abstract

Since 1957 the Film Museum in Amsterdam has been in possession of the Desmet Collection which contains the estate of the Dutch cinema owner and film distributor Jean Desmet (1875-1956). The collection comprises almost nine hundred European and American films in all genres, a collection of publicity material and a dauntingly large business archive. These three sources form the basis of this first comprehensive reconstruction of Desmet's career: from his nomadic beginnings as a traveling showman, working the seasonal fairgrounds of the Netherlands and Belgium, to his successful switch to permanent cinema operation and film distribution. The history of Desmet's career offers not simply an abstract of an individual character and his personal ambitions and motivations, but also epitomizes transformations in the world of cinema as an industry. Between 1907 and 1916 the world of cinema experienced radical structural change which Desmet not only witnessed but also helped to bring about. Given the insufficiencies of Dutch film production, Desmet became a link between film production abroad and film exhibition in the Netherlands. Desmet is not merely representative of the rise of the permanent movie house and the coming of the film distributor. This book shows how his fortunes also encapsulate a series of structural changes within the new culture of permanent cinema and film distribution. In film distribution these changes embraced the introduction of film rental, the advent of the long feature film, the introduction of the monopoly distribution system and the periodic transformation of the products on offer. In the business of cinema operation change involved specialization, the creation of fixed theater venues, the development of a theater hierarchy, expansions of scale, the introduction of trade journals and the gradual legitimization of cinema as a popular cultural institution. These transformations were not confined to the Netherlands but were also taking place in the rest of Europe. Indeed, they were first set in motion by other European countries, and in order fully to understand Desmet it is necessary to situate him in his larger European context. In this original and wide-ranging study Ivo Blom uses the career of Jean Desmet as a means of exploring the history of cinema from the ground-level position of film distribution and exhibition. His copiously illustrated and scrupulously documented exposition swells into an epic narrative that offers a richer, more rounded -indeed 'truer' - account of early urban cinema culture than is possible from the confined perspective of production-based film histories.

The Permanent Crisis of Film Criticism. The Anxiety of Authority

Author:
Book Series: Film Theory in Media History ISBN: 9789089647177 Year: DOI: 10.26530/OAPEN_576930 Language: English
Publisher: Amsterdam University Press
Subject: Performing Arts
Added to DOAB on : 2015-09-27 11:01:15
License:

Loading...
Export citation

Choose an application

Abstract

Film criticism is in crisis. Dwelling on the many film journalists made redundant at newspapers, magazines, and other 'old media' in past years, commentators have voiced existential questions about the purpose and worth of the profession in the age of WordPress blogospheres and proclaimed the 'death of the critic'. Bemoaning the current anarchy of internet amateurs and the lack of authoritative critics, many journalists and academics claim that in the digital age, cultural commentary has become dumbed down and fragmented into niche markets. Mattias Freu, arguing against these claims, examines the history of film critical discourse in France, Germany, the United Kingdom, and the United States . He demonstrates that since its origins, film criticism has always found itself in crisis: the need to show critical authority and the anxieties over challenges to that authority have been longstanding concerns.

Conversations with Christian Metz. Selected Interviews on Film Theory (1970-1991)

Authors: ---
Book Series: Film Theory in Media History ISBN: 9789089648259 Year: Pages: 310 Language: English
Publisher: Amsterdam University Press
Subject: Performing Arts
Added to DOAB on : 2019-01-15 13:34:06
License:

Loading...
Export citation

Choose an application

Abstract

From 1968 to 1991 the acclaimed film theorist Christian Metz wrote several remarkable books on film theory: Essais sur la signifi cation au cinéma, tome1 et 2; Langage et cinéma; Le signifiant imaginaire; and L’Enonciation impersonnelle. These books set the agenda of academic film studies during its formative period. Metz’s ideas were taken up, digested, refined,reinterpreted, criticized and sometimes dismissed, but rarely ignored.&#xD;&#xD;

&#xD;&#xD;This volume collects and translates into English for the first time a series of interviews with Metz, who offers readable summaries,elaborations, and explanations of his sometimes complex and demanding theories of film. He speaks informally of the most fundamental concepts that constitute the heart of film theory as an academic discipline – concepts borrowed from linguistics, semiotics, rhetoric, narratology, and psychoanalysis.&#xD;&#xD;

&#xD;&#xD;Within the colloquial language of the interview, we witness Metz’s initial formation and development of his film theory. The interviewers act as curious readers who pose probing questions to Metz about his books, and seek clarification and elaboration of his key concepts. We also discover the contents of his unpublished manuscript on jokes, his relation to Roland Barthes, and the social networks operative in the French intellectual community during the 1970s and 1980s.

Listing 1 - 10 of 323 << page
of 33
>>
Sort by
Narrow your search

Publisher

Amsterdam University Press (49)

punctum books (30)

MDPI - Multidisciplinary Digital Publishing Institute (20)

KIT Scientific Publishing (19)

Open Book Publishers (11)

transcript Verlag (11)

ANU Press (9)

Böhlau (9)

De Gruyter (9)

Peter Lang International Academic Publishing Group (9)

More...

License

CC by-nc-nd (174)

CC by-nc-sa (32)

CC by (30)

CC by-nc (28)

CC by-sa (15)

OpenEdition licence for Books (15)

ANU Press (9)

CC by-nd (5)

Hamburg University Press (4)

unknown (4)

More...

Language

english (217)

german (40)

undetermined (26)

eng (11)

french (10)

italian (4)

dutch (3)

norwegian (3)

finnish (2)

spanish (2)

More...

Year
From To Submit

2019 (34)

2018 (38)

2017 (28)

2016 (38)

2015 (28)

2014 (20)

2013 (25)

2012 (24)

2011 (13)

2010 (8)

More...