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Subjects Arts and Architecture History of arts

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Listing 1 - 8 of 8
Before the Museums Came. The Fine Arts in the Twin Cities

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ISBN: 9788376560052 Year: Pages: 126 DOI: 10.2478/9788376560052 Language: English
Publisher: De Gruyter
Subject: History of arts
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Before the Museums Came: A Social History of the Fine Arts in the Twin Cities gives an engaging portrayal of the fine arts scene of Minneapolis and St. Paul, Minnesota in the United States, spanning from the appearance of the earliest artists in 1835 to the opening of the first permanent museum, the Minneapolis Institute of Arts in 1915. Readers will learn about the institutions and organizations that were created in support of the fine arts, the early art exhibitions and events, and the collectors, dealers and artists whose efforts made all of that come to fruition. The text – enriched and supplemented by reproductions of artworks, photographs of various personages, exhibition venues, studios, art galleries, catalogues, and ephemera – presents a clear understanding of the period and breaks new ground for future scholars to research.

Burn After Reading

Authors: --- --- --- --- et al.
ISBN: 9780692204412 Year: Pages: 226 Language: English
Publisher: punctum books
Subject: History --- Languages and Literatures --- History of arts --- Education
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The essays, manifestos, rants, screeds, pleas, soliloquies, telegrams, broadsides, eulogies, songs, harangues, confessions, laments, and acts of poetic terrorism in these two volumes — which collectively form an academic “rave” — were culled, with some later additions, from roundtable sessions at the International Congress on Medieval Studies in 2012 and 2013, organized by postmedieval: a journal for medieval cultural studies and the BABEL Working Group (“Burn After Reading: Miniature Manifestos for a Post/medieval Studies,” “Fuck This: On Letting Go,” and “Fuck Me: On Never Letting Go”) and George Washington University’s Medieval and Early Modern Studies Institute (“The Future We Want: A Collaboration”), respectively. Gathering together a rowdy multiplicity of voices from within medieval and early modern studies, these two volumes seek to extend and intensify a conversation about how to shape premodern studies, and also the humanities, in the years ahead. Authors in both volumes, in various ways, lay claim to the act(s) of manifesting, and also anti-manifesting, as a collective endeavor that works on behalf of the future without laying any belligerent claims upon it, where we might craft new spaces for the University-at-large, which is also a University that wanders, that is never just somewhere, dwelling in the partitive — of a particular place — but rather, seeks to be everywhere, always on the move, pandemic, uncontainable, and always to-come, while also being present/between us (manifest). This is not a book, but a blueprint. It is also an ephemeral gathering in the present tense.

The End of the World: Apocalypse and its Aftermath in Western Culture

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ISBN: 9781906924515 Year: Pages: 219 DOI: 10.11647/OBP.0015 Language: English
Publisher: Open Book Publishers
Subject: History of arts --- History --- Religion --- Languages and Literatures --- Performing Arts
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Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production

From Realism to Abstraction: The Art of J. B. Taylor

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Book Series: Art in Profile: Canadian Art and Architecture ISSN: 1927-4351 ISBN: 9781552387641 Year: Volume: 1 Pages: 186 Language: English
Publisher: University of Calgary Press
Subject: History of arts
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Highly respected as an Alberta artist and teacher, J. B. (Jack) Taylor (1917-1970) is best known for his representational, semi-abstract, and abstract paintings of the Canadian Rocky Mountains. Taylor's initial influences were the American landscape painters of the latter half of the nineteenth century. Ultimately, he moved from a more traditional representation of nature to an intuitive perception of the essential elements of landscape rock, water, and sky as impacted by light. Rather than presenting mountains in all their majesty, using acrylics and other media, he captured the aura of the mountains in a unique and abstract style.

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Art

John C. Parkin, Archives, and Photography: Reflections on the Practice and Presentation of Modern Architecture

Authors: --- ---
Book Series: Art in Profile ISSN: 1700-9995 ISBN: 9781552386392 Year: Pages: 176 Language: English
Publisher: University of Calgary Press
Subject: History of arts --- Architecture
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Architectural practice in post-World War II Canada brought substantial change to the face of the Canadian built environment, led by the contribution of John C. Parkin. As senior partner at the Toronto-based architectural firm John B. Parkin Associates (no relation) from 1947 to the 1970s, Parkin oversaw the creation of a large number of modernist projects, including hospitals, airports, schools, shopping malls, and factories, and received national recognition for his contributions. This richly illustrated book includes an interview with John C. Parkin and essays that examine the incorporation of art in built architecture, the influence of architectural photography in defining Modern architecture to a Canadian public, the importance of architectural archives, and the corporate structure of a large, highly successful Canadian architectural firm.

Keywords

Architecture

Preternatural

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ISBN: 9781105245022 Year: Pages: 38 Language: English
Publisher: punctum books
Subject: Philosophy --- History of arts
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Preternatural is the catalogue for a multi-site art exhibition (9 December 2011 through 17 February 2012, in Ottawa, Canada) that draws from the idea that art itself is a form of preternatural pursuit, in which the artists participating explore the bewildering condition of being in between the mundane and the marvelous in nature. It questions a world that understands itself as accessible, reachable, and ‘knowable’ and counters it with a consideration of this heterogenous proposition.

The Sword of Judith: Judith Studies Across the Disciplines

Authors: --- ---
ISBN: 9781906924164 Year: Pages: 529 DOI: 10.11647/OBP.0009 Language: English
Publisher: Open Book Publishers
Subject: Gender Studies --- History of arts --- Religion --- The Bible
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The Book of Judith tells the story of a fictitious Jewish woman beheading Holofernes, the general of a powerful army, to free her people. The story has fascinated artists and authors for centuries, and is becoming a major field of research in its own right. The Sword of Judith is the first multidisciplinary collection of essays to discuss representations of Judith throughout the centuries. Bringing together scholars from around the world, it transforms our understanding of Judith

Transparent Things: A Cabinet

Authors: --- --- --- --- et al.
ISBN: 9780615790374 Year: Pages: 88 Language: English
Publisher: punctum books
Subject: History of arts
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For the art and literary historians gathered together in this volume (Angela Bennett Segler, Jennifer Borland, Karen Eileen Overbey, Nancy Thompson, and Maggie M. Williams), all students of medieval material, these tensions between surface and depth, present and past, concentration and skimming are all too familiar. The inherent contradictions of medieval objects, their irreducibility to either the purely intellectual or the merely physical, are at once the delights and the dangers of the art historian’s work. This book thus offeres a dialogue on the question of how our encounters with physical things spark a process and how objects might allow unique collisions between the past and the present, the human and the inanimate, the practice of history and lived experience. As works of medieval studies or art history, these essays are incomplete, awkward, and provisional. Some of them may even read like embarrassing teenage poetry. This collection is like that dusty box in the basement: it is full of raw, unedited, transparent expressions of affect, of the sort we have learned to hide.

Listing 1 - 8 of 8